| Cast overview, first billed only: | |||
| Luis Guzmán | ... | ||
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Teresa Hernández | ... |
Lourdes (segment: "En la Urbanizacion")
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Fernando Tarrazo | ... |
Ismaelito (segment: "En la Urbanizacion")
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| Norman Santiago | ... |
Macho (segment: "En la Urbanizacion")
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Silvia Brito | ... | |
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Chavito Marrero | ... |
Cirilo (segment: "En Casa de los Viejitos")
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Miguel Ángel Álvarez | ... | |
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Yessica Delgado | ... |
Isabel (Flora and Pellin's Daughter) (segment "En Casa de los Viejitos")
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Dolores Pedro | ... |
Marta (segment: "En la Guagua")
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Georgina Borri | ... |
Dona Alma (segment "En la Guagua")
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| Luis Gonzaga | ... |
Miguel (segment: "En la Guagua")
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Yamil Collazo | ... |
Carlos (segment "En la Guagua")
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Humberto González | ... |
Valentin (segment "En la Guagua")
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Vall Marie Rivera | ... |
Vallana (segment "En la Guagua")
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Awilda Diaz | ... |
Dona Elena (segment "En la Guagua")
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A three-part look at the ironies of love, with stories that involve a young boy, a hostage situation, and a divorced elderly couple caught in a love triangle.
This film is a good example of how through media manipulation you can sell a film that is no more than a very unfunny TV sitcom. In Puerto Rico the daily newspaper with the widest circulation has continuously written about the marvels of this film, almost silencing all others. Coincidentally the newspaper with the second largest circulation belongs to the same owners. The weekly CLARIDAD is the only newspaper on the island that has analyzed the film's form and content, and pointed out all its flaws, clichés, and bad writing.
Just because a film makes a portion of the audience laugh with easy and obvious jokes, and because one can recognize actors and scenery, does not make it an acceptable film.