In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives for ever.
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Set on a colorful Greek island, the plot serves as a background for a wealth of ABBA songs. A young woman about to be married discovers that any one of three men could be her father. She invites all three to the wedding without telling her mother, Donna, who was once the lead singer of Donna and the Dynamos. In the meantime, Donna has invited her backup singers, Rosie and Tanya. Written by
Early in pre-production, the producers suggested including a newly-written original song, to qualify for the Academy Awards' Original Song Category. Former ABBA members Benny Andersson and Björn Ulvaeus refused. Andersson composed some additional music, but the film was ineligible for the Original Song category because all songs were already published. See more »
When the orchestra begins after the initial verse during Harry's "Our Last Summer", the chords he plays on the guitar don't match the music. See more »
I want the perfect wedding, and I want my father to give me away.
Better be a wide aisle!
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After the final scene of the movie Meryl Streep, Christine Baranski and Julie Walters appear on a sound stage in matching 1970s glam-rock costumes and sing "Dancing Queen". When they finish Meryl 'asks' the audience if they want an encore. The three ladies are then joined by Pierce Brosnan, Colin Firth and Stellan Skarsgard who are similarly attired. Along with Amanda Seyfried and Dominic Cooper, they provide a rendition of "Waterloo" as the main credits roll. See more »
Went to see Mamma Mia without particularly high expectations. Not being a big connoisseur (or even fan) of musicals, I didn't really know what to expect. Though I adore ABBA, I never bothered to watch the stage production of Mamma Mia. But having a cinema membership, I didn't have much to lose (no money, at least), so I went for it. And boy, am I glad that I did! I can safely say that I enjoyed every second of it. And I'm not even ashamed to admit it!
Give Meryl Streep another Oscar and get it over with already. If she could get a nod for the Devil Wears Prada, she definitely deserves one for this. She really let her hair down on this one. Mrs. Streep can obviously not pass for a trained singer, but somehow, it just doesn't seem to matter. It just really worked in the movie (unlike -say- Helena Bonham Carter's singing in Sweeney Todd). When I heard Meryl's rendition of "The winner takes it all" in advance, it lowered my expectations considerably, but in its context, it totally made sense.
Most of all though, this movie was just sheer fun. People were clapping, laughing...Rarely have I seen an audience as enthusiastic. The crowd especially responded well to Meryl and her two cronies (arguably the strongholds of the movie). Also, because I had never seen the musical before, I was amazed (and amused) at the inventive ways in which they managed to incorporate so many ABBA-songs. Equally brilliant was the way the extras (usually some Greek old women) were deployed throughout the movie...And then of course the setting (beautiful Greece) was mesmerizing...
Basically, Mamma Mia is a superb musical that doesn't take itself too seriously. If you're just a little bit crazy and want to have a good laugh, if you love ABBA, want to see Meryl Streep like you've never seen her before or if you simply have a secret crush on Colin Firth and/or Pierce Brosnan (his singing was nothing short of hilarious), you will LOVE this movie. Best summer flick so far. Warmly recommended.
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