A Hitchcockian black comedy in the spirit of 'Rope' and Agatha Christie's 'Ten Little Indians' that begs the question can murder, if done well, be considered art? An art whose medium is one of flesh and bone.
Mark Anthony Galluzzo
James M. Churchman,
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When given keys to a mansion for the weekend, two friends decide to make a film but end up throwing a huge party and trashing the house. Now they race to get the "money shot" and finish their film to pay for all the damages done.
Bill McAdams Jr.
Bill McAdams Jr.
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Desperate filmmaker Osric Taylor dreams of making his civil war Hamlet but when production funding dries up, he agrees to take southern matron Hester Beauchamps offer to fund the film if he... See full summary »
An offbeat hilarious comedy with a quirky twist on the vampire tale set in modern day corporate America. Employees of Berm-Tech Industries, Inc. have kept the family secret for a long time. For years it has been business as usual, until the top vampire in charge contracts a dreaded disease, becomes senile forgetting that he s a vampire and starts killing off other vampire colleagues. A human efficiency expert and "Dead Mike's" replacement are invited to work at Berm-Tech but soon they discover that some of their associates are not what they appear to be. Written by
I had this movie described to me as a vampire comedy, so I figured I'd like it. It isn't, and I didn't.
The thing is, these creatures aren't vampires - they're a new type of creature that I hadn't heard of yet. Which is great, 'cause we need some original ideas in a world of remakes and sequels. Unfortunately, though, since these are new creatures the filmmakers spend most of the movie explaining to us who they are, their history, their likes and dislikes, how they live, how they die, etc. This goes on . . . and on . . . and on. It constantly interrupts the movie. The filmmakers try to make these scenes of exposition visually interesting but it all comes across like a Powerpoint presentation.
Exposition aside, the story itself is pretty good but I would have liked to have had things explained in a more sophisticated way.
The comedy is there in spurts but it is too uneven throughout the film. The opening scene and the film's climax are the two funniest things in the film. Throughout the rest, though, it felt like a big inside joke that I wasn't in on. Some scenes fall completely flat, some resort to toilet humor, and some make no sense.
As far as actors go, Darrel Hammond is funny doing what is essentially his Bill Clinton routine from SNL. His opening scene is hilarious, but unfortunately he takes a backseat quickly. David Foley is completely wasted in a flat role. I couldn't believe that they bothered to cast one of the funniest men alive and have him do nothing interesting. Jason Mewes pops up for a pointless buddy role halfway through the film. Judd Nelson definitely steals the show as the movie progresses and is at his best in the film's climax.
My other gripe is that the chemistry between the lead actor and the main girl felt very forced. I didn't buy their relationship for some reason.
Overall, it provides a few laughs but feels like a missed opportunity. I would suggest it on DVD only to fans of independent cinema who can get over things like horrible lighting and camerwork. This is one of those movies that will probably get a cult audience but everyone else will hate.
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