Henry May and Henry Long are old friends from college who have not seen each other in quite a while. They meet one day in the street by happy accident - or so it seems. They re-kindle their friendship and we discover that each needs the other, but for different reasons. Together they take a journey away from family and pressures in New York. In the harbor town of New Bedford, the truth comes out ... See full summary »
Umay is a young woman of Turkish descent, fighting for an independent and self-determined life in Germany against the resistance of her family. Her struggle initiates a dynamic, which results in a life-threatening situation.
As the Allies sweep across Germany, Lore leads her siblings on a journey that exposes them to the truth of their parents' beliefs. An encounter with a mysterious refugee forces Lore to rely on a person she has always been taught to hate.
Late in the nineteenth century, Henry May, New York's golden child, has reached the end of a long road to self destruction. In debt and drug addicted, he is simply marking time until his eventual exile into poverty and oblivion. On the other side of the city Henry Long carefully observes May's decline, devoting his brilliant mind to the constant surveillance of his former school friend. May and Long finally meet and begin a complicated and dangerous odyssey that leads them to the sea and beyond. The houses and families of New York's golden age as well as the timeless underworld of the city are vividly brought to life as May and Long journey to the possible resolution of both their troubled lives. Both men discover what they have lost to get where they are, what they are willing to risk to get what they want and what they are willing to lose to live. Written by
This film with fine production values features secrets and how friends use each other. Henry May Long is a very well-acted, dimly lit, depressing turn-of-the-century period piece about a friendship between a fatally ill man and a melancholy, indebted junkie. Talky drawing room dramas are not my cup of tea, and all the crying wears thin. Recommended if you like independent, slyly intellectual, slow-paced Merchant Ivory-type features.
I suspected that the main characters were in love, but their connection was so intimated, it didn't really have the emotional impact of 'Brokeback Mountain.' It features some good writing with a scene discussing how to disappear in life, but it is truly a dark and depressing film.
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