IMDb > Nos retrouvailles (2007)

Nos retrouvailles (2007) More at IMDbPro »

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Overview

User Rating:
6.5/10   53 votes
MOVIEmeter: ?
Down 38% in popularity this week. See why on IMDbPro.
Director:
Writers:
Antoine Lacomblez (collaboration)
David Oelhoffen (writer)
Contact:
View company contact information for In Your Wake on IMDbPro.
Release Date:
19 September 2007 (France) more
Genre:
Plot:
An estranged father returns with plans to open a bar with the son who still harbors resentment towards him. | add synopsis
User Reviews:
Father, Son And Wholly Boast more (1 total)

Cast

  (Credited cast)
Jacques Gamblin ... Gabriel
Nicolas Giraud ... Marco
Jacques Spiesser ... Ruiz
Gérald Laroche ... Krosiki
Marie Denarnaud ... Elena
Fred Ulysse ... M. Robert, l'entraîneur
Salim Kechiouche ... Karim
Marie Matheron ... La mère de Marco
Bruno Lochet ... L'habitué brasserie
Yves Verhoeven ... Le collègue cantine
Gregory Loffredo ... Marat
Antoine Lacomblez ... Patron brasserie
Véronique Ruggia ... Employée cantine
rest of cast listed alphabetically:
Thierry Lecomte ... Infirmier
Philippe Sourigues ... Infirmier
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Additional Details

Also Known As:
In Your Wake (International: English title)
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Runtime:
France:99 min
Country:
Language:
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6 out of 6 people found the following review useful.
Father, Son And Wholly Boast, 24 October 2007
8/10
Author: writers_reign from London, England

*** This review may contain spoilers ***

I've yet to see Jacques Gamblin give a bad performance and this is no exception. Gamblin is one of those actors who paint with a king-size palette and range through the spectrum at will often breathing life into cardboard cutout characters. Today he's Gabriel, one of life's losers who shows up out of the blue to make contact with a son he hasn't seen for several years. Long divorced from the son's mother he has clearly been on a downward spiral but now he has pipe-dream plans to open a bar and attempt to better-late-than-never bonding with Marco, the son who's suddenly flavour of the month.

Almost inevitably he runs into fiscal problems and begins to think in terms of caper, natch, which equally inevitably involve Marco with predictable consequences. It's possible that the hybrid element of the script will attract criticism unless, like me, you find it tends to strengthen the central father-son conflict. A fine effort.

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