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Directed by | |||
| Alan Ball | |||
Writing credits(WGA) | ||
| Alan Ball | (written for the screen by) | |
| Alicia Erian | (novel "Towelhead") | |
Produced by | |||
| Alan Ball | .... | producer | |
| Anne Carey | .... | executive producer | |
| Ted Hope | .... | producer | |
| Christina Jokanovich | .... | associate producer | |
| Peggy Rajski | .... | executive producer | |
Original Music by | |||
| Thomas Newman | |||
Cinematography by | |||
| Newton Thomas Sigel | (director of photography) | ||
Film Editing by | |||
| Andy Keir | |||
Production Design by | |||
| James Chinlund | |||
Art Direction by | |||
| Alexander Wei | |||
Set Decoration by | |||
| Fainche MacCarthy | |||
Costume Design by | |||
| Danny Glicker | |||
Makeup Department | |||
| Brian Steven Banks | .... | additional hair stylist (as Brian Banks) | |
| Tonya Cryer | .... | additional hair stylist | |
| Rosie Duprat Fort | .... | assistant makeup artist | |
| Elisabeth Fry | .... | makeup department head | |
| Mimi Jafari | .... | additional hair stylist | |
| Greg Johnson | .... | prosthetics | |
| Marie Larkin | .... | hair stylist | |
| Dan Rebert | .... | prosthetics | |
| JoAnn Stafford-Chaney | .... | hair department head | |
| Brian A. Tunstall | .... | assistant hair stylist (as Brian Andrew Tunstall) | |
Production Management | |||
| Jonathan Ferrantelli | .... | post-production supervisor | |
| Samson Mucke | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Lisa Chu | .... | second second assistant director (as Lisa Chu Dietze) | |
| Noga Isackson | .... | first assistant director | |
Art Department | |||
| Isaac Amondson | .... | on-set dresser | |
| Andrew Birdzell | .... | art department assistant | |
| Christopher Branan | .... | carpenter | |
| Michael Duncan | .... | propmaker | |
| Eduardo H. Esparza | .... | general foreman | |
| Laura Evans | .... | set decorations buyer | |
| Kristina Fuangkasae | .... | assistant props | |
| Diana Goodwin | .... | art department coordinator | |
| Roger Kelton | .... | construction coordinator | |
| Jeffrey Mossa | .... | assistant art director | |
| Joshua Brandon Pancer | .... | art department assistant | |
| Jill Rolie-December | .... | assistant set decorator (as Jill Rolie) | |
| Grant Samson | .... | lead man | |
| Hillel Chaim Smith | .... | on-set dresser | |
| Thomas Spencer | .... | set decorating gang boss | |
| Amanda J. Flick | .... | set painter (uncredited) | |
Sound Department | |||
| Ryan Collison | .... | foley engineer | |
| Lawrence L. Commans | .... | boom operator | |
| Martin Czembor | .... | sound re-recording mixer | |
| Mark Fay | .... | utility sound | |
| Dan Fulton | .... | assistant sound editor | |
| Mariusz Glabinski | .... | sound effects editor | |
| Avram D. Gold | .... | supervising sound editor | |
| Marlena Grzaslewicz | .... | supervising sound editor | |
| Robert Jackson | .... | adr supervisor | |
| Kate Jesse | .... | additional boom operator | |
| Jason King | .... | sound effects editor | |
| Dan Korintus | .... | dialogue editor | |
| Andrew Kris | .... | sound re-recording mixer | |
| Chris Navarro | .... | adr mixer | |
| Jay Peck | .... | foley artist | |
| Lisa Pinero | .... | additional sound mixer | |
| Brad Sherman | .... | sound re-recording mixer | |
| Ira Spiegel | .... | sound effects editor | |
| Jody Thomas | .... | foley artist | |
| Eric Thompson | .... | adr mixer | |
| Mark Weingarten | .... | sound mixer | |
Visual Effects by | |||
| Jean-Pierre Boies | .... | visual effect supervisor: fly studio | |
| Louis Morin | .... | visual effects supervisor | |
| Nathalie Tremblay | .... | digital compositor | |
| Antonin Messier Turcotte | .... | digital artist | |
Stunts | |||
| Lou Simon | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Ismael Araujo Jr. | .... | grip | |
| Greg Brooks | .... | dolly grip | |
| Jon Callesen | .... | best boy electric | |
| Vidal Cohen | .... | key grip | |
| Michael DiGiovanni | .... | grip | |
| Tulio Duenas | .... | second assistant camera: "b" camera | |
| Chris Fisher | .... | assistant camera | |
| John Garrett | .... | second assistant camera: "a" camera | |
| Jimmy E. Jensen | .... | assistant camera | |
| Bob E. Krattiger | .... | gaffer | |
| Damon Marcellino | .... | set lighting technician | |
| Dale Robinette | .... | still photographer | |
| Michael A. Savage | .... | grip | |
Casting Department | |||
| Nick Anderson | .... | casting associate | |
| Lucy Bennett | .... | casting assistant | |
| David H. Kramer | .... | adr voice casting | |
| Ross Meyerson | .... | casting associate | |
Costume and Wardrobe Department | |||
| Stephanie Portnoy Porter | .... | costumer (as Stephanie Portnoy) | |
| Silvia Raiano | .... | set costumer | |
| Cheryl Scarano | .... | costume supervisor | |
| Lorie Shew | .... | set costumer | |
| Behnaz Shokouhi | .... | costumer | |
| Marta Villalobos | .... | costumer | |
Editorial Department | |||
| Robert Berman | .... | first assistant editor | |
| Ned Harvey | .... | post-production assistant | |
| Kevin L. James | .... | post-production Executive (uncredited ) | |
| Julia Nessling-Douglas | .... | digital intermediate producer | |
| Christian Prejza | .... | digital intermediate producer | |
| Misako Shimizu | .... | assistant editor | |
| Jimmy Fusil | .... | digital intermediate producer (uncredited) | |
Music Department | |||
| George Doering | .... | musician | |
| Jim Dunbar | .... | music coordinator | |
| Larry Mah | .... | digital score recordist | |
| Randall Poster | .... | music supervisor | |
| Joe Rudge | .... | music clearances | |
| Thomas Vicari | .... | scoring mixer | |
Transportation Department | |||
| Charley Bob Burnham | .... | transportation coordinator | |
| Al Burton | .... | transportation coordinator | |
| Gary Jackson | .... | driver | |
| Ted Joneson | .... | driver | |
| Robert Mckee | .... | picture car mechanic | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Towelhead's themes of racism, sexual development and the horrors that lie in the dark abyss of suburbia basically come down to one thing: stereotyping. The film goes through many different lives and stories, all through the eyes of 13-year old Jasira (played with great bravery and intelligence by Summer Bishil). Through her eyes we see how everyone around her is just stereotyped immediately by the people living in this world and even by the audience. The aggressive Arab-American, the ignorant redneck pedophile, the horny black teenager, the pregnant hippie, etc. All of these typical characters are alive in this world and while they do have some of the characteristics that you would expect from the stereotypes of the character, Alan Ball does a good job of making them more diverse, complex and simply human than you would expect.
There were some things I really liked and some that I really didn't like. It all felt kind of awkward to me, but I think that helped the themes of the story in a way. Either way, Aaron Eckhart gave a really fantastic performance. He uses that boyish charm and those unimaginably handsome looks to make a horrifically despicable character borderline likable until his final scenes. One of those performances where you know that he's only going to bring horrible things to the main character's life and he makes you so uneasy when he's in a room alone with her, but you can't take your eyes off of him. A truly fascinating performance. I really think he's one of the very best actors working today. Peter Macdissi and Summer Bishil were also great, just a little less-so than Eckhart.