Timely yet terrifying, The Flood predicts the unthinkable. When a raging storm coincides with high seas it unleashes a colossal tidal surge, which travels mercilessly down England's East ... See full summary »
Long ago in the Iron Age a shadow loomed over a lonely village. For generations the village youths are stolen from their families and delivered as sacrifice to a mythical beast - the ... See full summary »
Michelle Van Der Water,
Londoner Adam Jones is stuck in a dead end job; lives alone with his cat and spends his free time obsessing over the latest conspiracy theories on the Internet. Taking an experimental drug ... See full summary »
Ray 'Harley' Davidson is a hustler. With flash clothes and a fast mouth, Harley lives life in the fast lane. With his passion for all things gambling, money runs like water through Harley's... See full summary »
Re-formed by a coded message to their web site, a group of animal rights activists set off to free an imprisoned colleague from a terrifying ordeal. Their rescue mission leads them to a ... See full summary »
Sex and love. Some seek it, some need it, some spurn it and some pay for it, but we're all involved in it. Set on one afternoon on Hampstead Heath, London, the film investigates the minutiae of seven couples. What makes us tick?
Unlikely friends in a melting pot of confusion. Simon Murray fights for the French Foreign Legion. Pascal Dupont fights for himself. War torn men question honour, hope, morality...because you can desert everything...except yourself.
In the Yorkshire Dales, a group of scientists receive radio signals from the Andromeda Galaxy. Once decoded, these give them a computer program that can design a human clone. One physicist ... See full summary »
Timely yet terrifying, The Flood predicts the unthinkable. When a raging storm coincides with high seas it unleashes a colossal tidal surge, which travels mercilessly down England's East Coast and into the Thames Estuary. Overwhelming the Barrier, torrents of water pour into the city. The lives of millions of Londoners are at stake. Top marine engineers and barrier experts Rob, his ex-wife Sam and his father Leonard Morrison, have only a few hours to save the city from total devastation. A real probability in a real location. It is not a question of if, but when London floods. Written by
Jonathan Rutter / Matthew Sanders
UK rock band Fightstar used clips from the film for their music video, Floods. The band had set the release date but had to change it because of the real floods hitting the UK. See more »
Although the senior military advisor is referred to frequently as 'Major General' his rank badges are those of a (full) General. In addition, a Major General would be normally be addressed as 'General'. See more »
Oh but this is woeful. One good actor after another turns in lamentable dialogue in half hearted fashion under what must have been incredibly pedestrian direction to consider it acceptable. I like Robert Carlyle and Joanne Whalley is one of my favourite actresses, Tom Courtney can act well when pushed and David Suchet is a professional of the highest integrity but they all wallowed around like fish in a barrel of watery gin. I swear Courtney was inebriated, on painkillers or both.
Was there a good performance in the whole thing? Well yes, David Hood as the junior underground engineer whose mate got washed away looked like he was taking the thing seriously and credit to him for that, it can't be easy when "all around are losing theirs" so to speak, or maybe his scenes came under the direction of the assistant director ( if there was one) I just don't know what these people were doing in a film that was this poor ( other than paying the bills, obviously) I can't begin to say how disappointed I am in them. YOU SHOULD BE ASHAMED OF YOURSELVES!
Any positives other than David Hood the third... yes The aerial shots of London largely submerged were very well done and the effects artists responsible deserved better than to have their fine work punctuated by such a shallow story,if you'll forgive the expression, as those few people that do see them will do so on a far smaller screen than would be to best advantage.
What's going on here? why are British film makers trying to imitate such characterless, spectacle driven, tabloid level genres as the disaster movie and then doing it even worse than the Americans. Gritty realism, character integrity, the capture of real emotion in a way that makes you feel it and care... The Family Way, Spring and Port Wine, Get Carter, The long Good Friday, Trainspotting....Don't get me wrong I like a bit of escapist hokum. The real "Italian Job" , The Adventures of Tom Jones; but oh that it should come to this, there was more realistic drama in Carry On Camping.
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