Electroma (2006)

Directors:

Thomas Bangalter
Guy-Manuel De Homem-Christo

Writers:

Thomas Bangalter (written by) &
Guy-Manuel De Homem-Christo (written by) ...

Release Date:

24 March 2007 (France)

Genre:

Drama | Sci-Fi

Tagline:

It's a Daft Punk vision...

Plot:

Follows the history of two robots, the members of Daft Punk, on their quest to become human.

Plot Keywords:

Robot | Desert | Highway | Silence | Fire

Cast

Peter Hurteau	...	Hero Robot #1
Michael Reich	...	Hero Robot #2
Helena Stoddard	...	Woman
Vance Hartwell	...	White Room Technician # 1
Lilo Tauvau	...	White Room Technician #2 (as Lilo Tauvao)
Ken Banks	...	White Room Technician #3
Howie Adams	...	White Room Technician #4
Ritche Lago Bautista	...	Robot Groomsman (Town Cast) (as Ritchie L. Bautista)
Amir Bokhari	...	Town Cast
Alina	...	Town Cast (as Alina Bolsakova)
Jordan Bonson	...	Town Cast
Bradley Schneider	...	Robot Lawyer (Town Cast) (credit only)
Joshua Calhaun	...	Town Cast
Bradley Davis	...	Town Cast
Alan Deane	...	Town Cast

Also Known As:

Daft Punk's Electroma (International: English title)

Runtime:

USA:74 min | Argentina:94 min (Mar del Plata Film Festival)

Country:

France | USA

Language:

None

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital | DTS

Certification:

Argentina:13 | Australia:G

Filming Locations:

Barstow, California, USA

Company:

Daft Arts

Trivia:

While preparing for the role of cinematographer, Thomas Bangalter purchased over 200 back issues of American Cinematographer.

Soundtrack:

Miserere

Beautifully Crafted Silence

I think there is a lot to be said about experimental film. I saw the film on the beach at Cannes, and for all I know, the guys could have been sitting next to me. In a search for a human existence, two robots wander somewhat endlessly until they finally find a way to end it all. The film is making a remarkable statement on today's world. It raises so many great questions, and the only problem is that sitting through two hours of wandering characters takes an audiences expectations to another level. Fellini was able to allow his characters to roam, but in that wandering so much happened, and his characters were intellectually credible. In the case of Electroma, the lack of events is very anti-film. Everything which they have done with this film leaves the audience questioning, why? We love films because of what happens in them, not because of what doesn't happen. I think that Daft Punk's attempt to find something else in this medium is quite brilliant, yet it falls short of entertainment. The visual means in which they reached certain points was incredible, but finding a way through the monotony was difficult for some. The ending was fantastic though, and I wish they push the limits even more in their next take on film.

We are all robots who sculpt our own plastic faces. We are all wandering robots with no place to fit in. Maybe I am analyzing too much, but to go to such realms with out symbolism in some higher meaning would be a waste. Perhaps that is what they were out to do. Perhaps they were just creating a (beautiful) moving painting. Maybe just messing with our heads. Regardless, they were up to something, and we will just have to see what comes next to see whether or not they're full of it.

I do give them credit for the silence. It spoke louder than any music they've ever written.