$9.99 (2008) - News Poster



Kung Fu Panda Rules The Annie Awards

  • WENN
Kung Fu Panda Rules The Annie Awards
Animated hit Kung Fu Panda was the toast of the 36th annual Annie Awards on Friday night - triumphing in 10 categories. The 2008 picture, starring Angelina Jolie and Jack Black, took the top gong for Best Animated Feature beating out competition from fellow Oscar contenders Wall-e and Bolt, as well as Waltz With Bashir and $9.99.

The film also picked up prizes in the Animated Effects and Production Design categories amongst others, while Dustin Hoffman was presented with the Best Voice Acting award for his role as red panda Shifu.

Other winners at the ceremony included TV show Futurama which landed the Best Animated Home Entertainment Production prize, while Wallace & Gromit: A Matter of Loaf and Death was named Best Animated Short Subject.

Kung Fu Panda Leads Annie Awards Charge

  • WENN
Kung Fu Panda Leads Annie Awards Charge
Kung Fu Panda will be leading the way at the 2009 Annie Awards after landing 17 nominations ahead of the 30 January event.

DreamWorks Animation's cuddly hero beat Wall-e and Bolt as the nods were handed out on Monday.

Among its haul, Kung Fu Panda is up for Best Feature and Best Feature Directing, while voice actors James Hong, Ian McShane and Dustin Hoffman were also nominated for honours.

Wall-E scored eight nominations, while Bolt claimed five.

The three films will compete for the Best Feature prize with the acclaimed Waltz With Bashir and $9.99.

Meanwhile, King of the Hill, Moral Orel, Phineas and Ferb, Robot Chicken: Star Wars Episode II and The Simpsons will fight it out for the Best TV Show prize,

Rights RoundUP Toronto, Pusan and other Fall Festivals

Toronto International Film Festival acquisitions this year were sparse which was no surprise given the recent closings of the well funded specialty arms of the studios. The noticeable slowdown in the business at these large festival cum market events (e.g., Toronto) has continued since Cannes although Locarno was happily surprised at the increased number of acquisitions which took place there albeit by international sales agents rather than by distributors. At least it attests to some enthusiasm in what seems to be a lackluster low energy year for the film business. Venice[/link] also created some sales in spite of its never quite becoming the market it might be. Pusan was disappointing leaving buyers and sellers looking toward the upcoming Tokyo International Film Festival and AFM as the place where deals will close. The European sales agents did better selling to the Asian distributors than the Asian sales agents. Bavaria sold 'Into the Great Silence' to Jin Jin of South Korea. Celsius sold 'Vivaldi' to Mirovision for South Korea, and new international sales agent M-Appeal's Maren Kroymann sold 'Trick' to Coral for South Korea.

This is a sample of the Rights Roundup Reports available from sales-filmfinders@imdb.com. For more information on acquisitions in the future you can purchase the Fall Festival and Market RightsRoundup and Rights Roundup Reports for AFM/ American Film Market, Berlin Film Festival and EFM/ European Film Market and Cannes Film Festival and Marche du Film after those events.

In Toronto, Fox Searchlight remained the strong buyer, picking up 'The Wrestler' for the highest sales figure of the market, but still less than $4,000,000 and ‘Slumdog Millionaire’, the other hit of the festival. Summit, an A list international sales agent who entered the domestic distribution business this year also acquired ‘Hurt Locker' for U.S.. Both 'The Wrestler' and 'Hurt Locker' were packaged, financed and represented by CAA and both were significant in that only U.S. rights were acquired (without Canada) at a good high price. IFC Films continued its acquisitions activities for IFC in Theaters, its day and date distribution platform making independent films available to a national audience in theaters and on demand simultaneously, buying ‘Flame & Citron’, ‘Fear Me Not’, ‘Everlasting Moments’ and ‘Che’. Sony Pictures Classics was also active acquiring distribution rights to ‘Every Little Step: The Journey of a Chorus Line’, ‘Faubourg 36’ (aka ‘Paris 36’). The micro distributors such as Strand, Kino, Zeitgeist, Panorama, etc. continued business as usual, which generally means hanging back until there are no obvious offers for a film and then coming in with a modest proposal.

Here are the international sales agents whose sales (licensing of distribution rights on behalf of the producers) have been reported thus far:

Bavaria Film International licensed ‘Krabat’ to SPI for Poland and Romania and to Film Depot for Russia ahead of the first public screening. Strong interest is also reported from Spain, France, Italy, Czech Republic, Hungary, Latin America, Japan and USA. ‘The Window’ (aka ‘La Ventana’) sold to Cinemien for Benelux, Imovison for Brazil. A deal with France is expected to close. ‘Cherry Blossoms’ went to Against Gravity for Poland. ‘Empty Nest’ has interest from U.S. as does ‘Restless’.

Celluloid Dreams has acquired all international sales rights to ‘Soul Power’ from Submarine Entertainment who was repping the film. There are offers in major territories soon to close. It also acquired ‘Youssou NDour: I Bring What I Love’ for world sales. Oscilloscope acquired it for U.S. ‘Birdwatchers’ sold to Artificial Eye for the U.K., Filmladen for Austria, Trigon for Switzerland, Pandora for Germany, Cinemien for Benelux, Hopscotch for Australia and New Zealand. ‘Mark Of An Angel’ has sold to Metrodome for the UK, Odeon for Greece, Seville for Canada, Xenix for Switzerland. Diaphana is about to gross $5m with its French theatrical release and Lumiere released in Belgium. ‘Achilles and the Tortoise’ sold to Odeon for France and Maywin for Russia.

Cinema Management Group has closed several territories on ‘The People Speak’ which screened 20 minutes in Toronto FF Special Screening. ‘Zambezia’, ‘Killer Bean Forever’ and ‘The People Speak’ went to Vision Film for Poland and to Film Pop for Turkey.

Elle Driver licensed ’35 Rhums’ to New Wave Films for the U.K.

Fandango Portobello licensed ‘Mid August Lunch' (aka'Pranzo di ferragosto’) to Le Pacte for France, Pandora for Germany, Cinemien for Benelux, Xenix for Switzerland, Filmladen for Austria.

Films Distribution licensed ‘Sea Wall’ to Axiom for the U.K.

Finecut licensed 'Daytime Drinking' to Japan's Eleven Arts who will release it in 30 North American cities. Fortissimo Films signed a six picture deal with Canadian distributor Maximum Films for ‘$9.99’, ‘Laila's Birthday’, ‘Country Wedding’, ‘Serbis’, ‘Native Dancer’, and ‘Tokyo Sonata’. ‘Disgrace’ also went to Maximum. ‘Every Little Step: The Journey of A Chorus Line’ went to Sony Pictures Classics for North America and Australia and New Zealand. ‘Serbis’ and 'Tokyo Sonata' went to Regent for North America.

Hanway Films licensed ‘Of Time and City’ to Strand Releasing for all U.S. rights. ‘Genova’ went to ThinkFilm for North America just before Toronto. Wanda acquired all rights for Spain.

Maximum licensed ‘Sugar‘ to Axiom for the U.K.

Momento licensed ‘Goodbye Solo’ to Imagine for Benelux, Axiom for the U.K. and Xenix for Switzerland. It also has offers from France, Portugal, Greece and Italy among others.

MK2 licensed ‘24 City’ to The Cinema Guild for U.S.

Pathe licensed ‘Slumdog Millionaire’ to Warner Bros. and Fox Searchlight for North America. ‘Faubourg 36’ (aka ‘Paris 36’) went to Sony Pictures Classics for U.S., Australasia, and Scandinavia just before Toronto.

Rai Trade licensed ‘Il Papa di Giovanna’ to Paradis for France, ABC for Benelux, Palace of Australia and New Zealand, MFD for Switzerland.

Roissy has licensed 'Seraphine' to Metrodome for U.K. and Ireland and to Rialto for Australia and New Zealand.

Sahamonkol licensed 'Chocolate' to Magnet for North America.

The Match Factory licensed ‘Flame & Citron’ to IFC Films for U.S. ‘Teza’ went to Trigon for Switzerland and Ripley’s Film for Italy.

TrustNordisk licensed ‘Fear Me Not’ and ‘Everlasting Moments’ and 'Heaven's Heart' to IFC Films for North America. Visit Films licensed five titles including ‘Hannah Takes The Stairs’, ‘LOL’, and ‘Kissing on The Mouth’, ‘Dance Party USA’ and ‘Quiet City’ to Beyond Entertainment for Australia/ New Zealand.

Voltage licensed ‘The Hurt Locker’ to Summit for U.S.

Wild Bunch licensed ‘Che’ to IFC Films. ‘Ponyo’ went to Lucky Red for Italy.

See also

Showtimes | External Sites