| Til Schweiger | ... | John Ridley | |
| Chazz Palminteri | ... | Lee Maxwell | |
| Lluís Homar | ... | Mark Graver | |
| Gustavo Salmerón | ... | Rogelio Garcia (as Gustavo Salmeron) | |
| Cristina Brondo | ... | Catherine Maxwell | |
| Khan Bonfils | ... | Ozu | |
| Louis Decosta Johnson | ... | Franklin Aames | |
| Mark Ullod | ... | Lobo | |
| Cristina Piaget | ... | Lareina | |
| Sue Flack | ... | Governer Lonsdale | |
| Nick Brimble | ... | Victor Tolkin | |
| Jaume Montané | ... | Sebastian Kemp | |
| Irene Montalà | ... | Anna | |
| Toby Harper | ... | Hotel Manager | |
| Paul Gibert | ... | Special Agent #1 | |
| Frank Feys | ... | Special Agent #2 | |
| Carlos Reig-Plaza | ... | Boyd | |
| Terry McClean | ... | Cafe Manager (as Terry McLean) | |
| Xavier Capdet | ... | Taxi Cab Driver (as Xavi Capdet) | |
| Xavier Llopis | ... | Mayor | |
| Lolo Perera | ... | Doorman | |
| Emiliano Martinez | ... | Cafe Diner | |
| Maria Valero | ... | Cafe Diner | |
| Ana Belén Borreguero Gonzalez | ... | Go-go Dancer | |
| Elaine | ... | Go-go Dancer | |
| Tamara Hermose | ... | Go-go Dancer | |
| Begoña Salguero Balsera | ... | Go-go Dancer | |
| Sandra Gonzalez | ... | Go-go Dancer | |
| Vanessa Ferrer | ... | Go-go Dancer | |
| rest of cast listed alphabetically: | |||
| Brendan Price | ... | (uncredited) | |
| Piero Verzello | ... | Advocate (uncredited) | |
Directed by | |||
| Gerry Lively | |||
Writing credits(WGA) | ||
| Ken Lamplugh | (written by) & | |
| John Weidner | (written by) | |
Original Music by | |||
| Jose Mora | |||
Cinematography by | |||
| Rafa Lluch | |||
| Christof Wahl | (director of photography) | ||
Film Editing by | |||
| Clive Barrett | |||
| Tony Solomons | |||
Casting by | |||
| Pep Armengol | |||
| Gillian Hawser | |||
| Luci Lenox | |||
Production Design by | |||
| Balter Gallart | |||
Art Direction by | |||
| Montse Sunyer | |||
Set Decoration by | |||
| Claudia Motta | |||
Costume Design by | |||
| Sian Jenkins | |||
Makeup Department | |||
| Alma Casal | .... | makeup department head | |
| Samantha Crescente | .... | assistant makeup artist | |
| Yolanda Martín | .... | makeup artist | |
| Satur Merino | .... | key hair designer | |
| Júlia Ramírez | .... | hair stylist | |
Production Management | |||
| Phil Brown | .... | post-production supervisor | |
| Cristina Planell | .... | assistant production manager | |
| Ander Sistiaga | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Javier Arriaga | .... | second assistant director | |
| Rebeca Iannaccone | .... | third assistant director | |
| Cucho Ramírez | .... | second assistant director | |
| Carlos Rosal | .... | additional third assistant director | |
| Neil Tuohy | .... | first assistant director | |
Art Department | |||
| Jordi Huguet | .... | storyboard artist | |
| Albert Rodriguez | .... | concept artist | |
Sound Department | |||
| Christian Bass | .... | dialogue editor | |
| Paul Carter | .... | sound effects editor | |
| Michael Maroussas | .... | supervising sound editor | |
| Adam Mendez | .... | sound re-recording mixer | |
| Dimitrios Posukidis | .... | adr recordist | |
| Rob Prynne | .... | foley editor | |
| Richard Straker | .... | sound re-recording mixer | |
Visual Effects by | |||
| Stephen Bender | .... | visual effects supervisor | |
| Gary J. Brown | .... | digital effects artist | |
Stunts | |||
| Gregory Brossard | .... | stunts | |
| Ignacio Carreño | .... | stunt coordinator | |
| Carlos Espinar | .... | stunts | |
| Antonio Higueruelo | .... | stunt coordinator (as Toni Higueruelo) | |
| Emilio Meilán | .... | stunt driver | |
| Santiago Meilán | .... | stunt driver | |
| Cedric Sester | .... | stunt double | |
| César Solar | .... | stunts | |
Camera and Electrical Department | |||
| Adrià Egea | .... | first assistant camera | |
| Álex González | .... | video operator (as Alex González) | |
| Marc Gómez del Moral | .... | camera operator | |
| Sven Hass | .... | consultant: camera department | |
| Rafael Miralles Sagrera | .... | first assistant additional camera: second unit | |
| Joan Morató | .... | steadicam operator | |
| James T. Ryan | .... | second assistant camera: "a" camera | |
Casting Department | |||
| Pep Armengol | .... | additional casting director | |
| Louis Elman | .... | adr voice casting | |
| Gillian Hawser | .... | casting: UK | |
| Anabel Pereda | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Paula Chiappetta | .... | additional wardrobe | |
| Amaia Tobes | .... | set costumer | |
Editorial Department | |||
| Moira Brophy | .... | post-production coordinator | |
| Crispin Struthers | .... | first assistant editor | |
| Jay Warren | .... | digital intermediate project manager | |
Music Department | |||
| Guy Farley | .... | music producer | |
| Phil Hope | .... | executive music supervisor | |
| Tommy Lockett | .... | music editor | |
| Charles Olins | .... | additional music scoring | |
| Mark Ryder | .... | additional music scoring | |
| Simon White | .... | music supervisor | |
Transportation Department | |||
| Esther Mestres | .... | runner driver | |
Other crew | |||
| Pol Aregall | .... | production assistant | |
| Diana Battista | .... | assistant to production | |
| Josef Brandmaier | .... | bank services | |
| Nadine Deckensattl | .... | assistant business affairs | |
| Thorsten Felscher | .... | worldwide sales | |
| Ana Fernández de Castro | .... | financial manager | |
| Ingrid Fernández de Castro | .... | production assistant | |
| Sven Hass | .... | set translator | |
| Jan Latussek | .... | production coordinator | |
| Peter Madamba | .... | script researcher | |
| Paul McCloskey | .... | assistant: Steve Richards | |
| Anna Vilà | .... | script supervisor | |
| Charlotte Young | .... | assistant legal affairs | |
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| The Interpreter | Mr. & Mrs. Smith | The Bodyguard | The Matador | The Ghost Writer |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Action scenes --especially those taking place in Barcelona-- are filmed as if in slow motion, with telegraphed blows. The characters behave oddly. The former hit-man --whose life has been threatened by fellow gangsters intending to stop him from giving testimony before the courts-- is paraded by his bodyguard (the movie's hero) all over Barcelona. The bad guys are incredibly clumsy as well: horrible aiming with the guns and slow motion movements, thus allowing the hero to conveniently kill all of them. The two police officers assigned to assist in the protection are dumb: they open the door at a simple knock, without preparing themselves (and, lo and behold! both are instantly killed by the bad guy, at the other side of the door). And so on. One point for the effort of making an action movie in an unusual environment. They should keep trying: it was a good idea. But, even though it is a relatively simple genre, shooting these action films takes some practicing and learning too.