Determined to "rescue" his pregnant daughter from an abortion clinic, a religious fanatic and his sons plan a violent firearm assault just as the doctors suspect her pregnancy might not be of this world.
After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
Pro-Life, directed by John Carpenter, written by Drew McWeeny & Scott Swan, tells the story of a young girl trapped inside a clinic, who discovers the only thing more dangerous than her pursuers is the demonic secret that she carries within her. Ron Perlman, Mark Feuerstein, Emannuelle Vaugiere and Caitlin Wachs star. Written by
masters of horror
When the demon breaks through the door, he breaks most of it away and starts to walk through. In the next shot, he breaks it again, identically to the first time, and then just stands there. See more »
I was looking forward to seeing John Carpenter's episode in Season 2 because his first, Cigarette Burns, was by far the best from Season 1 (and I did like other episodes from that season). Oh, how I was disappointed.
In fairness to Carpenter I think the primary problem with this episode was absolutely horrible writing. The characters, aside from the subject matter, seemed to behave and speak as though they were written for an episode of Walker, Texas Ranger. The acting was bad, and I normally like Ron Perlman a lot, but I can only blame them so much because the writing was so horrible. I'm not going to try to guess what the writers were trying to do because that would be useless but it appeared as though they were trying to mix horror (obviously) with some form of social commentary on abortion and religion. In this case, not surprisingly, it seemed a chance to bash a certain variety or religious nuts as well as fanatical anti-abortionists. And I am in favor of both aims but it was done so horribly that I was embarrassed to watch characters act and speak with such stupid inconsistency. This failed totally to offer any worthwhile opinion on the subjects and the horror element failed as well alongside such inept writing.
While I don't think Carpenter can be blamed for most of the badness here I will say he did choose to direct the teleplay and therefore has that to be held responsible for. There are a couple small bits that I found nice, hence the 2 stars I gave it.
The actual gore and monster effects were good, but the CGI gore (two separate gunshots to the head) were so obviously inferior quality CGI they should've never been given the OK. I'm generally very critical of CGI but not because I have a problem with it in principle. I have a problem with the execution of it. The technology, while amazing in some respects, is not good enough to match "real" effects, whether they be miniatures or gore especially when it is supposed to match something organic and/or alive, and therefore shouldn't be used until they are. CGI can be used well in small amounts or obviously if the whole film is animated.
I'll also take this opportunity to note that the show title, Masters of Horror, is a bad title to have. There simply aren't many actual "masters of horror" around. Maybe two or three. If the show were called "Tale of Horror" or something like that it would be fine. But as it stands the criteria for directing one of these episodes, and therefore being criticized for not being a "master of horror" is that they have directly at least one horror film in their career. And it didn't even have to be a good one.
24 of 45 people found this review helpful.
Was this review helpful to you?