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Molière (2007)

Imprisoned for debt, playwright Molière is rescued by an aristocrat who needs his help in order to seduce a young marquise.

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Writers:

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Cast

Cast overview, first billed only:
...
...
...
...
...
...
Gonzague Montuel ...
Valère
Gilian Petrovski ...
...
...
Catherine de Brie
...
Marquise du Parc
Luc Tremblais ...
Gros-René
Nicolas Vaude ...
Monsieur
...
Bonnefoy
Isabelle Caubère ...
Toinette
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Storyline

In 1657, playwright/actor Molière, having been given a theater in the capital by the King, is back in Paris after touring the kingdom of France with his company of players. One day, a young lady asks him to follow her to the deathbed of her mother... Thirteen years earlier, Molière already runs a troupe but goes broke and is thrown to prison. Fortunately (?) his debt is covered by Monsieur Jourdain, a rich man who wants him to help him rehearse a one-act play he has written with a view to seducing a beautiful bright young widow, Célimène. As Jourdain is married to Elmire, and is the "respectable" father of two daughters his design must remain secret so Molière is introduced into the house as Tartuffe, an austere priest... Written by Guy Bellinger

Plot Summary | Add Synopsis

Genres:

Comedy | History

Certificate:

PG-13 | See all certifications »
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Details

Country:

Language:

Release Date:

31 January 2007 (France)  »

Also Known As:

As Aventuras de Molière  »

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Box Office

Budget:

€16,000,000 (estimated)

Opening Weekend USA:

$32,601, 29 July 2007, Limited Release

Gross USA:

$634,277, 24 November 2007
See more on IMDbPro »

Company Credits

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Technical Specs

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The plot of "Moliere" was actually loosely based on two of his plays, 'Le Bourgeois Gentilhomme' and 'Tartuffe'. See more »

Quotes

M. Jourdain: Your father said you studied law?
Thomas: Trade law, to be exact.
M. Jourdain: What a fine idea! I wanted a son to bequeath my business to.
Thomas: How is business?
M. Jourdain: I can't complain.
Thomas: You're wrong. Our laws are reprehensible. Business in France is impossible. But I have concrete ideas on ways to increase profits.
Dorante: Thomas, I fear this conversation could lead to boredom.
M. Jourdain: Not at all. Not at all. Please continue.
Thomas: For example, did you know you could save on labor costs by setting up shop in Spain, where people earn four times ...
[...]
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Connections

References Molière (1978) See more »

Soundtracks

Ah, Madame, Je vous aime!
Lyrics by Christian Daumas, music based on a 17th Century tune
Performed by Henriette Jourdain (Fanny Valette) and Valère (Gonzague Montuel)
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User Reviews

 
A more fruitful experience for those intimate with his works
4 November 2007 | by See all my reviews

Laurent Tirard's costume comedy "Molière" finds comparison with "Shakespeare in Love" rather easily, and perhaps most dauntingly, to its legendary subject's own durable narratives. But while there's not as much details missing from the 17th-century French playwright Moliere's (Romain Duris) life as there was in Shakespeare's, there's still ample room for a fanciful imagination and conjecture.

The window is small, for Tirard and co-writer Grégoire Vigneron to present the missing weeks of Molière's life after his brief imprisonment for not paying his debts, just before he embarked with his troupe on a 13-year tour of the French provinces before his triumphant return to the theatre scene in Paris. The driving point in this film, as it was in "Shakespeare in Love", is how great art tends to imitate life and how muses tend to stem from elaborate romances, which in this case is Molière's torrid affair with the wealthy Monsieur Jourdain's (Fabrice Luchini) wife Elmire (an enthralling Laura Morante).

Tirard's first salvo and indeed the one that sustains its premise throughout the end, is his understanding that a film about Molière has to be a farce, an important element that shapes his later and most important works when romance, gender politics and the moral bankruptcy of the French aristocracy become his staples. As a staunch tragedian, he gets an early education in the deviancy of the social class from the misguidedly smitten Jourdain who picks him out from his cell to help him perfect his self-written play to impress the blueblood snob, Célimene (Ludivine Sagnier). But "Molière", for all its charm and spirited performances does play rather loose in its opening hour, setting up the strands to be tangled in its second half. The modern transposition of the ringing hypocrisy of the rapacious upper class and eager capitalists ingratiating themselves into a privileged circle offers up its most scintillating prospects.

Nonetheless, flawed in his initial insistence of tragedy as the spirit of true art, it would seem that while Molière's life is a stage, he's not yet in on the act. Duris plays his character with an insinuating intelligence, cynically wearing a scowl on his face but a twinkle of hope in his eyes, all with a precise intensity that threatens to spill over. A hard sell for a light comedy bordering on fluff, but Molière plays the crucial role of the straight man in his own farce. There's no sombre reverence to Molière and his work, though the film hints at the genesis of his later plays through overtly familiar circumstances, making it a more fruitful experience for those intimate with his works.


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