Molière (2007)

Director:

Laurent Tirard

Writers:

Laurent Tirard (scenario)
Grégoire Vigneron (scenario)

Release Date:

31 January 2007 (Belgium)

Genre:

Comedy | History

Plot:

In 1658, playwright/actor Molière, having been given a theater in the capital by the King, is back in...

Plot Keywords:

Prison | Play | Theater | 1640s | Playwright

Awards:

2 wins & 5 nominations

Cast

  (Cast overview, first billed only)

Romain Duris	...	Jean-Baptiste Poquelin
Fabrice Luchini	...	M. Jourdain
Laura Morante	...	Elmire Jourdain
Edouard Baer	...	Dorante
Ludivine Sagnier	...	Célimène
Fanny Valette	...	Henriette Jourdain
Gonzague Montuel	...	Valère
Gilian Petrovski	...	Thomas
Sophie-Charlotte Husson	...	Madeleine Béjart
Anne Suarez	...	Catherine de Brie
Annelise Hesme	...	Marquise du Parc
Luc Tremblais	...	Gros-René
Nicolas Vaude	...	Monsieur
Philippe du Janerand	...	Bonnefoy
Isabelle Caubère	...	Toinette

Runtime:

France:120 min | Argentina:120 min

Country:

France

Language:

French

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

Switzerland:7 (canton of Vaud) | Switzerland:7 (canton of Geneva) | France:U | Ireland:PG | Netherlands:6 | UK:12A | USA:PG-13 | Argentina:13 | Singapore:NC-16 | Malaysia:U | Sweden:Btl | Australia:PG | Finland:K-3 | Japan:G

Filming Locations:

Chateau de Versailles, Versailles, Yvelines, France

Company:

Fidélité Productions

Trivia:

The production hired a beautiful ancient harp from the Museo dell'Arpa Victor Salvi (Italy); the harp is dated 1760, so it is actually much later than Moliere's time.

Quotes:

M. Jourdain: Your father said you studied law?
Thomas: Trade law, to be exact.
M. Jourdain: What a fine idea! I wanted a son to bequeath my business to.
Thomas: How is business?
M. Jourdain: I can't complain.
Thomas: You're wrong. Our laws are reprehensible. Business in France is impossible. But I have concrete ideas on ways to increase profits.
Dorante: Thomas, I fear this conversation could lead to boredom.
M. Jourdain: Not at all. Not at all. Please continue.
Thomas: For example, did you know you could save on labor costs by setting up shop in Spain, where people earn four times less?
[...]

Movie Connections:

References Molière (1978)

Molière in Love

Molière (2007), co-written and directed by Laurent Tirard, creatively fills a historical gap that exists in the biography of the playwright/actor Molière. Apparently, Molière was released from debtors prison, and did not rejoin his acting company for several months. The movie provides us with a fictional reconstruction of what went on during that time span.

Like many period films, this movie has high production values. The sets and costumes are glorious, and we are spared the usual obligatory images of filth and squalor. Instead, most of the film takes place in the château of the very wealthy M. Jourdain (Fabrice Luchini), and his dutiful--if somewhat bored--wife (Laura Morante). Ludivine Sagnier plays a wealthy young widow, the Marquise Célimène.

The plot revolves around M. Jourdain's worshipful love for the Marquise. The Marquise barely knows he exists and so M. Jourdain proposes to hire Molière to teach him how to make a good impression on the object of his desires. The Marquise is self-centered, vain, and proud, and M. Jourdain is a fool. However, he is a rich fool, and can afford to go where his whims take him. Molière accepts the job, and the film moves forward from there.

Romain Duris is very good as Molière. He reminds me of Johnny Depp, and, like Depp, he overplays his role in a humorous and enjoyable way . Fabrice Luchini is excellent as M. Jourdain--a man who has a wonderful wife but lusts after an unattainable and unlikeable woman. Laura Morante is outstanding as the wife, who lives with luxury but not with love. Ms. Morante is Italian, so it's not clear to me whether her voice was dubbed. In any case, she plays her role with skill and subtlety, and she has a presence that lights up the screen.

This film will remind you of "Shakespeare in Love" and "Becoming Jane." It tries to correlate the artist's experiences--about which we can only speculate--with his or her art, about which we know a great deal. It is obviously unlikely that we will ever learn what led Austen or Shakespeare or Molière to write their masterpieces. Because this vacuum exists, writers and directors are free to speculate about events, and present these speculations to us in the form of movies.

I enjoyed both "Shakespeare in Love" and "Becoming Jane," and I would put "Molière" into this same category--not a great film, but a very good film, and definitely worth seeing.