3 items from 2015
Filmmakers and cinephiles celebrated news Friday that producer Megan Ellison’s Annapurna Pictures would join a group of benefactors to save beloved Santa Monica video emporium Vidiots, which had announced days earlier that it was going out of business.
Ellison’s rep said she and others would contribute an undisclosed amount of money to help sustain the Pico Boulevard shop, where writers and directors have found obscure titles and shared their love of cinema for 30 years. It had been slated to close in April because of badly sagging business.
Be kind rewind pic.twitter.com/ej6GZnXOBP
— Megan Ellison (@meganeellison) January 29, 2015
In the face of competition from streaming services and rental kiosks, revenue had plunged by nearly 25% over the last six months.
Regular customers had been aware of Vidiots’ struggles for some time, but reports in the Wall Street Journal and L.A. Times recently made the store’s imminent demise a cause celebre. »
- James Rainey
Park City, Utah – HollywoodChicago.com’s coverage of the 2015 Sundance Film Festival is far from over. This is the latest batch of reviews of movies that I’ve seen there. One film was a triumph while the other two are titles that I wouldn’t want to be stuck talking to at a party.
Image credit: Sundance Institute
Running equal portions of dry goofiness and finite inspired storytelling, Jared Hess’ “Don Verdean” is a rewarding comedy about Biblical archaeology that’s necessary for times in which religious institutions crave sensationalism to get their good word across. For those who read “The Boy Who Came Back from Heaven” before its child author said he made it all up, or those who saw “Heaven Is For Real” as a type of precursor to their own death’s aftermath, this movie is for them. It’s a brilliant take »
- firstname.lastname@example.org (Adam Fendelman)
If Chance the Gardner, the TV-educated savant played by Peter Sellers in “Being There,” had lived together with his six siblings, it might have looked something like “The Wolfpack,” a truly stranger-than-fiction portrait of a New York family who’ve taken great pains to shelter their children from the outside world, but not from the world of Hollywood movies. Indeed, so weirdly fascinating is the tale of the Angulo clan that one wishes “The Wolfpack” were that much sharper, more searching and coherently organized. Still, there is much to enjoy in director Crystal Moselle’s debut documentary feature, which if nothing else begs a where-are-they-now sequel a few years down the road.
There’s a certain fated coincidence to the fact that “The Wolfpack” premiered in Sundance on the same day as Alex Gibney’s “Going Clear,” another documentary about a hermetic community started by a self-styled guru with entertainment-industry aspirations. »
- Scott Foundas
3 items from 2015
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