Anna Rydell returns home to her sister (and best friend) Alex after a stint in a mental hospital, though her recovery is jeopardized thanks to her cruel stepmother, aloof father, and the presence of a ghost in their home.
A woman's haunting visions reveal a Catholic priest's sinister plot to silence her mother from speaking the truth about the atrocities that took place at her Native American boarding school... See full summary »
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
While shooting one of the fire scenes for the movie, a special effect fire got out of control and burned the whole set down, including the studio stage it was built into and almost all of the crew's equipment. Nobody was seriously injured and filming resumed the very next day with equipment being hauled in from all over the world. See more »
When Emily locks her self in the bedroom at night, Lilith tries to break down the door. When she stops, Emily is on the ground next to the closet. When Emily opens the closet, it is daylight outside. As Emily runs out of the house, it is night again. See more »
It's a decent movie. I liked very much some cinematographic concepts cleverly used here to build solid tension, and mystery effect. We are used to very straight way of telling very straight stories, but sometimes it's good to move the camera off the basics a little (even if the story isn't very original), just to tell something more by the picture, than only what the picture depicts. Mr Bogdanski (DP) and Mr Alvart (DIR) have used some of those "tricks" carefully and wisely, gaining few disturbing shots which actually describe the feel of hole movie. The story is simple, predictable, and has the "yep, I've seen this before" factor, but THOSE few (yes, only few) weird shots puts this movie slightly above the average. And there are Callum Keith Rennie, Kerry O'Malley and Ian McShane who work in the same business here with DP and Director - giving very intense and disturbing appearances in supporting, yet the movie tone establishing roles (especially Rennie not being too demonic). I'm glad that screenplay had provided them few very good sequences to play in.
But let's be frank - that's not enough to break the limits. We have to remember some major flaws: First - the movie is very predictable. Very. Second - Jodelle Ferland plays in a simple, cheap way, using far away easier acting methods, than her character needs. Third - a promise of originality made by DP and Director in the first part of the movie, is never kept because of the second half, where everything is put in WYSIWYG manner, known from shitty Hollywood.
Summing all up - You CAN watch it with a pizza and a beer, but hardly believable that you WILL manage without those. :)
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