| Cast overview, first billed only: | |||
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Peter Hurteau | ... |
Hero Robot #1
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Michael Reich | ... |
Hero Robot #2
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Helena Stoddard | ... |
Woman
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Vance Hartwell | ... |
White Room Technician # 1
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Lilo Tauvao | ... |
White Room Technician #2
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Ken Banks | ... |
White Room Technician #3
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Howie Adams | ... |
White Room Technician #4
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Ritche Lago Bautista | ... |
Robot Groomsman (Town Cast)
(as Ritchie L. Bautista)
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Amir Bokhari | ... |
Town Cast
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| Alina Bolshakova | ... |
Town Cast
(as Alina Bolsakova)
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Jordan Bonson | ... |
Town Cast
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Bradley Schneider | ... |
Robot Lawyer (Town Cast)
(credit only)
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Joshua Calhaun | ... |
Town Cast
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Bradley Davis | ... |
Town Cast
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Alan Deane | ... |
Town Cast
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Daft Punk's Electroma is an odyssey of two robots who journey across a mythic American landscape of haunting, surreal beauty on a quest to become human. Their symbolic quest, which takes them from endless two lane highways to small idyllic towns to the arid desert, finds Daft Punk once again resisting conformity and developing new ways to highlight their inventive vision. A silent feature-length film that made its international debut at the 2006 Cannes Film Festival, Electroma will interest Daft Punk fans and film enthusiasts alike. With its breathtaking cinematography, innovative filming techniques, and above all its underlying search for humanity within a dystopian environment, Daft Punk have delivered a film that finds a common thread with their previous work while exploring new horizons as directors of their first feature film. Written by Vice Records
I think there is a lot to be said about experimental film. I saw the film on the beach at Cannes, and for all I know, the guys could have been sitting next to me. In a search for a human existence, two robots wander somewhat endlessly until they finally find a way to end it all. The film is making a remarkable statement on today's world. It raises so many great questions, and the only problem is that sitting through two hours of wandering characters takes an audiences expectations to another level. Fellini was able to allow his characters to roam, but in that wandering so much happened, and his characters were intellectually credible. In the case of Electroma, the lack of events is very anti-film. Everything which they have done with this film leaves the audience questioning, why? We love films because of what happens in them, not because of what doesn't happen. I think that Daft Punk's attempt to find something else in this medium is quite brilliant, yet it falls short of entertainment. The visual means in which they reached certain points was incredible, but finding a way through the monotony was difficult for some. The ending was fantastic though, and I wish they push the limits even more in their next take on film.
We are all robots who sculpt our own plastic faces. We are all wandering robots with no place to fit in. Maybe I am analyzing too much, but to go to such realms with out symbolism in some higher meaning would be a waste. Perhaps that is what they were out to do. Perhaps they were just creating a (beautiful) moving painting. Maybe just messing with our heads. Regardless, they were up to something, and we will just have to see what comes next to see whether or not they're full of it.
I do give them credit for the silence. It spoke louder than any music they've ever written.