The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful, time-traveling Romulan creates black holes to destroy the Federation one planet at a time.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
Clark Kent, one of the last of an extinguished race disguised as an unremarkable human, is forced to reveal his identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
A team of explorers discover a clue to the origins of mankind on Earth, leading them on a journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race.
On the day of James Kirk's birth, his father dies on his ship in a last stand against a mysterious alien time-traveling vessel looking for Ambassador Spock, who, in this time, is also a child on Vulcan disdained by his neighbors for his half-human heritage. Twenty-five years later, Kirk has grown into a young troublemaker. Challenged by Captain Christopher Pike to realize his potential in Starfleet, he comes to annoy instructors like young Commander Spock. Suddenly, there is an emergency at Vulcan and the newly commissioned USS Enterprise is crewed with promising cadets like Nyota Uhura, Hikaru Sulu, Pavel Chekov and even Kirk himself, thanks to Leonard McCoy's medical trickery. Together, this crew will have an adventure in the final frontier where the old legend is altered forever as a new version of it begins. Written by
Kenneth Chisholm (email@example.com)
When Ayel lifts Kirk by the throat you can see wires pulling Kirk up. See more »
U.S.S. Kelvin, go for Starfleet Base.
Kelvin Crew Member:
Starfleet Base, we've sent you a transmission. Did you receive?
Kelvin, have you double-checked those readings?
Kelvin Crew Member:
Our gravitational sensors are going crazy here. You should see this. It looks like a lightning storm.
What you've sent us doesn't seem possible.
Kelvin Crew Member:
Yes ma'am. I understand. That's why we sent it.
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There are no opening credits in the film except for the title card, making this the second consecutive Star Trek film that doesn't list its cast at the beginning. See more »
As someone with a longstanding fondness for most things Trek (I've seen most of the movies and quite a few of the shows), I have to say that JJ & Co did a fine job with this picture; the character dynamics were broadly satisfying, the action scenes entertaining and the set pieces well put together. Most of all I was impressed with the lightness of touch of the whole venture - it would be very easy to criticise the picture for making what could be considered significant changes to certain parts of Trek lore, but given that the changes were accomplished with such comfort and confidence makes them, in my view, perfectly acceptable.
With regards to the acting characterisation, everyone was pretty much solid, with perhaps the exception of Sulu, who I thought didn't have much to do. Kudos, though, to Zoe Saldana's loveliness as Uhura and also, especially, to Chris Pine as Kirk - I had always thought Spock was my favourite character, but it looks like I may have to reassess; Pine lives and breathes that Kirk moxie exquisitely and he'll be great fun to watch in future instalments.
With regards to plot, it's pretty good; there is a decent sense of internal logic to it, without it being too overwrought. True, there are a number of points where you might think, "Blimey, that's serendipitous," but as I'd already suspended my disbelief to accept the possibility of time travelling green-blooded alien from the planet Vulcan, these things really didn't bother me at all. Plus there were a number of points in the movie where they were saying, "We were pulling this kind of shtick 20+ years ago, and you loved it then; run with us on this one," and I was happy to.
Oh, and most importantly of all, the movie is fun; it has the good sense to not take itself too seriously, despite remaining well aware of that sense of pomp and importance that all great character dramas should have, and that isn't a bad thing at all.
How this movie will bear up to repeat viewings, I'm not certain yet, but at the premiere, it was a blast.
Addendum: It's a month plus since I originally wrote this and I have seen the film three times in total now - the opening ten minutes remain a manipulative marvel that the remainder of the film struggles to match, the coincidences and conveniences seem even more far fetched than ever and the jokes seem even more silly BUT I still fancy seeing it again, so I guess it must work for me.
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