This series centers on three guys who were friends in college and are still close to this day and are living together. Hunter, a construction worker and womanizer who discovers that he has ... See full summary »
David Alan Basche,
Against the backdrop of the first Gulf War, Jasira Maroun is 13, physically well developed but naïve and unable to say no. As puberty arrives, her mother sends her from Syracuse to Houston to her curt, up-tight, Lebanese-born father. Over the next few months, Jasira must navigate her father's strict indifference, her discovery of sexual pleasure, the casual racism of a neighbor boy and her classmates, the sexual advances of the boy's father, the proffered friendship of a pregnant neighbor, and her attraction to Thomas, an African-American classmate whom her father forbids her to see. Things happen to her, but can she take responsibility and control, or is tragedy inevitable? Written by
Actress Summer Bishil turned 18 before filming started, allowing her to play the 13 year old, sexually overactive Jasira without any restrictions as to what she could do or show in the movie. See more »
Although the movie was set in 1990-91 (as the story starts before the Gulf War and concludes soon after the war ends), the microwave in the father's house looked current, the airport looked really modern, the nudie mags didn't look that old, and most of the clothes throughout the film looked wrong for the era. See more »
You're beautiful just the way you are, Jasira. Those other girls are just jealous because you're growing up faster than they are. And you're prettier than they are. Listen, don't let it get you down. Stupid names they're calling you. This year - just gimme a second
[wets the razor]
this year, your gonna shut them up. Only, probably you shouldn't tell your mom about this.
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She Drives Me Crazy
Written by David Steele & Roland Gift
Performed by Fine Young Cannibals
(c) 1988 EMI Virgin Music Ltd.
All Rights Controlled and Administered by EMI Virgin Music, Inc. (ASCAP)
Courtesy of Warner Music U.K. Ltd.
By arrangement with Warner Music Group Film & TV Licensing See more »
Just left the Sundance premier. They changed the title back to Towelhead, kind of a harsh turn-off while choosing a movie, but I guess that was the name of the semi- autobiographical novel. The author was present and looks well recovered from her childhood.
I can see why many reviewers hate this movie. It's cringe-worthy to watch the sexual awakening of a pubescent teen, when her parents and other important adults are childishly self-centered, in contrast to her own childlike innocence, honesty and vulnerability. That contrast and that cringe are what make it real and relevant. An unnerving part of the story is that the protagonist is never a victim. She is too inexperienced and too unmentored to act in what an adult would consider her own best interest, at least at first. But, she never participates in anything against her will. She is never denied her freedom, at least no one who tries to restrict her has the will and persistence to succeed for long. Hers is not to suffer, then be redeemed and live happily ever after. Hers is to introduce sex into her life this way, then go on.
Regarding the mechanics of the movie, it is explicit, but not graphic. Viewers hoping for teen porn will be disappointed, body parts stay covered or concealed by camera angles.
The story engages all types of Americans around this kid's ambivalent choices, a socially liberal me-generation mom, a conservative Christian Arab Dad, right-wing white Christian neighbors, liberal social activist neighbors, a middle class black friend, and a Latina mom- figure who mistakes her of one of her own. The acting is great. As one would expect, there's lots of room for humor. Once over the cringing,if you did get over it, it was an engaging and thought-provoking movie.
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