| Linda Hattendorf | ... | Herself | |
| Jimmy Mirikitani | ... | Himself |
Directed by | |||
| Linda Hattendorf | |||
Produced by | |||
| Linda Hattendorf | .... | producer | |
| Masahiro Yoshikawa | .... | producer (as Masa Yoshikawa) | |
Original Music by | |||
| Joel Goodman | |||
Cinematography by | |||
| Linda Hattendorf | |||
| Masahiro Yoshikawa | |||
Film Editing by | |||
| Keiko Deguchi | |||
| Linda Hattendorf | |||
Production Management | |||
| Richard O'Connell | .... | associate director of production: itvs | |
Sound Department | |||
| Philippe Desloovere | .... | sound editor | |
| James David Redding III | .... | sound re-recording mixer | |
Editorial Department | |||
| Lucjan Gorczynski | .... | assistant editor | |
Other crew | |||
| Chris Cliadakis | .... | archival researcher | |
| Sachio Nomura | .... | archival researcher | |
Thanks | |||
| Zeny Abbariao | .... | special thanks | |
| Konrad Aderer | .... | special thanks | |
| Hatsumi Asaka | .... | special thanks | |
| Yuka Azuma | .... | special thanks | |
| Victor Baker | .... | special thanks | |
| Katherine Barnier | .... | special thanks | |
| David Becker | .... | special thanks | |
| David Becker | .... | special thanks | |
| Barbara Blackie | .... | special thanks | |
| Dougie Bowne | .... | special thanks | |
| Bruce Brennan | .... | special thanks | |
| Pam Brennan | .... | special thanks | |
| Peggy Brennan | .... | special thanks | |
| James Brown | .... | special thanks | |
| Ruth Brown | .... | special thanks | |
| Donna Cheng | .... | special thanks | |
| Nicholas Chin | .... | special thanks | |
| Wayne Collins Jr. | .... | special thanks | |
| Maureen Dougherty | .... | special thanks | |
| James Ehrlich | .... | special thanks | |
| Bob Eisenhardt | .... | special thanks | |
| Bronwyn Emmett | .... | special thanks | |
| Mary Engel | .... | special thanks | |
| Beth Epstein | .... | special thanks | |
| Lisa Eschenback | .... | special thanks | |
| Jo Face | .... | special thanks | |
| John Patrick Fleming | .... | special thanks | |
| Donna Weng Friedman | .... | special thanks | |
| Isao Fujimoto | .... | special thanks | |
| Asako Fujioka | .... | special thanks | |
| Toti Funara | .... | special thanks | |
| Aaron Gerow | .... | special thanks | |
| Jacob Akira Okada | .... | special thanks | |
| Seiko Ono | .... | special thanks | |
| Helen Yum | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
That man you just passed on the street, the one wearing four layers of clothing and a month's worth of human smell stench? Yeah him. Do you know who he is? Or what his history might be? These are the questions that suddenly plague New York director and documentarian Linda Hattendorf. Seeing one of these nameless faces wandering near where she lived, Linda decided to place her lens on him. His name, she quickly learns, is Jimmy Mirikitani, and his story is almost too much to believe.
A sidewalk artist who's specialty involved drawing Japanese cats and portraits of his wartime experiences, Jimmy is a complex and talented man. And when the 9/11 attacks occur only a few blocks away from Jimmy's normal homeless home-spot, Linda takes him in so that he doesn't have to choke on the dust littering the skies immediately after the collapse of the twin towers. The attacks on the twin towers also begin echoing prejudices against Muslim Americans, a prejudice that Jimmy is far too familiar with.
As Linda's cameras continue to record Jimmy's life, we learn that not only was Jimmy a peace loving man before WW II, but he also was an up-and-coming artist ...until he and his family were forced into Japanese internment camps in California. Everything was stripped away from Jimmy, including (or so he thought) his U.S. citizenship. As Linda tries to help Jimmy both mentally and financially, she runs up against Jimmy's anger and distrust of the government. Jimmy constantly refuses her requests to find out if he's eligible for social security, often sparking outbursts against the U.S. bureaucracy. His anger, it soon become apparent, is due to his internment time, his forced signing of documents relinquishing his U.S. citizen status (even though he was born in Sacramento, California), and the WW II bombing of his beloved Hiroshima (his hometown).
In his 80s, Jimmy also doesn't know what's happened to his family. He soon learns that he has plenty living in California. But opening up to them is not an easy road as his obvious mental illness intrudes upon his better judgement.
It is a poignant and memorable documentary for the simple reason that a person took the time to get to know this homeless man and uncovered a goldmine of information about an incredible person and an artist. His images are strikingly beautiful and haunting, hearkening back to his time in the internment camps and his early career as a hopeful artist.
The story is what really sticks with you, too. As we watch Linda (the documentary maker) uncover layer after layer of this unique man, we don't pity him but, instead, begin to UNDERSTAND him. That's a huge revelation. We understand why Jimmy is so angry. Why he's so reluctant to get close to people. And why, eventually, he comes out of his lonesome cocoon. It is a rebirth worth watching ...and enjoying