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Title: Georgia Rule (2007)
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| Cast overview, first billed only: | |||
| Jane Fonda | ... | ||
| Lindsay Lohan | ... | ||
| Felicity Huffman | ... | ||
| Dermot Mulroney | ... | ||
| Cary Elwes | ... | ||
| Garrett Hedlund | ... | ||
| Hector Elizondo | ... | ||
| Dylan McLaughlin | ... | ||
| Zachary Gordon | ... | ||
| Laurie Metcalf | ... | ||
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Tereza Stanislav | ... |
Violin Teacher
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Fred Applegate | ... |
Townie #1
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Cynthia Ferrer | ... |
Townie #2
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| Destiney Sue Walker | ... |
Waitress
(as Destiney Moore)
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| Adreana Gonzalez | ... |
Izzy's Niece
(as Adreana Betan)
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Rachel comes to stay with her Grandmother Georgia for the summer leaving some obvious problems behind at home. Her alcoholic mother doesn't even stay the night before rushing back out to California to be with her husband. Rachel shakes up the town, a beautiful girl in the boring Mormon country. Then she reveals her deepest secret to one of her new friends, and her mother comes rushing back to find out if its true. In the midst of this crisis the three woman become closer than ever and start to understand each other more. Written by alex rose
Three generations of headstrong women struggle to get along in this misfired comedy-drama from director Garry Marshall and screenwriter Mark Andrus. It is easily one of worst-written motion pictures in years. Opening with an unbelievable scene of mother-daughter conflict on the open highway, rebellious teenager Lindsay Lohan goes to sleep on the side of the road, is awakened by a Mormon hunk who inadvertently feels her up (thinking she's dead), and ends up hitching a ride into town with a veterinarian whom the girl decides must be gay because he didn't look at her exposed legs once. Lohan then runs into the hunk again, who thoughtfully figures she must be more dangerous than riding a horse. "Yeah," she tells him, "But at least after riding me, you don't have to wipe your shoes off." Shifting the tone midway into family soap opera, Marshall grinds the gears for emotional impact, however since no connection has been made between these characters and living, breathing human beings, the gambit fails to pay off. It is inconceivable that an actress of Jane Fonda's stature would end up in such a contrived, phony scenario--and it's painful to watch her trying to make something meaningful out of this abysmal material when the basic ingredients just aren't there. Lohan, playing an habitual liar and loudmouth, wears provocative clothes and sizes all the men up with a jaded, cynical stare, but her hard quality puts a wall up between she and the audience; we're not drawn to her, and less of her is more. A dynamic actress such as Drew Barrymore in her teenage years might have been able to pull this role off, but Lohan isn't in that league. * from ****