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Directed by | |||
| John Dahl | |||
Writing credits(WGA) | ||
| Christopher Markus | (written by) & | |
| Stephen McFeely | (written by) | |
Produced by | |||
| Allison Adams | .... | associate producer: SBK Pictures | |
| Carol Baum | .... | producer | |
| Al Corley | .... | producer | |
| Jonathan Dana | .... | executive producer | |
| Juliette Hagopian | .... | line producer | |
| Téa Leoni | .... | executive producer | |
| Mike Marcus | .... | producer | |
| Raymond Massey | .... | line producer: San Francisco | |
| Eugene Musso | .... | producer | |
| Kim Olsen | .... | co-producer | |
| Bart Rosenblatt | .... | producer | |
| Howard Rosenman | .... | producer (as Zvi Howard Rosenman) | |
Original Music by | |||
| Marcelo Zarvos | |||
Cinematography by | |||
| Jeff Jur | (director of photography) (as Jeffrey Jur) | ||
Film Editing by | |||
| Scott Chestnut | |||
Casting by | |||
| Carol Lewis | |||
Production Design by | |||
| John Dondertman | |||
Art Direction by | |||
| Réjean Labrie | |||
Set Decoration by | |||
| Maryam Decter | |||
| Bruce Mailing | |||
Costume Design by | |||
| Linda Madden | |||
Makeup Department | |||
| Pamela M. Athayde | .... | key makeup artist (as Pamela Athayde) | |
| Pamela M. Athayde | .... | makeup artist: Ben Kingsley (as Pamela Athayde) | |
| Shelly Bargenda | .... | assistant hair stylist | |
| Lori Caputi | .... | key hair stylist | |
| Heather Gunderman | .... | key hair stylist: San Francisco | |
| Cheryl Ann Nick | .... | makeup artist: Téa Leoni (as Cheryl Nick) | |
| Gwen Trutnau | .... | assistant makeup artist | |
Production Management | |||
| Imad Ftouni | .... | assistant unit manager | |
| Bart Rosenblatt | .... | production manager | |
| Daniel Voltz | .... | post-production supervisor | |
Art Department | |||
| Olaf Dux | .... | construction coordinator | |
| Greg Gardner | .... | graphic artist | |
| Jason Gibbs | .... | property master | |
| Kim Hamin | .... | on-set dresser | |
| Donna Jenkyns | .... | draper | |
| Mike Johnson | .... | head carpenter | |
| Matthew Karam | .... | art director: second unit | |
| Chris Roznowsky | .... | assistant property master | |
| Katharina Stieffenhofer | .... | art department coordinator | |
| Lawrence Van Went | .... | key scenic artist | |
Sound Department | |||
| James Barth | .... | adr recordist | |
| Josee Bernard | .... | boom operator | |
| Miriam Cole | .... | adr coordinator | |
| Brian Copenhagen | .... | boom operator: San Francisco | |
| Devin Johnson | .... | first assistant editor | |
| Jon Johnson | .... | supervising sound editor | |
| Eric Justen | .... | sound re-recording mixer | |
| Val Kuklowsky | .... | supervising adr editor | |
| Sam C. Lewis | .... | adr recordist | |
| Louis Marion | .... | sound mixer | |
| Michael J. McDonald | .... | sound recordist (as Michael McDonald) | |
| Paul Morrow | .... | boom operator | |
| Terry O'Bright | .... | sound re-recording mixer | |
| G.W. Pope III | .... | foley artist | |
| Miguel Rivera | .... | dialogue editor | |
| Steve Schatz | .... | sound mixing recordist | |
| Brad Sokol | .... | sound editor | |
| Bruce Stubblefield | .... | dialogue editor | |
| Alex Ullrich | .... | foley editor | |
Special Effects by | |||
| Jimi Campbell | .... | special effects assistant | |
| Mark Gebel | .... | special effects supervisor | |
| Laird McMurray | .... | special effects coordinator | |
| Stephen Wallace | .... | special effects foreman | |
Visual Effects by | |||
| Kenneth Armstrong | .... | digital artist | |
| Ben Campanaro | .... | digital compositor: Mechnology | |
| Chris Ervin | .... | digital effects artist | |
| Chris Ervin | .... | visual effects supervisor | |
| Diana Luu | .... | digital artist | |
| Elizabeth Marriner | .... | digital artist | |
| Lanmana Parys | .... | visual effects producer | |
| Jeff Rubin | .... | visual effects animator | |
Stunts | |||
| Sterling Johnson | .... | stunt double: Roman | |
| Chuck Robinson | .... | stunt coordinator | |
| Craig Skene | .... | stunt double: Walter | |
| Jan Skene | .... | stunts | |
| Rick Skene | .... | stunt coordinator | |
| Sean Skene | .... | stunt performer | |
| Glen Thompson | .... | stunt double | |
Casting Department | |||
| Jim Heber | .... | casting: Canada | |
| Patricia Kress | .... | extras casting assistant | |
| Joey Ritche | .... | casting assistant: Canada | |
| Lori Stefaniuk | .... | extras casting | |
Costume and Wardrobe Department | |||
| Lauren D. Martin | .... | set costumer | |
| Annie Rothschild | .... | costumer | |
| Angela Wells | .... | truck costumer | |
Editorial Department | |||
| Jon Berry | .... | digital intermediate editor | |
| Andre Champagne | .... | additional editorial assistant | |
| C. Robert Dimitri | .... | post-production assistant | |
| Travis Dutch | .... | digital cinema mastering | |
| Kyle Dean Jackson | .... | digital intermediate producer | |
| Sherwood Jones | .... | assistant editor | |
| Alan Pao | .... | digital intermediate producer | |
| Sebastian Perez-Burchard | .... | digital intermediate editor | |
| Narbeh Tatoussian | .... | digital intermediate colorist | |
| Rex M. Teese | .... | assistant editor | |
| Gregory Torrillo | .... | assistant editor | |
Music Department | |||
| Natalie Baartz | .... | music supervisor | |
| John Bissell | .... | music supervisor | |
| Johnny Caruso | .... | music editor | |
| Robert Miles Kane | .... | music assistant | |
| Daniel Levy | .... | score preparation | |
| Lawrence Manchester | .... | score mixer | |
| Lawrence Manchester | .... | score recordist | |
Other crew | |||
| Neal Baksh | .... | assistant location manager | |
| Dave Brown | .... | firearms safety coordinator | |
| Matthew Cardarople | .... | assistant: Luke Wilson | |
| Bryn Garrison | .... | location manager | |
| Tim Haughian | .... | location manager | |
| Steven Hearn | .... | assistant location manager | |
| Ross Ikeda | .... | key production accountant | |
| Karen Jo Irvin | .... | executive assistant to producers | |
| Shaun Johnson | .... | assistant production coordinator | |
| David Lapp | .... | first assistant accountant | |
| Scott Layton | .... | production coordinator | |
| Chris Martin | .... | script supervisor | |
| Tanya Mazur | .... | script supervisor | |
| Allan McGowan | .... | security officer | |
| Peter Moody | .... | location manager | |
| Barb Myrvold | .... | accounting clerk | |
| Laura Neufeld | .... | production coordinator | |
| David Porter | .... | sous chef | |
| Sandy Reed | .... | craft service | |
| Leslie Stafford | .... | publicist | |
| Rebecca Traub | .... | extras wrangler | |
| Michelle Walker | .... | key craft service | |
| Ryan Wuckert | .... | location scout | |
| Andrew Schulz | .... | location assistant (uncredited) | |
Thanks | |||
| Jonathan Bell | .... | thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
THE GOOD - A very interesting film, start-to-finish, with a little action, romance, humor, melodrama, suspense....a good combination of a lot of things. The acting is good, led by the always-fascinating Ben Kingsley who plays the lead role. There was a good contrast in the areas: the snowy cold of winter in Buffalo and the dry and brighter look of San Francisco. I like the supporting actors in here, beginning with Dennis Farina as "O'Leary." He's another actor that always gets your attention. The movie also gives a nice plug for Alcoholics Anonymous. I kept waiting the smart remarks about it, but they surprised me on that one. Respect was given for the no-nonsense approach given by that famous organization which has helped a lot of people.
THE BAD - Even though it's "dark humor," the messages in here are in frequently enough that I believe Hollywood, in its twisted thinking, would actually go along with a lot of opinions expressed such as alcoholism being a more serious problem than being a hit-man! (Hey, they are only shooting other bad guys, right?) Tea Leoni's character was stupid and too profane. No woman, especially someone with her looks and brains, would go for an aging, drunk-killer. Puh-leeze. Also, being from the Buffalo area, I didn't care for the cheap shots on the city, either. People here are tired of that.
OVERALL - Despite a few things, like Leoni, that were a little sleazy and unrealistic, I found the movie a good one in that it entertained me all the way. This is a strange film, certainly not one that is going to be a hit with the public but if you like something different, something a little "dark" yet romantic, you'd probably like this film. It's quirky, which seems to be the kinds of films Kingsley has been doing the past decade ("Sexy Beast," "House Of Sand And Fog," etc.)