| Anthony Wong Chau-Sang | ... | Blaze (as Anthony Wong) | |
| Francis Ng | ... | Tai | |
| Simon Yam | ... | Boss Fay | |
| Nick Cheung | ... | Wo | |
| Richie Ren | ... | Sergeant Chen (as Richie Jen) | |
| Roy Cheung | ... | Cat | |
| Josie Ho | ... | Jin | |
| Suet Lam | ... | Fat (as Lam Suet) | |
| Ka Tung Lam | ... | Boss Keung (as Lam Ka Tung) | |
| Siu-Fai Cheung | ... | Jeff (as Cheung Siu Fai) | |
| Ellen Chan | ... | Hooker | |
| Bing-Man Tam | ... | Uncle Fortune (as Tam Ping Man) | |
| Shiu Hung Hui | ... | Sergeant Shan (as Hui Siu Hung) | |
| Ronald Yan | ... | Underground Doctor | |
| Wah Wo Wong | ... | Sergeant Shan's driver (as Wong Wah Wo) | |
| Chi Wai Wong | ... | Blackie | |
| rest of cast listed alphabetically: | |||
| Libby Brien | ... | Jin (voice: English version) | |
| Philip Hersh | ... | Tai (voice: English version) | |
| Man-Wai Luk | |||
| Wai Leung Hung | ... | Sergeant Shan's Partner (uncredited) | |
Directed by | |||
| Johnnie To | |||
Writing credits | ||
| Kam-Yuen Szeto | (written by) (as Szeto Kam Yuen) and | |
| Tin-Shing Yip | (written by) (as Yip Tin Shing) | |
Produced by | |||
| Catherine Chan | .... | production executive | |
| John Chong | .... | executive producer | |
| Elos Gallo | .... | consultant producer | |
| Maylie Ho | .... | administrative producer | |
| Kok Leung Kuk | .... | line producer (as Kuk Kok Leung) | |
| Shirley Lau | .... | production executive | |
| Johnnie To | .... | producer | |
Original Music by | |||
| Dave Klotz | |||
| Guy Zerafa | |||
Cinematography by | |||
| Siu-keung Cheng | (director of photography) (as Cheng Siu Keung) | ||
Film Editing by | |||
| David M. Richardson | (as David Richardson) | ||
Art Direction by | |||
| Tony Yu | |||
Costume Design by | |||
| Stanley Cheung | |||
Makeup Department | |||
| Kit Ling Chan | .... | dresser (as Chan Kit Ling) | |
| Miko Chu | .... | makeup artist (as Mico Chu) | |
| Joe Kwong | .... | hair stylist | |
| Yun-Ling Man | .... | makeup artist (as Man Yuen Ling) | |
Production Management | |||
| Pou Ian Ao | .... | production manager: Macau (as Ao Pou Ian) | |
| Alice Augusto | .... | production manager: Macau | |
| Chi-Shing Chiu | .... | unit manager (as Chiu Chi Shing) | |
| Elaine Chu | .... | project manager | |
| Yuin Shan Ding | .... | production supervisor (as Ding Yuin Shan) | |
| Jackson Ha | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Joe Chan | .... | second assistant director | |
| Ka-kit Cheung | .... | first assistant director (as Jeff Cheung) | |
| Wing-cheong Law | .... | associate director (as Law Wing Cheong) | |
| Andy Ma | .... | second assistant director | |
Art Department | |||
| Kin Wah Ko | .... | property master (as Ko Kin Wah) | |
| Wai Ming Lam | .... | property master (as Lam Wai Ming) | |
| Brian Lau | .... | assistant art director | |
| Wing Hing Law | .... | property master (as Law Wing Hing) | |
| Fu Kei Tse | .... | property master (as Fu Kei Tse) | |
Sound Department | |||
| Tony Cheng | .... | location sound | |
| Charlie Lo | .... | sound designer | |
| Charlie Lo | .... | sound mixer | |
| May Mok | .... | sound designer | |
| May Mok | .... | sound mixer | |
| Chun Ming Wong | .... | boom operator (as Wong Chun Ming) | |
| Tomy Yu | .... | foley artist (as Tommy Yu) | |
Visual Effects by | |||
| Jacky Chung | .... | CGI animator | |
| Pak Chung Kwan | .... | CGI animator (as Kwan Pak Chung) | |
| Peony Lam | .... | visual effects coordinator | |
| Stephen Ma | .... | visual effects supervisor | |
| Lai Kuen Wong | .... | optical effects coordinator (as Wong Lai Kuen) | |
| Tsz Ping Yuen | .... | CGI animator (as Yuen Tsz Ping) | |
Stunts | |||
| Chun Pong Ling | .... | action choreography (as Ling Chun Pong) | |
| Chi Wai Wong | .... | action choreography (as Wong Chi Wai) | |
Camera and Electrical Department | |||
| Hong Chun Kwan | .... | making-of camera (as Kwan Hong Chun) | |
| Ting Fung Kwong | .... | best boy (as Kwong Ting Fong) | |
| Chak-Shun Tang | .... | still photographer | |
| Hung Mo To | .... | cinematographer: second unit (as To Hung Mo) | |
| Kwok Chiu Wu | .... | gaffer (as Wu Kwok Chiu) | |
Costume and Wardrobe Department | |||
| Eva Law | .... | assistant costume designer | |
| Kar Yan Yip | .... | assistant costume designer (as Karen Yip) | |
Editorial Department | |||
| Simon Fung | .... | assistant editor | |
| Cathy Lau | .... | post-production assistant | |
| Calmen Lui | .... | post-production executive | |
Music Department | |||
| Dave Klotz | .... | music arranger | |
| Dave Klotz | .... | music recordist | |
| Dave Klotz | .... | orchestrator | |
| Guy Zerafa | .... | music arranger | |
| Guy Zerafa | .... | music recordist | |
| Guy Zerafa | .... | orchestrator | |
Other crew | |||
| Catherine Chan | .... | production executive | |
| Jack Lai | .... | continuity | |
| Shirley Lau | .... | production executive | |
| Ching Ting Law | .... | set runner (as Lu Ching Ting) | |
| Wing-cheong Law | .... | associate director (as Law Wing Cheong) | |
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| The Departed | The Mission | The Beat That My Heart Skipped | The Matador | Appaloosa |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Hong Kong section |
So stylish was Exiled that the Italians must be jealous, with Sergio Leone buzzing in his grave. A simple story set in Macau, the restrained dialog and general lack of facial expressions cannot diminish the loyalty that these men have towards each other, even when they have been ordered to act otherwise. Between wonderfully orchestrated concerts of claustrophobic bullet symphonies are beautifully drawn out scenes utilizing the mundane aspects of life to help further the bonds of ancient friendships. And all of this, action and drama alike, drawn forth by the devils of fate, where one can either choose his fate or be torn apart through lack of choice. The acting was great for what this was, with the wickedly beautiful Josie Ho acting as the mostly silent, secret force that foments the deadly events to come. Johnny To's direction was phenomenal in his ability to allow things to come together almost by fate. Everything about this film oozes a style reminiscent of John Woo though a step ahead of even this master of action.