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Star Trek (2009) Poster

(2009)

Trivia

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According to the audio commentary, J.J. Abrams had a meeting with George Lucas. During the meeting, Abrams asked how can he make the film better, to which Lucas stated that he should add lightsabers.
Roberto Orci, Alex Kurtzman and J.J. Abrams personally called upon Leonard Nimoy's home to request for his role in the film. According to Orci, the actor gave a "Who are you guys and what are you up to? manner" before being told how important he was to them. He was silent, and Nimoy's wife Susan Bay told the creative team that after their conversation he had remained in his chair, emotionally overwhelmed by his decision to return as Spock after turning down many opportunities to revisit the role. He decided to act in this film as he was turned on by the script's scope and its detailing of the characters' histories: "We have dealt with Spock being half-human/half-Vulcan, but never with quite the overview that this script has of the character's entire history, his character growth, his beginnings and his arrival into the Enterprise crew."
Simon Pegg didn't audition for the part, he simply received an email from J.J. Abrams asking if he'd like to play Scotty. Pegg said he would have done it for free, or even paid Abrams to be in the movie if he wasn't offered a part.
The sound of the automatic doors opening on the Enterprise is a Russian train's toilet flushing.
The feature film debut of Chris Hemsworth.
When Chris Pine was cast as James Kirk, he sent William Shatner a letter and received a reply containing Shatner's approval.
Majel Barrett, the wife of "Star Trek" creator Gene Roddenberry, is the voice of the Enterprise computer. She'd also been the computer voice in Star Trek: The Next Generation (1987), Star Trek: Deep Space Nine (1993) and Star Trek: Voyager (1995), and had played Pike's first officer in Star Trek: The Cage (1986). She completed her voice-over work from her home, two weeks before her death on December 18, 2008.
The Korean-American actor John Cho was initially uncertain about being cast as the Japanese-American officer Hikaru Sulu, but George Takei, who played Sulu in Star Trek (1966), encouraged him to take the role as Sulu was a character who represented all of Asia.
The first time that Zachary Quinto met Leonard Nimoy in the set, Nimoy said to the young actor: "You have no idea what you're in for."
When Chekhov manages to transport Sulu and Kirk aboard from a fall, he shouts "Yo-moyo!" This is a Russian exclamation of surprise and excitement, roughly corresponding to English "Hot damn!"
There is a supposed "odd-numbered movie curse" associated with the Star Trek films in which the odd-numbered films tend to be weaker and the even-numbered ones tend to be stronger. This curse was supposedly proved false with the poor reception of film ten, Star Trek: Nemesis (2002) This new Star Trek (2009) is the eleventh film. Years before, Simon Pegg's character in Spaced (1999) joked that every odd-numbered Star Trek film being "shit" was a fact of life. Pegg noted: "Fate put me in the movie to show me I was talking out of my ass."
In the scene where Kirk is taking the Kobayashi Maru test, he is eating an apple, which is also what he is eating while recounting his tale of taking the Kobayashi Maru test in Star Trek II: The Wrath of Khan (1982). (According to Director J.J. Abrams in the commentary for the DVD, this was not intended to be a reference to The Wrath of Khan. He was simply told at one point that lead actors seem cocky eating apples.)
J.J. Abrams claimed it was surreal to direct Leonard Nimoy as Spock: "This guy has been doing it for forty years!"
Winona Ryder, who plays Spock's mother, Amanda, is only 6 years older than Zachary Quinto, who plays Spock, and is 24 years younger than Ben Cross who plays her husband. Ryder was cast in the role (instead of an actress who was actually old enough to be Quinto's mother) because the movie originally was to start with a scene of Amanda giving birth to Spock, but that scene was cut.
Wil Wheaton, who played Wesley Crusher in Star Trek: The Next Generation (1987), recorded (digitally altered) dialog for many of the Romulans on Nero's ship.
For the space jump scene, the actors were initially filmed on harnesses, facing downward. However, they constantly passed out from the rush of blood to the head. J.J. Abrams ultimately came up with the idea of filming the actors standing on mirrors. When shot from the angle, the reflection of the sky behind the actors gave the appearance that they were actually falling out of the sky.
In a UK interview with Edith Bowman on BBC Radio 1, Matt Damon mentioned that he called J.J. Abrams when he heard rumors that he was being considered for the role of Captain Kirk. The response from Abrams was a very polite "no". He explained that Damon was "too old" for the role.
The sound made by the "motorcycle" that Kirk rides to the shuttle departing to the Star Fleet Academy is the same sound used in The Jetsons (1962) for the "cars" they fly.
When Cameron Crowe saw a rough cut of the film, he kept asking who played the villain. He was staggered to realize that it was an unrecognizable Eric Bana.
To prepare for his role as Captain James Kirk, Chris Pine watched classic episodes and read encyclopedias about the Star Trek (1966) universe. However, his research was rudimentary, as he wanted his performance to be original and not an imitation of William Shatner. He based his performance on Tom Cruise's Maverick (Top Gun (1986)) and Harrison Ford's Han Solo (Star Wars: Episode IV - A New Hope (1977) etc.) and Indiana Jones (Raiders of the Lost Ark (1981) etc.), heroes who Pine felt possessed the archetypal hero qualities Kirk has (humour, arrogance, decisiveness).
Just before he died in 1991, Gene Roddenberry was asked in an interview what was to become of Star Trek in the future. He replied that he hoped "some bright young thing would come along and do it again, bigger and better". The critical and commercial consensus about this film would seem to indicate that Roddenberry's wish came true in the shape of J.J. Abrams.
To perfect the Vulcan salute, Zachary Quinto had his fingers glued together by J.J. Abrams.
According to Karl Urban, film production and shooting were ULTRA-secret: "There is a level of security and secrecy that we have all been forced to adopt. It's really kind of paranoid crazy, but sort of justified. We're not allowed to walk around in public in our costumes and we had to be herded around everywhere in these golf carts that are completely concealed and covered in black canvas." No amount of precaution was enough - Simon Pegg read the script with a security guard close by, and supporting actors like Jennifer Morrison were given scripts with only their scenes. The few people given access to the film during its highly secretive production were Rod Roddenberry, Ronald D. Moore, Nichelle Nichols, Walter Koenig, Jonathan Frakes, Ben Stiller, Tom Cruise, and Steven Spielberg.
Steven Spielberg convinced J.J. Abrams to direct the film, and provided advice on some of the action sequences.
Kirk, the "black sheep" of the Enterprise crew, wears only his black undershirt up until he is formally given command; everyone else wears a colored overshirt reflecting their area of responsibility.
Eric Bana improvised Nero's speech patterns.
Chris Pine described his first audition as being awful, mainly because he couldn't take himself seriously as a leader. He was fortunate in that J.J. Abrams didn't see his first audition and readily agreed to another one after Pine's agent bumped into Abrams' wife and pushed for his client.
While most Trekkies will have known this detail for decades, this is the first time that Uhura has been given a first name on screen: Nyota. Gene Roddenberry never came up with a first name for her while Star Trek (1966) was in production. A few years later, someone pointed out to him that Nyota is the Swahili word for star, and the name Nyota Uhura is often used in printed Star Trek literature, including the DC Comics publication "Who's Who in Star Trek".
To perform Scotty's accent, Simon Pegg was assisted by his wife Maureen Pegg, who is from Glasgow. However, later Pegg said Scotty was from Linlithgow and wanted to bring a more East Coast sound to his accent, so his resulting performance is a mix of both accents that leans towards the West sound. He was also aided by Tommy Gormley, the film's Glaswegian first assistant director.
This is the first "Star Trek" film to list its cast in alphabetical order, rather than by who the leads are. This was done to reflect the ensemble nature of the film's cast.
Zachary Quinto was attracted to the role of Spock as he wanted to explore the character's dual heritages and his position of being caught between both Earth and Vulcan cultures: "He is constantly exploring that notion of how to evolve in a responsible way and how to evolve in a respectful way. I think those are all things that we as a society, and certainly the world, could implement."
The film is dedicated to Gene Roddenberry and his wife Majel Barrett.
Simon Pegg described Scotty as a Scot stereotype, but a positive one ("Scots are the first people to laugh at the fact that they drink and fight a bit"), and that Scotty comes from a long line of Scotsmen with technical expertise, like John Logie Baird and Alexander Graham Bell.
The crew on the U.S.S Kelvin use communicators that were of the same style used on the original series; you can see this when the engineer comes into frame and when Kirk's wife is contacting him during the evacuation of the Kelvin. After Nero changes the time line and starts the alternate universe the communicators change drastically.
Chris Pine and Zachary Quinto, who play the odd couple Kirk and Spock, were previously acquainted with each other as they work out at the same gym.
When the film premiered at Sydney's Opera House on April 7 2009, there was spontaneous applause from the audience when Leonard Nimoy first appeared onscreen.
To prepare for his role as Spock, Zachary Quinto grew his hair longer and dyed it, and shaved his eyebrows. He claimed that the change in appearance cemented his performance: "I just felt like a nerd. I felt like I was 12 again, you look back at those pictures and you see the bowl cut. I was sporting that look for a good 4 or 5 years. There's no question I was born to play Spock."
According to John Cho, after filming ended J.J. Abrams gave the cast small boxes containing little telescopes, which allowed them to read the name of each constellation it was pointed at: "I think he just wanted each of us to look at the stars a little differently."
Nichelle Nichols, who played Lt. Uhura in Star Trek (1966), was going to make a cameo as Uhura's grandmother.
To make the film appeal to the casual audience, Roberto Orci and Alex Kurtzman cut down on the technical terms, increased the action and named it simply "Star Trek" to indicate to newcomers they would not need to watch the other films. As a prequel, J.J. Abrams wanted the film tone to be optimistic in contrast to revisions like Batman Begins (2005) ("being realistic and being dark are not the same thing"), and wanted to retain the humor and sex appeal that made Star Trek (1966) a hit.
Costume designer Michael Kaplan wanted aged, worn and rugged clothes for the Romulans because of their mining backgrounds, and found some greasy looking fabrics at a flea market. Kaplan tracked down the makers of those clothes, who turned out to be based in Bali, and commissioned them to create his designs.
Kirk's inflated hands were created by giving Chris Pine large latex gloves.
McCoy refers to his divorce, saying all his wife left him was "his bones," suggesting this is where his nickname comes from. In fact, in the 19th century, doctors were often called "Sawbones," due to their unpleasant duty of amputating injured limbs.
In the original Star Trek (1966), props used on the set (notably McCoy's medical scanner) were actually salt shakers doubling as futuristic equipment. In the 2009 movie, after picking (and losing) a bar fight on Earth, Kirk (Chris Pine) sits at a bar table. Licking his wounds, he lifts a small metal model of a starship off the table. As he fidgets with it, you can see it's in fact a salt shaker - there's an "S" on the dish portion of the ship's hull, and when Kirk turns it over, salt streams out.
Roberto Orci drew on his personal relationship with Alex Kurtzman as a basis for the relationship between Kirk and Spock: "We're from different worlds; I was born and lived in Mexico City until I was nine, and Alex was born in the US. Kirk and Spock are opposites from two worlds; that's us in a nutshell. We're drawn to each by what each of us lacks. This film is about two guys who are such opposites that they might end up strangling each other, but instead they bond and thrive together." Inspiration also came from the friendship of The Beatles members John Lennon and Paul McCartney.
On the behind the scenes feature on the DVD, it was revealed that in some scenes, J.J. Abrams would physically shake the camera to give the feeling that the scene was shot with a hand held camera. The special effects crew also set up a motion capture rig which so that an operator could physically shake the camera for CGI shots. Both techniques can be seen most noticeably in the space jump scene, where the camera shakes to give the appearance of turbulence from being in free fall with the away team.
The Romulan Narada is five miles wide and 15 miles long.
The role of James T. Kirk came down between Mike Vogel and Chris Pine. Vogel was reported as being the front runner for the part but J.J. Abrams decided to cast Pine in the end. Joshua Jackson also auditioned for the role.
During the scene where the cadets are assigned to their star-ships, Uhura complains to Spock that she has been assigned to the Farragut. In Star Trek lore, the Farragut is the ship Kirk was assigned to after graduating from the Academy and before his promotion to Captain of the Enterprise.
When Spock Prime meets Kirk in the cave on Delta Vega, he introduces himself by saying "I am Spock." "I Am Spock" was the title of Leonard Nimoy's second autobiography, the first being "I Am Not Spock."
SERIES TRADEMARK: [Holmes] For the second time in a "Star Trek" movie, Spock (Zachary Quinto) quotes Sherlock Holmes's famous mantra, "If you eliminate the impossible, whatever remains, however improbable, must be the truth." Spock (played by Leonard Nimoy) uses the same line in Star Trek VI: The Undiscovered Country (1991), where he refers to Holmes, without naming him, as "an ancestor of mine." Lt. Cmdr. Data (Brent Spiner) also made several references to Holmes including this line in Star Trek: The Next Generation (1987).
During filming, Roberto Orci and Alex Kurtzman asked Leonard Nimoy to voice the title character in their next scripted film Transformers: Revenge of the Fallen (2009), directed by Nimoy's relative-by-marriage Michael Bay. According to them, Bay was nervous about approaching a high-profile relative to carry out a minor voicing role; however, Nimoy had voiced the robot Galvatron in The Transformers: The Movie (1986), and was enthusiastic about doing another Transformers film. Unfortunately, Nimoy had other commitments; however he is credited in this film as "Spock Prime" as a tribute to the Transformers (whose figurehead is the heroic Autobot Optimus Prime). Nimoy would later go on to voice Sentinel Prime in Transformers: Dark of the Moon (2011).
Spock Prime and Nero both travel back in time from the future year of 2387 - eight years after the events depicted on Star Trek: Nemesis (2002). Using the Star Trek: The Next Generation (1987) based Stardate format would put this time period between Stardates 64000 and 65000.
Zoe Saldana never saw Star Trek (1966), but agreed to play the role of Uhura after J.J. Abrams had complimented her previous performances ("For an actor, that's all you need, that's all you want: to get the acknowledgment and respect from your peers."). However, Saldana's mother was a Star Trek fan and sent her voice mails during filming, giving advice on the part.
Pike's whistle (to break up the bar-fight) had the same "boatswain whistle" pitch used in the original Star Trek (1966) for intercom paging.
Some scenes of Leonard Nimoy and Eric Bana required that part of their bodies be animated. Nero required extensive damage to his teeth, which was significant enough to completely replace Bana's mouth in some shots. For Spock Prime's first scene with Kirk, Nimoy's mouth also had to be completely reanimated; the filmmakers had filmed Nimoy when he rerecorded his lines so they could rotoscope his mouth into the film, even recreating the lighting conditions, but they realized they had to digitally recreate his lips because of the bouncing light created by the camp fire.
The audio FX were designed by sound effects technician Ben Burtt, who is noted for his work on Star Wars: Episode IV - A New Hope (1977). To recreate the sounds of photon torpedoes and warp drive, Ben Burtt capped a long spring against a contact microphone, and mixed in the sound of cannon fire. To give a musical hum to the sounds of warping/transporting, Burtt used a 1960s oscillator.
Paul McGillion auditioned for Scotty, and while he didn't get the role, he impressed the filmmakers enough to be given another role as a barracks leader.
J.J. Abrams' only two choices for Nero were Russell Crowe and Eric Bana.
Simon Pegg filmed his role in 5 weeks.
Nero is an amalgamation of the same-named emperor from ancient history and Jules Verne's Captain Nemo from '20,000 Leagues Under the Sea' and 'The Mysterious Island'. He is thus a self-absorbed commander of the Narada (Nautilus) with second-in-command Ayel (Aronnax) from a lost Romulan (Roman) Empire; seeking revenge against the Federation (England) for the destruction of his home and family with the use of extremely advanced technology. As well, before the Federation is aware of the origin of the distress signals, a fleet is sent with spaceship USS Farragut among them. In Verne's novel, Captain Farragut is in command of the expedition to track the "sea monster" which ends up being Nemo's submarine. Cpt. Nemo had also been previously taken captive on the prison colony Rura Pentha. Nero had been a prisoner in a Klingon prison, from which Uhura boasts that she has intercepted a transmission. This prison was also identified in Star Trek VI: The Undiscovered Country (1991) as Rura Penthe.
The engine room of the Enterprise was filmed in a Budweiser factory in Van Nuys, California. The engine room of the Kelvin was shot in an old power plant in Long Beach, California.
The Narada ship's interior was made of six pieces that could be rearranged to create a different room.
Since the 1993 tie-in novel 'Best Destiny' by Diane Carey, Kirk's mother's first name has been established as "Winona". In this film, Spock's mother is played by a Winona Ryder.
Like his predecessor in the role of Russian Starfleet officer Pavel Chekov, Walter Koenig, Anton Yelchin is also the son of Russian-Jewish immigrants (Koenig's parents were from Lithuania; Yelchin's from Leningrad/Saint Petersburg).
Scotty makes some reference to finally understanding how, during "warp speed" travel, it is in fact space which is traveling around the ship, and not the ship moving through space. This coincides with present day theories on how faster than light travel, if possible, may actually work. The same idea is shown in Futurama (1999) when Cubert Farnsworth, young clone of Professor Hubert Farnsworth, explains how functions the starship Planet Express.
The film's teaser trailer (welders working on the half-built Enterprise starship, amidst narration from U.S. President John F. Kennedy and Leonard Nimoy's Mr Spock) was personally directed by J.J. Abrams. Real welders were brought in to film the trailer. The words of Spock and Kennedy were taken from the 1960s (the decade where Star Trek (1966) began) and thus linked past and present, enhancing the film (as well as hinting at the time-travel). According to Roberto Orci, Kennedy's words were also chosen as he was the one who started the "space race," and so would be appropriate for a space film: "If we're going to have a Federation, it makes sense for Kennedy and his words to be in there."
The film was shot in 2.35:1 anamorphic Panavision, which is director of photography Daniel Mindel's preferred format (he shot J.J. Abrams' previous film, Mission: Impossible III (2006), in Panavision as well). To take full advantage of the format, Mindel caught as many lens flares (a photographic effect where light sparkles everywhere) in the film as possible, to create a sense of wonder that enhanced the film: "There's something about these flares, especially in a movie that potentially could be incredibly sterile and overly controlled by CGI, that's just incredibly unpredictable and gorgeous." He would create flares by shining a flashlight or pointing a mirror at the camera lens, or using two cameras (and therefore two lighting set-ups) simultaneously.
The outdoor scene on Vulcan viewed by Spock's mother, Amanda (Winona Ryder), is based on multiple repetitions of the iconic profile of the Vasquez Rocks Natural Park Area just north of Los Angeles along State Highway 14. The rocks have a highly recognizable weathered peak that rises at a 45 degree angle to the horizon. Nine episodes of the original series, including Star Trek: Shore Leave (1966), Star Trek: Arena (1967), Star Trek: The Alternative Factor (1967), and Star Trek: Friday's Child (1967), had scenes filmed in this area.
The sets for the ice planet of Delta Vega and the Romulan drill were located in a parking lot of the Dodger Stadium in Los Angeles.
Between scenes, Anton Yelchin, 'Bruce Greenwood' and John Cho played chess against each other.
This marks Leonard Nimoy's 7th appearance in a Star Trek film.
J.J. Abrams was born a few months after the original Star Trek (1966) series first aired.
When Sulu stabs the Romulan, his blade exits the body looking green. This is because Romulans, like Vulcans, have blood that is based on copper instead of iron.
When Kirk is being chased by predators on Delta Vega, a child was used a stand-in for Chris Pine order to make the set appear larger.
This is Leonard Nimoy's first live-action film role since Star Trek VI: The Undiscovered Country (1991).
J.J. Abrams' "good luck charm" Greg Grunberg had to turn down a role in this film due to other commitments. However, Grunberg was worked into the movie during post-production, voicing James Kirk's step-father.
Zoe Saldana previously played a big Star Trek fan who admits she loves going to the conventions in Steven Spielberg's The Terminal (2004).
The actors playing the Romulans spent 2-4 hours applying make-up; three prosthetics were applied to the ears and foreheads, and Eric Bana had a fourth prosthetic applied for the bite mark on his head. The actors also shaved their heads in order to differentiate them from Vulcans; previous series designed the Romulans with ridged foreheads.
Leonard McCoy mentions joining Starfleet after his divorce. This refers to D.C. Fontana's (one of the Star Trek (1966) writers) backstory for McCoy written for the third season but never filmed. That unused subplot established this failed marriage and also McCoy's daughter Joanna.
Zoe Saldana met with Nichelle Nichols to learn more about the part of Uhura.
The Romulans are wearing Japanese tabi boots; shoes that have a separate section for the big toe. Such footwear actually gives the wearer more stability than ordinary shoes.
Carol Marcus, Kirk's old love interest and mother of his son from Star Trek II: The Wrath of Khan (1982), featured in an early draft of the script as a childhood friend of Kirk's in Iowa but the role was cut by the final draft. Nurse Chapel from the original series also is also referenced in the film and has a line of dialogue: Dr. McCoy calls orders her to prepare a medication after Kirk's hands begin to swell, and she responds, "Yes, sir!" However, she does not appear on-screen.
J.J. Abrams selected costume designer Michael Kaplan because he had not seen any of the Star Trek films and so would approach the costumes with a new angle.
According to J.J. Abrams, the difficulty of depicting the future in the film was that much of modern technology was inspired by Star Trek (1966) and made it seem outdated; therefore the production design had to be consistent with the original series, but also feel more advanced than the real world technology developed after it: "We all have the iPhone that does more than the communicator. I feel there's a certain thing that you can't really hold onto, which is kind of the kitschy quality. That must go if it's going to be something that you believe is real."
The transporter beams are normally seen to speckle and sparkle in Star Trek, but in this film the beams swirl and flow. J.J. Abrams conceived this redesign to emphasize the transporters as beams that can pick up and move people around, rather than a signal of people's scrambled atoms that can go anywhere.
The VFXperts developed a program that would realistically portray what an explosion in space would look like (short blasts sucking inward, leaving debris floating). For shots of an imploding planet, the same program was used on a greater level, but the animators had to manually composite multiple layers of rocks and wind sucking into the planet.
At the Spike TV 2009 Scream Awards, Star Trek won for best movie. William Shatner accepted the award, despite having absolutely nothing to do with the movie. In the acceptance speech, he jokingly accepted it as director of Star Trek V: The Final Frontier (1989) (widely regarded as the worst Star Trek movie).
The Kobayashi Maru simulator is the same set as the Kelvin bridge.
In an interview with the Pittsburgh Post Gazette, Zachary Quinto mentioned that he had heard of the reboot of Star Trek and was extremely keen to play the part of Spock. The article was widely circulated and came to the attention of J.J. Abrams who was very interested in talking to the actor. For his audition, Quinto wore a blue shirt and flattened down his hair.
The film was originally supposed to open with the birth of Spock.
The snowscapes would have been shot in Iceland, but it was too expensive so were shot in Alaska instead.
The transporters' energizing sound is the same as the one used in the original Star Trek (1966).
Deep Roy's eyes were digitally replaced with "eyestalks" to give Keenser a more "alien" appearance.
The canonical tie-in comic Star Trek: Countdown establishes several tie-ins with the prime Star Trek (1966) time line years after the events of Star Trek: Nemesis (2002), including details that Geordi LaForge helped design the Jellyfish ship Spock pilots, and that the Narada's immense size and formidable weapons technology is the result of the Romulans using stolen Borg technology to weaponize the Narada after Romulus' destruction. This small plot point was also intended to explain how the Narada was able to remain space-worthy after the Kelvin's impact and destruction - Borg technology has the ability to regenerate, albeit very very slowly in the absence of a collective of drones.
In designing the Romulan ship the Narada, production designer Scott Chambliss was heavily influenced by Art Nouveau architect Antoni Gaudí, who created buildings that appeared to be inside out. By making the ship's exposed wires appear like bones or ligaments, it would create a foreboding atmosphere.
Karl Urban was cast at his first audition, which was two months after his initial meeting with J.J. Abrams. He said he was happy to play a role with lots of comedy, something he had not done since The Price of Milk (2000), because he was fed-up of action-oriented roles.
Due to the confidentiality and secrecy of the movie's production, various fake working titles were used. The official one chosen by Bad Robot Productions was "Corporate Headquarters", but, also, each of the Key Assistant Location Managers chose additional fake titles for paperwork, permits, and signage. Kathy McCurdy named the movie "Untitled Walter Lace Project" after her grandfather, Steve Woroniecki named it "Untitled Blake Allen Project" after his son, Rob Swenson used "Christa & Christan's Big Adventure" after his twin step-daughters, and Scott Trimble used "The Ernest Castelhun Chronicles" after his great-granduncle who had drowned in beer at the Anheuser-Busch factory in 1937.
This movie marks the film debut of Zachary Quinto, who's best known as Sylar on the hit TV series Heroes (2006), which has included several references to "Star Trek", and featured George Takei (Sulu) in the recurring role of Kaito Nakamura.
John Cho cited masculinity as an important aspect of the role of Sulu, and spent two weeks training in fighting.
The gun battle that takes place on the mining ship was originally written as a fistfight until the day those scenes were going to be filmed.
Much of the film's cast/crew are fans of Star Trek, including writers Roberto Orci and Alex Kurtzman, Karl Urban, Eric Bana.
Every new incarnation of Star Trek (1966) had someone from a previous series appear in the premier: DeForest Kelley as Admiral Leonard McCoy in Star Trek: The Next Generation: Encounter at Farpoint (1987); Patrick Stewart as Captain Jean-Luc Picard in Star Trek: Deep Space Nine: Emissary (1993); Armin Shimerman as Quark in Star Trek: Voyager: Caretaker (1995); James Cromwell as Zephram Cochran in Star Trek: First Contact (1996) and Star Trek: Enterprise: Broken Bow: Part 1 (2001); and this movie, where Leonard Nimoy plays Spock.
This is the first time in Star Trek that the Stardate corresponds to the year in which the story takes place: Nero travels back in time from 2387 to 2233 and most of the proceedings take place in the year 2258.
In earlier drafts of the script, the USS Kelvin was originally named the USS Iowa, named after the US state where Kirk was born in the original Star Trek (1966).
In Star Trek, Romulans are usually presented with V-shaped ridges on their foreheads, but in this film they do not have such features. This was because Neville Page wanted to have Nero's crew ritually scar themselves, forming keloids resembling V-ridges; but the idea was unfortunately not pursued enough, and was abandoned.
Dr Carolyn Porco, a NASA scientist, was consulted on how to properly present the planetary science/imagery/effects seen in the film.
SERIES TRADEMARK: [47] Continuing the tradition of including the number 47 in some way into a Star Trek feature, the transport shuttle for new recruits leaves from Shipyard 2-1A (SFC Division: Sector 47). Further, Uhura picked up a transmission that 47 Klingon ships had been destroyed by the Narada.
Three members of the Enterprise crew have also been replacement actors in other franchises:
While arguing with Kirk, Spock says "I'm aware of my responsibilities, Mister." His protégé Lt. Saavik says the same thing in the simulator at the beginning of Star Trek II: The Wrath of Khan (1982).
During the Star Fleet shuttle craft hangar scene, a forklift with very unusual wheels is visible. This is a production forklift, not a movie prop. The conical rollers around the wheels allow it to move in any direction at any rate of rotation.
The concept of different-colored uniforms to indicate crew members' functions was inspired, in part, by the working uniforms of aircraft carrier flight deck personnel. Different-colored jerseys provide instant visual indication of each crew member's area of responsibility. This is essential because of the extreme noise and constant danger of flight operations. Also, the original Star Trek (1966) show aired when color TV was still fairly new, so the brightly colored uniforms added a futuristic look to the show.
Karl Urban is a longtime self-described "religious" fan of the Star Trek (1966). He used to watch it on Saturday mornings in New Zealand with his dad. Shortly before word came down about the development of this film, he bought the complete series on DVD and watched them with his son.
According to scientist Hugh Everett, creator of the theory about parallel universes, the original Star Trek (1966) timeline wouldn't disappear with Spock and Nero's time travel (which creates a new continuity). It would continue existing in a parallel dimension, unaffected by the new timeline.
Tyler Perry's first movie role outside one of his own projects.
The large creature on the ice planet was nicknamed "Big Red" by the filmmakers, and has approximately 250 eyes.
The "Trek" movie with the longest hiatus to date since the last motion picture (7 years).
Prior to this film, the highest-grossing "Star Trek" film ever made was Star Trek: First Contact (1996) with a worldwide gross of $146,000,000. This film exceeded that gross by its second weekend of US release alone.
Eric Bana shot his scenes toward the end of filming.
The Romulans were chosen as the Enterprise's antagonists as they had been featured less than the Klingons in Star Trek (1966). J.J. Abrams felt it was fun to have them meet Kirk before he meets them in Star Trek (1966), and Roberto Orci and Alex Kurtzman noted it would be backwards to have the antagonists Klingons, since they had become heroes in later Star Trek shows. The Romulan presence also alludes to Spock's previous appearance in Star Trek: The Next Generation: Unification I (1991)/Star Trek: The Next Generation: Unification II (1991).
To develop the female characters, the wives of J.J. Abrams, Damon Lindelof, Roberto Orci and Alex Kurtzman were consulted. In fact it was Katie Abrams's approval of the strong female characters that convinced her husband J.J. to sign on to direct.
Uhura's roommate Gaila is an Orion, a race whose females are held up as ideal sex symbols in a recurring Star Trek (1966) (and its spinoff series) gags.
Chris Pine's father Robert Pine had appeared in Star Trek: Voyager: The Chute (1996) and worked with Michael Dorn (Worf from Star Trek: The Next Generation (1987) on CHiPs (1977).
Kirk, Sulu and Olson "space-jump" from Pike's shuttle to the Romulan energy drill. Kirk's first scene in Star Trek: Generations (1994) was supposed to show him performing a similar orbital skydive; the scene was filmed but cut from the final film.
Early in the film, when McCoy is getting Kirk to the Enterprise, they board a shuttle craft named "Gilliam". This may be a reference to Dawn Gilliam, a script supervisor for the film. She was responsible for maintaining the film's internal continuity and for tracking the production unit's daily progress in shooting the film's screenplay.
One of the buildings in San Francisco near Starfleet Academy resembles the Willis Tower (formerly the Sears Tower) in Chicago.
The communicator, as seen in the film, was designed by Russell Bobbitt in collaboration with the Finnish cellphone company Nokia.
According to Simon Pegg, J.J. Abrams wanted to emphasize the size of the ship and gave the Engine Room a highly industrial appearance; he explained to Pegg that he was inspired by Titanic (1997), which depicted "a sleek ship with an incredible gut."
Despite being fans of Star Trek (1966), writers Alex Kurtzman and Roberto Orci were initially very nervous about accepting the assignment to pen the reboot. They both felt that expectations were too high among the fanbase.
SERIES TRADEMARK: [Vasquez] A reference was made to the inclusion of Vasquez Rock to the Vulcan landscape, however, it was not mentioned that in the cave when Kirk is first carrying on a conversation with the original Spock, a scene pans past a miniature model of Vasquez Rock inside the cave to Spock's left in the scene frame.
The first "Original Series" film to be rated PG-13 in the US and 12 in the UK. All of the other films starring Star Trek (1966) the Original Series characters were rated PG, in the US and 12 in the UK, respectively, except for Star Trek: The Motion Picture (1979), which was rated G in the US and a U in the UK, and Star Trek II: The Wrath of Khan (1982) which originally received a 15 certificate (it has since been reclassified by the BBFC as a 12).
Writers Roberto Orci and Alex Kurtzman, and director J.J. Abrams all signed on while filming Mission: Impossible III (2006).
According to designer Ryan Church, the design of the Enterprise ship in this film pays homage to the designs from Star Trek (1966) and Star Trek: The Motion Picture (1979). Church also applied the Aztec motif from Star Trek: The Next Generation (1987). The overall external design resembles a hot-rod, with more moving parts (the disc expands and the fins on the engines split).
The computer listed in the credits that was used to help create the movie is called the Gene Roddenberry.
Leonard Nimoy, Majel Barrett, William Morgan Sheppard, Greg Ellis and Paul Townsend are the only actors to appear in the film who had previously appeared in Star Trek (1966) or another spinoff.
The set used for the long dark corridor on the Delta Vega Federation outpost appears to be the same one (or very similar to the one) used for the Dharma station The Staff on Lost (2004), first seen in the Season 2 episode Lost: Maternity Leave (2006). J.J. Abrams, of course, was deeply involved in both.
The Beastie Boys, whose song "Sabotage" is featured in the film, had referenced Star Trek (1966) in their songs "Intergalactic", "Ch-Check It Out", and "Brouhaha". "Sabotage" itself was often a word William Shatner said with his with accented cadence on the series.
The Kelvin's shuttles are basically an upgraded version of the original Star Trek (1966)'s Class F shuttles.
James Kyson was interested in the part of Sulu but the producers of Heroes (2006) were not keen on having two of their leading cast members away for three months (Zachary Quinto obviously being the other).
Star Trek canon states that Vulcan orbits the star 40 Eridani A, approximately 16.5 light-years from Earth.
James Marsden was considered for the role of McCoy.
The film is influenced by: Star Trek: Balance of Terror (1966) (Kirk encounters Romulans for the first time); Star Trek II: The Wrath of Khan (1982) (an past enemy returns to confound the crew); Star Trek: The Next Generation: Yesterday's Enterprise (1990) (a black hole causes the past and future Enterprise crew members to meet each other); and the Star Trek novels "Prime Directive", "Spock's World" and "Best Destiny" (the latter focusing on Kirk and his maturity into a Starfleet Captain).
Production designer Scott Chambliss used the layout of the Enterprise bridge from Star Trek (1966), but gave it brighter colors to reflect the optimism of Star Trek; (J.J. Abrams quipped that the redesigned bridge "made the Apple Store look uncool"). The iconic viewscreen was altered to a window that could have images projected on it to make the space more tangible. At the director's behest, more railings were added to the bridge to make it look safer, and the set was built on gimbals so its rocking motions when the ship accelerates and is attacked was more realistic.
The character that Bruce Greenwood plays, Captain Christopher Pike, was the commanding officer of the USS Enterprise in the unaired Star Trek (1966) pilot episode, Star Trek: The Cage (1986). In that episode, Pike was portrayed by Jeffrey Hunter. Initially, the episode was rejected but when a second pilot was ordered, Hunter dropped out of the series so the part was rewritten and recast with William Shatner as Captain James T. Kirk. The footage from the unaired pilot was later woven into Star Trek: The Menagerie: Part I (1966)/Star Trek: The Menagerie: Part II (1966) where Sean Kenney appeared as an older Pike.
Of the now 11 films, this is the most expensive "Star Trek" film by far, at an estimated $150,000,000. Star Trek: The Motion Picture (1979) had a budget of $46,000,000 and Star Trek: Nemesis (2002) had a budget of $60,000,000.
The film has its roots in the 1968 World Science Fiction Convention, where Gene Roddenberry declared he would make a film prequel to Star Trek (1966). The concept would not be heard until the late 1980s, between Star Trek IV: The Voyage Home (1986) and Star Trek VI: The Undiscovered Country (1991). David Loughery wrote a script titled "The Academy Years," but it was shelved due to objections from the original cast and the fan base. Finally in 2005, after the failure of Star Trek: Nemesis (2002) and the cancellation of Star Trek: Enterprise (2001), development got underway. Another novel treatment of the beginnings of Kirk's command of the Enterprise was described in the novel "Enterprise: The First Adventure" by Vonda N. McIntyre which was based upon a Star Trek movie script that was to be used if a contract could not be reached with the original cast after the first set of movies were made.
Damon Lindelof likened the Romulans in the film to pirates, with their unique tattoos, disorganized costuming, and practical ship with mechanics visible.
The design of the Enterpise ship was influenced by the sleek modernist work of 1960s artist Pierre Cardin, and the realistic sets from the landmark sci-film 2001: A Space Odyssey (1968).
William Morgan Sheppard, who plays the Vulcan Councillor whom Spock sees regarding going to either the Vulcan Science Academy or Starfleet Academy, had two previous Trek guest appearances in Star Trek: The Next Generation: The Schizoid Man (1989) and Star Trek: Voyager: Bliss (1999). He also appeared in Star Trek VI: The Undiscovered Country (1991) as the warden of the Klingon prison planet Rura Penthe, in which Nero and his crew had been held for twenty years in a deleted scene.
During Chekov's emergency beam-out, the transporter room symbol graphic is the same scheme design used from the Enterprise set of the 1980s films.
A character from Kirk Prime's past who does not appear in the film is Gary Mitchell, who was prominently featured in Star Trek: Where No Man Has Gone Before (1966), the first filmed (but not first aired) adventure of Kirk. Mitchell was described as Kirk's best friend at Starfleet Academy, and studied in a class that Kirk taught while he was a lieutenant. Since Kirk leaped from Cadet to Commander in this version, and never taught a class, he will probably never meet Mitchell, either.
The San Francisco skyline, as seen from the Star Fleet Academy grounds, contains the distinctive Transamerica Pyramid building. Although it is now San Francisco's tallest skyscraper, it is nearly lost among taller "future" buildings.
J.J. Abrams, Roberto Orci and Robert Kurtzman have all written movies for Leonard Nimoy's cousin, Michael Bay. Kurtzman and Orci wrote Transformers (2007) and The Island (2005), while Abrams co-write Armageddon (1998). Transformers has another connection to Star Trek: Leonard Nimoy played Galvatron in the first film, but was replaced by Frank Welker (who already voiced Megatron) in The Transformers (1984). Welker also provided the screams for Spock in Star Trek III: The Search for Spock (1984).
Adrien Brody had discussed playing Spock with J.J. Abrams.
Gary Sinise, who bears a strong resemblance to DeForest Kelley, was rumored to have been in consideration to portray Dr. McCoy.
The Kelvin's captain, Richard Robau (Faran Tahir), is named after Roberto Orci's Cuban uncle. According to Orci, Robau was born in Cuba and grew up in the Middle East.
This is the first 'Star Trek' motion picture since CBS assumed ownership of the 'Star Trek' franchise from Paramount Pictures.
A shuttlecraft (before Starfleet deploys the rescue starships) is seen with the name Moore. This may be a reference to Star Trek: The Next Generation (1987) writer Ronald D. Moore.
In early drafts of the script, Delta Vega was originally written as a desert planet, rather than a snow planet, which was more in line with the planet of the same name seen in the original series second pilot, Star Trek: Where No Man Has Gone Before (1966).
The Enterprise was originally redesigned by Ryan Church using features of the original, making it 1200 feet (370 m) long; however this was later scaled up by a factor of 1.94 to 2,357 feet (718 m) to make it seem grander.
This was the first film where Industrial Light & Magic used entirely digital ships.
Make-up artist Barney Burman supervised the makeup for the aliens in the film. His team had to rush the creation of many of the aliens, because originally the majority of them were to feature in one major scene (to express the variety of life in the universe). Towards the end of filming, however, J.J. Abrams deemed the scene too similar to the Star Wars: Episode IV - A New Hope (1977) cantina sequence, and decided to dot the designs around the film.
As of 2009, this is the highest grossing film based on a live-action TV series.
With 4 Academy Award nominations each, this film and Star Trek IV: The Voyage Home (1986) have the most nods for any Star Trek film. This is the first Star Trek film to receive a nomination for Best Visual Effects since Star Trek: The Motion Picture (1979) and the first in the entire series to win an Oscar (Best Makeup).
There is a scene in which cadets are boarding shuttle craft inside a huge, cavernous hangar. This hangar is real; one of two giant blimp hangars located at Marine Corps Air Station Tustin, in Tustin, CA. The base is now operated by the Orange County Sheriff's Academy and consists mostly of cadet housing.
The first shot of Uhura and Spock in the Star Fleet Academy shuttlecraft hangar shows them standing in front of a computer display. The silver metal knob on its bezel is a Griffin PowerMate, a USB device for controlling software functions on Macs and PCs.
Simon Pegg had previously worked with J.J. Abrams on Mission: Impossible III (2006), one of the movie iterations of the TV show Mission: Impossible (1966) that Leonard Nimoy had appeared in.
Released on May 8, 2009, which is 29 years and 5 months after the release of Star Trek: The Motion Picture (1979) on December 7, 1979.
Blueberry alcohol-based paint was used for Rachel Nichol's green skin and brown freckles were added, so the green skin did not look like paint.
Josh Lucas was considered for the role of Christopher Pike.
Ricky Gervais was offered a part in the film. But he turned it down stating that he was not a "Star Trek" fan.
According to an article in Cinefex Magazine, one idea regarding the look of the enemy's ship (The Narada) stemmed from the idea that being pulled through the black hole time warp caused a 'mutation,' causing the once simple mining ship to grow the long and jagged prongs one sees when it first emerges.
The futuristic white car road car in the background of some of the the Star Fleet Academy exterior shots is a prototype of the Aptera 2 series. Aptera Motors went out of business in 2011.
The first teaser trailer and posters for this film showed its original release date, December 25, 2008. On February 13, 2008 Paramount Pictures pushed the film to May 8, 2009 so it would have less competition and be a summer blockbuster contender. The teaser trailer was then amended to show Summer 2009.
IDW published a comic prequel series titled "Star Trek: Countdown" that fleshed out Nero's back story and the reasons for Spock Prime's involvement. It also features characters from the last films and TV series, serving as a tie-in between the two periods.
Among the famous buildings hidden inside the futuristic San Francisco skyline in the first Starfleet Academy scene is the Santiago Calatrava's Hemispheric Theater of Valencia, Spain.
John Cho and Jennifer Morrison had previously worked together on House M.D.: Love Hurts (2005). They have also both worked with Kal Penn, whose character in House M.D.: Don't Ever Change (2008) said he was a Dahar Master of the Klingon Empire, a title first mentioned in Star Trek: Deep Space Nine: Blood Oath (1994). On the DVD commentary, J.J. Abrams mentions that there is an extra playing a crewman on the Enterprise bridge who many viewers mistake for Kal Penn (assuming that Penn had a cameo because John Cho was in the movie), but Abrams says that man is not Penn.
Production designer John Eaves, who had worked on several Star Trek series and films, was brought on this film to aid and guide his junior partners Ryan Church and Neville Page.
In a deleted scene that was cut from the film, Nero is interrogated by a Klingon on the Klingon prison planet Rura Penthe and escapes. In "Star Trek VI: The Undiscovered Country", Rura Penthe is the Kligon prison planet, which Kirk and McCoy were imprisoned and later escaped, when they were wrongly sentenced to life imprisonment for the assassination of the Chancellor of the Klingon High Council Gorkon, which Chekov called "the alien's graveyard" as aliens from across the galaxy, that had been convicted by the Kligons, were sent there to work in the dillithium mines and a life expectancy for a prisoner there, was, at most, one year.
One of the drinks that Uhura orders in the bar scene is two Cardashian sunrises. In the original timeline, The Cardashians were a humanoid species from the Alpha Quardant and are natives of the planet Cardassia Prime and they became enemies of the United Federation of Planets and the Klingon Empire.
On many of the bridge scenes there is a blonde woman wearing black slacks in the background. Many fans speculate that this is 'Elizabeth Dehner', who appeared in Star Trek: Where No Man Has Gone Before (1966).
Sydney Tamiia Poitier auditioned for the role of Uhura.
Although the first Star Trek film to pass the $100m barrier internationally, the film continued the series' tradition of only earning a third of its worldwide total gross outside the USA. By contrast, the average blockbuster makes around two thirds of its total gross outside the USA.
Keri Russell was considered for a role.
The first theatrical trailer uses the track "Down with the Enterprise" by Two Steps From Hell. This was an adaptation of Brian Tyler's track "War Begins" from his Children of Dune (2003) score.
Russell Bobbitt tracked down a model of the original tricorder from Star Trek (1966) and brought it to the set, but the actors found it too large to carry for filming action scenes, so technical advisor Doug Brady redesigned it to be smaller.
An Aptera Typ-1 automobile was used on location.
Bruce Greenwood was largely cast on the strength of his performance in Thirteen Days (2000).
Admiral James Komack, played by Ben Binswagner, is a tribute to James Komack who directed Star Trek: A Piece of the Action (1968).
Not the first time that bright spotlights have pointed straight into camera on the bridge of the Enterprise. The first shots on the Enterprise bridge in Star Trek VI: The Undiscovered Country (1991) show bright white spotlights, though with far less lens flare.
In the scene where Kirk, Sulu and Olsen dive into the Vulcan atmosphere, Kirk is wearing a blue spacesuit. A nod to a deleted scene from 1994's "Star Trek Generation", which Kirk wearing a blue spacesuit, dives into Earth's atmosphere.
Actor Bruce Greenwood ("Captain Christopher Pike") played the lead role in "Thirteen Days" as John F. Kennedy, who is widely regarded as the President who challenged the U.S. to venture into space in the 1960's (which resulted in man's landing on the moon in 1969).
The song that plays on the car radio, in the scene where young Kirk drives his stepfather's car off a cliff is "Sabotage" by the Beastie Boys.
Chris Pratt read for Captain Kirk.
Derek Mears was the first choice to play the long-faced "Alien barfly" in the Shipyard Bar. Due to his schedule, he was unable to take the part and recommended his friend Douglas Tait.
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Despite playing a younger Sulu, John Cho was 36 years old when he took on the role (George Takei was 29 when he played Sulu in the 1966 series).
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Dominic Keating, who played Malcolm Reed on Star Trek: Enterprise (2001), auditioned for the role of Kirk's uncle.
Chris Prangley auditioned for the role of Kirk.
Many actors from the original Star Trek television series were Jewish, and in some cases their successors in this film are as well. William Shatner is Jewish, as was Chris Pine's grandfather, Max M. Gilford. Anton Yelchin and Walter Koenig both have Russian Jewish ancestry. Leonard Nimoy is Jewish, as was Mark Lenard, who played his father, Sarek. Neither Zachary Quinto nor Ben Cross are Jewish, though Cross is best known for playing a Jewish character in Chariots of Fire (1981). Jane Wyatt, who played Amanda, was not Jewish, but Winona Ryder is. And of course, director J.J. Abrams is Jewish.

Cameo 

Randy Pausch:  a Star Trek (1966)-loving Carnegie-Mellon Computer Science professor who gained widespread fame as the author of a "Last Lecture" in which he discussed living the life of his dreams in the face of terminal pancreatic cancer, appears as the Kelvin officer in the beginning. Pausch wrote in his blog about the experience, "I got a custom-made Star Trek uniform and my own station on the bridge, where I had lots of buttons and controls. I even got a LINE!!!!" Pausch died on July 25, 2008; his paycheck of $217.06 from working on the film was donated to charity.
Christopher Doohan:  the son of the late James Doohan (Scotty from the original Star Trek (1966)), appears as the new Scotty's (Simon Pegg) assistant.
Joe QuintoZachary Quinto's brother, who is credited as a stuntman, is clearly visible as a Romulan during a late scene on the Romulan ship. The people who recorded the DVD Commentary track, including J.J. Abrams, remark at how much Joe looks like Zachary in the scene.
Greg Grunberg:  voice-over of James' stepfather. Grunberg was considered for the role of pimping con man Harry Mudd, who was in an early draft of the script but was eventually written out. Then Grunberg was considered to play Olson, but due to a scheduling conflict had to drop out of the film.
Victor Garber:  There is a deleted scene of Nero, imprisoned in the prison colony on Rura Penthe, being interrogated by a Klingon guard wearing a metal mask. In a commentary for the DVD release, J.J. Abrams identified the Klingon interrogator as being Garber from Abrams' Alias (2001).
Wil Wheaton:  The Romulan who says, "Sir, if we ignite the red matter..."

Director Trademark 

J.J. Abrams:  [Kelvin]  The USS Kelvin, the ship Kirk's father serves on, is named after Abrams' grandfather and her hull number of NCC-0514 is derived from the man's birthday. It was also a scientific reference towards the temperature scale Kelvin, which itself was named after physicist/engineer Lord Kelvin. Abrams commonly uses this name in his work, such as "Kelvin Inman" from one of his previous works, Lost (2004), and "Kelvin Gasoline" from Super 8 (2011).

Spoilers 

The trivia items below may give away important plot points.

Spock Prime's last line line "thrusters on full" was an improvisation. The scene was originally filmed showing Spock thoughtfully and quietly walking away. Afterwards Leonard Nimoy approached J.J. Abrams and said "If you give me one more take, I have a thought I would like to inject here and see if you like it." They did and he said "thrusters on full". Abrams later called Nimoy to tell him how well he thought it led into the final scene as it begins with Sulu talking about the thrusters. Nimoy said the inspiration for the line was a way of saying to the younger cast "Go ahead. Take the torch and go!"
After the scene in the bar Captain Pike says to Kirk "You know your father was Captain of a Starship for 12 minutes. He saved 800 lives. Including your mother's and yours. I dare you to do better." From the moment that Kirk first takes his seat as acting captain of the Enterprise it is 12 minutes until the point where Spock destroys the Narada's space drill, saving the lives of everyone on Earth.
An ongoing joke in the Star Trek universe is the redshirt character, a slang term for a stock character whose primary purpose in the plot of a story is to die soon after being introduced, thus demonstrating the dangerous circumstances faced by the main characters. When Kirk and Sulu jump on to the space drill, they are joined by Olsen who is wearing a red uniform and meets his death soon after.
William Shatner had wanted a major role in the film like Leonard Nimoy, and wanted James Kirk to accompany Spock Prime back in time; this even though Kirk had officially died in Star Trek: Generations (1994). He suggested the film draw on the novels where Kirk is resurrected, but J.J. Abrams felt that if Kirk accompanied Spock, it would then be a film about the resurrection of Kirk and not about reintroducing the Star Trek saga anew. Nimoy disliked Kirk's death in Generations, but also concurred that resurrecting Kirk would be detrimental to this film.
At the end of the film Leonard Nimoy, in voice-over, repeats the iconic opening lines from the opening credits to the original Star Trek (1966) series. However, one line is changed from "...where no man has gone before." to "...where no one has gone before." (The canon establishes that the Enterprise mission statement originated with Zefram Cochrane (Star Trek: Enterprise: Broken Bow: Part 1 (2001)), and that Captain Kirk changed it in his Captain's log, "where no man...where no one has gone before" in Star Trek VI: The Undiscovered Country (1991) after having learned lessons about racism and xenophobia in that picture. Accordingly that version of the mission statement was used by Captain Picard in Star Trek: The Next Generation (1987). Since Spock has lived into that era, it makes sense that he would adopt the new version.)
The time travel aspect of the story was the most difficult part of the story to develop: time travel was used previously in the series a few times, but in this case it would create serious jeopardy for the crew (by messing up the history everyone knows) and it serves a good purpose in creating a new set of adventures for the original characters. The time travel also enabled Leonard Nimoy to make an appearance in the film, to help usher in the new cast.
This film features several similarities or references to Star Trek II: The Wrath of Khan (1982):
  • Nero uses a parasite to extract information from Captain Pike, which Khan does to Chekov;


  • the Kobayashi Maru test is seen, which Kirk took three times, reprogramming it the third time;


  • Spock serves as a Starfleet instructor supervising the test;


  • And some lines from that film appear in this one ("I don't believe in no-win scenarios", "Are you out of your Vulcan mind?" and Spock's closing monologue).


Originally the writers, Alex Kurtzman and Roberto Orci, had written a cameo for the original James T. Kirk, William Shatner: Spock Prime was to give his younger self a recorded message from Kirk. According to Orci, "it was basically a Happy Birthday wish from Kirk, knowing that Spock was going to go off to Romulus, and Kirk would probably be dead by that time." This would then dissolve into Shatner reciting the famous "where no one has gone before" line. However, they were divided on the cameo, and decided not to waste Shatner's time. Orci expressed some regret about not including the scene, but was very proud of the ending in the final film.
The final scene is a tribute to the opening title sequence of Star Trek (1966), and symbolizes the Enterprise crew finally coming together to carry out their destiny.
In resetting the historic storyline for the Star Trek universe, Captain Kirk has become Captain of the USS Enterprise at an earlier age. In the original Star Trek (1966), Kirk became Captain at about the age of 30 and Spock had served with Captain Pike 17 years previously on the Enterprise. Now Pike has been confined to a wheelchair at an earlier date, Spock served under him for only a brief time and Kirk became Captain of the Enterprise while still attending or having just graduated from Star Fleet Academy while in his early twenties. Meanwhile, the Enterprise itself is actually constructed much later than in the original series. According to data readouts in the films and television series, the original ship is launched in 2245. In the rebooted universe, the ship is completed in 2258.
Near the end of the film, a shuttle behind Spock Prime has the number "12091" on the side. This corresponds to the release date of Star Trek VI: The Undiscovered Country (1991), the last film to feature the entire original cast, which was released in December 1991.
Kirk's father dies in the line of duty near the Laurentian System. William Shatner (the original Star Trek (1966) Kirk) in real life worked in the Laurentian Mountains of Canada, as a young adult.
As Spock (Zachary Quinto) sits down to pilot the ship from the future that Spock Prime (Leonard Nimoy) pilots back in time, we see the back of the pilot seat. When viewed from behind and combined with the forward view-port, the combination of these items form to create the Vulcan IDIC, a symbol for the Vulcan saying, "Infinite Diversity in Infinite Combinations" that first appeared in the original Star Trek (1966) series.
This is the third film in the franchise where Leonard Nimoy speaks the famous "where no man has gone before" speech. The other two are at the end of Star Trek II: The Wrath of Khan (1982) and the beginning of Star Trek III: The Search for Spock (1984).
The original opening for the movie was going to feature the Enterprise NCC-1701 under the command of Robert April, with George Kirk second in command. At the climax of the scene the Enterprise would have been destroyed, and the Enterprise featured through most of the movie would have been its successor, the NCC-1701-A (which didn't debut until Star Trek IV: The Voyage Home (1986) in the original timeline). However, Paramount told Alex Kurtzman and Roberto Orci that the one thing they absolutely could not do was destroy the Enterprise, even if they were going to replace it with a newer one, and so the "original" Enterprise was rewritten into the USS Kelvin, with Captain April becoming Captain Robau.

See also

Goofs | Crazy Credits | Quotes | Alternate Versions | Connections | Soundtracks

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