A meditation on love and its various incarnations, set within a community of friends in Oregon. and is described as an exploration of the magical, mysterious and sometimes painful incarnations of love.
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A poor and passionate young man falls in love with a rich young woman and gives her a sense of freedom. They soon are separated by their social differences.
Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.
With a job that has him traveling around the country firing people, Ryan Bingham leads an empty life out of a suitcase, until his company does the unexpected: ground him.
Director:
Jason Reitman
Stars:
George Clooney,
Vera Farmiga,
Anna Kendrick
Two girlfriends on a summer holiday in Spain become enamored with the same painter, unaware that his ex-wife, with whom he has a tempestuous relationship, is about to re-enter the picture.
Director:
Woody Allen
Stars:
Rebecca Hall,
Scarlett Johansson,
Christopher Evan Welch
A naive young woman comes to New York and scores a job as the assistant to one of the city's biggest magazine editors, the ruthless and cynical Miranda Priestly.
A young woman takes a soul-searching journey across America to resolve her questions about love while encountering a series of offbeat characters along the way.
A British medical doctor fights a cholera outbreak in a small Chinese village, while also being trapped at home in a loveless marriage to an unfaithful wife.
Director:
John Curran
Stars:
Catherine An,
Edward Norton,
Liev Schreiber
Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Director:
Joe Wright
Stars:
Keira Knightley,
Donald Sutherland,
Brenda Blethyn
A rustic Oregon town is the backdrop for this tale of men and women touched by love's inescapable spell. From Bradley, the hopeless romantic who looks for love in all the wrong places; to Harry, a local professor with the wisdom and experience to guide those close to him; to young, beautiful Chloe, who defies fate in romancing the troubled Oscar. Written by
Anonymous
At 01:11:00, when Diana asks David why he did not call her after moving out from his wife, he says that he did not call her, because she was married. Diana then removes her wedding ring and proceeds to kiss him. In the next scene, while she is still kissing him, her wedding ring is back on her finger. See more »
Quotes
[Bradley and Harry are sitting on the bench by the football field reminiscing of the past year and a half]
Harry Stevenson:
God is either dead or he despises us.
Bradley Smith:
You don't really believe that.
Harry Stevenson:
Maybe. I saw the most remarkable thing just now. I wandered into the stadium, I thought I was alone but down on the 50-yard line there was a couple making love. I watched for longer then I should have. I was envious. And then I felt sorry for them. There's so much they don't know. Heartbreak they can't even imagine.
Bradley Smith:
[sighs]
Harry Stevenson:
Bradley Smith:
Harry Stevenson:
Bradley Smith:
Harry Stevenson:
[...] See more »
Shrewd marketing meant that Feast of Love's release here was to coincide with the extremely commercial Valentine's Day celebrations, but sometimes I wonder the value of such a move, because do you really want to spend that day dedicated to declarations of undying love, in a darkened cinema hall, involved in what is essentially a solitary activity, at least until the lights come on.
But to those who decide to do so, Feast of Love lives up to its namesake. Based on the novel by Charles Baxter, almost every conceivable notion of the modern relationship gets worked into the entire story. And it helps too with an ensemble cast filled with beautiful leads, from young upstarts to wisely veterans. As with most movies with a huge cast, everyone's connected to one another through the inevitable six degrees of separation, naturally for convenience, but in this aspect, it played to the early monologue and we take on the role of the Greek Gods, who introduced the notion of love and see how each of our human creations scuttle around trying to make sense of it, and through their individual journeys, succeed or fail, laugh or cry, get spurned on to heights unimaginable, or get thrown into the depths of heartbroken despair.
Morgan Freeman can almost sleepwalk through any wise, sagely character roles. After all, he's played the most powerful man on Earth before, and even God himself, twice. Here, he's Harry Stevenson, a university lecturer on a leave of absence who together with his wife Esther Stevenson (Jane Alexander), are grieving the lost of their only son. His best friend is a coffee joint owner Bradley Thomas (Greg Kinnear), who is just about the most unlucky bloke when it comes to affairs of the heart, with his female engagements being Selma Blair, Radha Mitchell and Erika Marozsan, who enter at different points of his life. Then there's Bradley's employee Oscar the baristas, whom we follow in a tale of young, passionate love at first sight with Chloe (Alexa Davalos).
As I mentioned earlier, every conceivable aspect of love get played on the big screen. You have the young love at first sight, the tried and tested bonds between the elderly who fear about impending departure from one another through death, you have ugly divorces, and worse, if it's for a member of the same sex, you have adultery and the exploration what makes it worse - knowing that you're cheating on your spouse, or cheating on a potential spouse because you've led them to believe that you're in exclusivity, and of course, parental love and guidance given towards a child.
Come to think of it, there're quite a number of negative emotions that get played through the movie, but ultimately, it's still provides a positive effect through the lessons learnt from succinct encounters that the characters go through. Such as whether you'll find the courage to go through hardship and difficulties with the other half, knowing the consequence of it all, finding little happiness and blessings in your daily life despite setbacks that take a stab through your heart, and what I thought was a very, very apt reminder and an important lesson to be learnt, is to always open your eyes and not be blindsided by love just because of the endorphins that course through your entire body make it seem that you can tolerate shortcomings for the longer term.
It's a reminder that in relationships, one has to be first honest with oneself, before seeking out that somebody else. Ditch those baggage, and fear not to break away amicably should you realize that things aren't working out right. Never give up hope, and to keep to your vows should you already have made them. Love is in the air, but pragmatism should sometimes prevail or be considered in tandem.
10 of 16 people found this review helpful.
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Shrewd marketing meant that Feast of Love's release here was to coincide with the extremely commercial Valentine's Day celebrations, but sometimes I wonder the value of such a move, because do you really want to spend that day dedicated to declarations of undying love, in a darkened cinema hall, involved in what is essentially a solitary activity, at least until the lights come on.
But to those who decide to do so, Feast of Love lives up to its namesake. Based on the novel by Charles Baxter, almost every conceivable notion of the modern relationship gets worked into the entire story. And it helps too with an ensemble cast filled with beautiful leads, from young upstarts to wisely veterans. As with most movies with a huge cast, everyone's connected to one another through the inevitable six degrees of separation, naturally for convenience, but in this aspect, it played to the early monologue and we take on the role of the Greek Gods, who introduced the notion of love and see how each of our human creations scuttle around trying to make sense of it, and through their individual journeys, succeed or fail, laugh or cry, get spurned on to heights unimaginable, or get thrown into the depths of heartbroken despair.
Morgan Freeman can almost sleepwalk through any wise, sagely character roles. After all, he's played the most powerful man on Earth before, and even God himself, twice. Here, he's Harry Stevenson, a university lecturer on a leave of absence who together with his wife Esther Stevenson (Jane Alexander), are grieving the lost of their only son. His best friend is a coffee joint owner Bradley Thomas (Greg Kinnear), who is just about the most unlucky bloke when it comes to affairs of the heart, with his female engagements being Selma Blair, Radha Mitchell and Erika Marozsan, who enter at different points of his life. Then there's Bradley's employee Oscar the baristas, whom we follow in a tale of young, passionate love at first sight with Chloe (Alexa Davalos).
As I mentioned earlier, every conceivable aspect of love get played on the big screen. You have the young love at first sight, the tried and tested bonds between the elderly who fear about impending departure from one another through death, you have ugly divorces, and worse, if it's for a member of the same sex, you have adultery and the exploration what makes it worse - knowing that you're cheating on your spouse, or cheating on a potential spouse because you've led them to believe that you're in exclusivity, and of course, parental love and guidance given towards a child.
Come to think of it, there're quite a number of negative emotions that get played through the movie, but ultimately, it's still provides a positive effect through the lessons learnt from succinct encounters that the characters go through. Such as whether you'll find the courage to go through hardship and difficulties with the other half, knowing the consequence of it all, finding little happiness and blessings in your daily life despite setbacks that take a stab through your heart, and what I thought was a very, very apt reminder and an important lesson to be learnt, is to always open your eyes and not be blindsided by love just because of the endorphins that course through your entire body make it seem that you can tolerate shortcomings for the longer term.
It's a reminder that in relationships, one has to be first honest with oneself, before seeking out that somebody else. Ditch those baggage, and fear not to break away amicably should you realize that things aren't working out right. Never give up hope, and to keep to your vows should you already have made them. Love is in the air, but pragmatism should sometimes prevail or be considered in tandem.