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Directed by | |||
| Laurent Tirard | |||
Writing credits(in alphabetical order) | ||
| Laurent Tirard | scenario | |
| Grégoire Vigneron | scenario | |
Produced by | |||
| Christine De Jekel | .... | executive producer | |
| Olivier Delbosc | .... | producer | |
| Marc Missonnier | .... | producer | |
Original Music by | |||
| Frédéric Talgorn | |||
Cinematography by | |||
| Gilles Henry | |||
Film Editing by | |||
| Valérie Deseine | |||
| Gilles Granier | (dailies color grader) | ||
Casting by | |||
| Stéphane Foenkinos | |||
Production Design by | |||
| Françoise Dupertuis | |||
Set Decoration by | |||
| Véronique Melery | |||
Costume Design by | |||
| Pierre-Jean Larroque | |||
Makeup Department | |||
| Maya Benamer | .... | makeup artist | |
| Jean-Pierre Berroyer | .... | key hair stylist | |
| Michèle Constantinides | .... | key makeup artist | |
| Bénédicte De Lataillade | .... | makeup artist | |
| Catherine Gomez-Fernandez | .... | hair stylist | |
| Benoît Lestang | .... | special makeup effects artist | |
| Anne Moralis | .... | wig maker | |
| Frédérique Ney | .... | key makeup artist | |
| Cécile Pellerin | .... | key makeup artist | |
| Aurélie Rameau | .... | additional makeup artist | |
Production Management | |||
| Julian Brehier | .... | assistant production manager (as Julien Brehier) | |
| Mathieu Gayet | .... | assistant unit manager | |
| Laurent Sivot | .... | production manager | |
| Antoine Théron | .... | unit manager | |
| Charles Zemer | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Alan Corno | .... | first assistant director | |
| Geoffroy Koeberle | .... | co-trainee assistant director | |
| Lucas Loubaresse | .... | third assistant director | |
Sound Department | |||
| Emmanuel Angrand | .... | dialogue editor | |
| Damien Bera | .... | sound re-recording mixer | |
| Christophe Burdet | .... | assistant to foley artist | |
| Colette Constantini | .... | sound editor | |
| Edouard d'Heucqueville | .... | sound mix technician | |
| Eric Devulder | .... | sound | |
| Marion Escriva | .... | assistant sound | |
| François Fayard | .... | sound editor | |
| Thomas Gauder | .... | sound mixer | |
| Denis Jaillet-Marsigny | .... | sound effects editor | |
| Alexis Jung | .... | assistant foley recordist | |
| Arthur Le Roux | .... | boom operator | |
Visual Effects by | |||
| Chrystèle Barbarat | .... | visual effects executive producer | |
| Loïc Caer | .... | visual effects | |
| Sarah Cauchois | .... | visual effects coordinator | |
| Cédric Fayolle | .... | visual effects supervisor | |
| Fabrice Fernandez | .... | digital compositor | |
| David François | .... | visual effects coordinator | |
| Pascal Giroux | .... | visual effects producer | |
| Geoffroy Givry | .... | compositor | |
| Ludovic Iochem | .... | matte painter | |
| Sabine Lineres | .... | digital compositor | |
| Benoit Munoz | .... | digital compositor | |
| Hugues Namur | .... | visual effects | |
| Benjamin Pelletreau | .... | digital artist | |
| Marion Roger | .... | senior digital compositor | |
| Julien Rousseau | .... | digital compositor | |
| Vincent Venchiarutti | .... | digital compositor | |
| Salvador Zalvidea | .... | digital compositor | |
Stunts | |||
| Corinne Branche | .... | stunt coordinator: horse stunt | |
| Georges Branche | .... | stunt rider | |
| Rémi Canaple | .... | assistant stunt coordinator | |
| Rémi Canaple | .... | stunts wire effects | |
| Rémi Canaple | .... | stunts | |
| Alexandre Cauderlier | .... | stunt double: Romain Duris | |
| Patrick Cauderlier | .... | stunt coordinator | |
| Patrick Cauderlier | .... | stunts | |
| Gaëlle Cohen | .... | stunts | |
| Yan Dron | .... | stunts | |
| Yves Girard | .... | stunt rider | |
| Gabriel Mercier | .... | stunt double | |
| Yoni Roch | .... | assistant stunt coordinator | |
| Sebastien Soudais | .... | stunts | |
Casting Department | |||
| Pascale Paddy | .... | extras casting | |
Costume and Wardrobe Department | |||
| Guillaume Attwood | .... | costumer | |
| Gilles Bodu-Lemoine | .... | costume supervisor | |
| Pui Laï Huam | .... | costume supervisor | |
Editorial Department | |||
| Jerome Brechet | .... | dailies color grader | |
| Christian Dutac | .... | color timer: LTC | |
Music Department | |||
| Edouard Dubois | .... | music consultant | |
| Steve Price | .... | music recording engineer | |
| Frédéric Talgorn | .... | conductor | |
| Frédéric Talgorn | .... | orchestrator | |
Other crew | |||
| Karine Arlot | .... | monitor technician | |
| Virginie Berrachi | .... | assistant unit manager | |
| Myriam Bruguière | .... | press attache | |
| Laurent Caron | .... | assistant chef | |
| Christophe Chauveau | .... | key location scout | |
| Romain Courtine | .... | assistant location manager | |
| Gilles Coutal | .... | chef | |
| Corinne Devaux | .... | choreographer | |
| Valérie Dompnier | .... | production assistant | |
| Mathieu Gayet | .... | assistant unit manager | |
| Olivier Guigues | .... | press attache | |
| Amélia Guyader | .... | marketing manager | |
| Arnaud Plé | .... | assistant administrator | |
| Jessica Sicouri | .... | production assistant | |
| Isabelle Thévenet | .... | script supervisor (as Isabelle Perrin-Thévenet) | |
| Pascal Vallart | .... | production accountant | |
| Charles Zemer | .... | location manager | |
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| Shakespeare in Love | Scaramouche | Atonement | Kings & Queen | The Pirate |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
The Seattle International Film festival has saved us from a droll and boring summer movie season. With sequels galore and some atrocious originals, it was nice to catch a screening of the closing night film at the festival last night: Molière. The film wins big, and hopefully will be nominated for best French film, director and actor (Romain Duris) when the Césars roll around next spring.
Molière is France's Shakespeare and his life and plays might not be familiar to most Americans. So French director Laurent Tirard decided three years ago to make a film that would bring the work and escapades of the famed writer more accessible to audiences. Tirard co-wrote the screenplay and assembled a top notch cast including Romain Duris (The Beat That My Heart Skipped), Fabrice Luchini (Intimate Strangers), Laura Morante (Avenue Montaigne) Edouard Baer (The Story of My Life), and the always wonderful Ludivine Sagnier (Swimming Pool).
The story begins with Jean-Baptists Poquelin aka Molière (Duris) frantically trying to decide if he is to do a tragedy for his next play in front of the esteemed royal family despite the fact they desperately want a comedy. The film flashes back thirteen years earlier to when Poquelin has been thrown into jail because he could not pay a debt. While in jail, Monsieur Jourdain (Luchini) seeks out Molière's theatrical talents. Molière is whisked away to the Jourdain estate in disguise where he must help Jourdain win the esteem of a desired mistress (Sagnier) while keeping this all hidden from the eyes of Mme. Jourdain (Morante). In exchange for his services Molière's debt will be paid and forgiven. Bits and pieces of the rest of story seem familiar to anyone who's read Molière's plays, as this film sets the stage that these events inspire Molière to be the comedy writer that he became.
The film wins on many levels. The acting talent of Duris alone merits a viewing as well as the beautiful cinematography by Gilles Henry. The images were very colorful and beautifully framed. The magnificent locations that only France has to offer were wonderfully highlighted as well as extravagant costume design, hair and make up. The score written by Frédéric Talgorn was by far one of the best parts. His ability to weave fifteenth century musical themes into a robust, fun and energetic comedy score definitely is worth a second listening at home on a nice speaker system. Oh yeah, the film is also actually funny! There are some great scenes from the plays as well as some nice jokes toward a modern audience.
Molière has everything. It is a fantastically crafted and brilliant look at one of France's most famous artists. The film may run a bit long for some, but it's hardly noticeable when juxtaposed with the brilliants visuals, fantastic acting and wonderful music and sound design. The film also has heart and leaves us with a nice message to ponder when leaving the theater. When Molière releases in your area, don't miss it. The film is also appropriate for teenagers as the sexual content is rather minor. French teachers around America rejoice at a PG-13 French film they can show to their classes! Don't wait for DVD though; see this one on a big screen.