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Directed by | |||
| Alain Corneau | |||
Writing credits | ||
| Alain Corneau | (adaptation) | |
| José Giovanni | (dialogue) and | |
| Alain Corneau | (dialogue) | |
| José Giovanni | (novel "Un reglement de comptes") | |
Produced by | |||
| Laurent Pétin | .... | producer | |
| Michèle Pétin | .... | producer | |
Original Music by | |||
| Bruno Coulais | |||
Cinematography by | |||
| Yves Angelo | |||
Film Editing by | |||
| Marie-Josèphe Yoyotte | |||
Production Design by | |||
| Thierry Flamand | |||
Makeup Department | |||
| Frédéric Balmer | .... | special makeup effects artist | |
| Laurent Bozzi | .... | key hair stylist | |
| Bérangère Cortaix | .... | special makeup effects artist | |
| Jacques-Olivier Molon | .... | special makeup effects artist | |
| Pierre Olivier Persin | .... | special makeup effects crew | |
| Pierre-Olivier Thevenin | .... | special makeup effects artist | |
Production Management | |||
| Jean-Charles Berlan | .... | assistant unit manager | |
| Guillaume Parent | .... | post-production supervisor | |
Art Department | |||
| Dorothée Baussan | .... | art department assistant | |
| Khadija Ben Mustapha | .... | assistant to set decorator | |
| Michel Doré | .... | storyboard artist | |
| Virginie Hernvann | .... | assistant art director | |
| Sandrine Jarron | .... | assistant art director | |
| François Peyon | .... | assistant art director | |
| Olivier Seiler | .... | props | |
Sound Department | |||
| Marie Averty | .... | assistant sound | |
| Germain Boulay | .... | sound editor | |
| Bernard Chaumeil | .... | boom operator | |
| Philippe Dongé | .... | sound mix technician | |
| Pierre Gamet | .... | sound | |
| Gérard Lamps | .... | sound | |
| Marion Lorthioir | .... | post-synchronisation | |
| Simon Poupard | .... | assistant adr recordist | |
| Laurent Quaglio | .... | sound | |
Special Effects by | |||
| Philippe Hubin | .... | special effects supervisor | |
| Jean-Christophe Magnaud | .... | special effects coordinator | |
Visual Effects by | |||
| Vadim Androussoff | .... | digital compositor | |
| Jerome Billet | .... | matte painter | |
| Stephanie Broussaud | .... | Lustre assistant | |
| Alain Carsoux | .... | visual effects director | |
| Matthieu Chatelier | .... | digital compositor | |
| Jean-Nicolas Costa | .... | additional roto artist | |
| Alexia Cui | .... | digital compositor | |
| Nicolas Daniel | .... | data manager | |
| Séverine De Wever | .... | visual effects coordinator | |
| Stephane Dittoo | .... | visual effects supervisor | |
| Elayaraja | .... | production coordinator: visual effects | |
| Élodie Ichter | .... | Lustre assistant | |
| Abdel Ali Kassou | .... | technical manager | |
| Nicolas Kermel | .... | digital artist | |
| Guillaume Le Gouez | .... | digital compositor | |
| Alexis Peraste | .... | digital compositor | |
| Christian Tomikowski | .... | digital compositor | |
| Georges Tornero | .... | visual effects supervisor | |
| Edouard Valton | .... | visual effects producer | |
Stunts | |||
| Jérôme Gaspard | .... | stunt performer | |
Camera and Electrical Department | |||
| Bastien Blum | .... | electrician | |
| Arnaud Carney | .... | camera trainee | |
| Julien Cottret | .... | grip | |
| Pierre Hugues Galien | .... | first assistant camera | |
| Pierre Hugues Galien | .... | second camera operator | |
| Rachid Madaoui | .... | gaffer | |
| Valentin Monge | .... | Steadicam operator | |
| Valentin Monge | .... | camera operator | |
| Jérôme Prébois | .... | still photographer | |
| Samuel Renollet | .... | second assistant camera | |
| Benjamin Speyer | .... | crane technician | |
Casting Department | |||
| Claire Coulange | .... | casting assistant | |
| Tristan Ravasco | .... | extras casting | |
Costume and Wardrobe Department | |||
| Nathalie Chesnais | .... | costume supervisor | |
| Louise Rapp | .... | costumer | |
| Aurélie Morille | .... | trainee (uncredited) | |
Editorial Department | |||
| Serge Anthony | .... | colorist | |
Music Department | |||
| The City of Prague Philharmonic Orchestra | .... | orchestra | |
| Laurent Petitgirard | .... | conductor | |
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Based on the novel Un Reglement de Comptes by Jose Giovanni on which legendary auteur Jean-Pierre Melville based his classic 1966 film, one has to admire the balls on Alain Corneau for tackling the same source material. A more colorful adaptation of the Giovanni novel, SECOND BREATH rejects all things black and white. Headlamps are amber and there's even a jaundiced light over black and white crime scene photos. In fact, Corneau's SECOND BREATH isn't just colorful; it's garish. Hues are saturated to stratospheric levels.
Apart from the color and some intensified violence, Corneau's version of SECOND BREATH is an exercise in redundancy for fans of the original Melville film. It's not to say that Corneau's film is bad by any stretch of the imagination. It's simply just not necessary.