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In Los Angeles, Henry is a veterinarian whose fiancée Kate dies in an accident on the day they're to marry. Worried that Henry has closed off his social life, his sister suggests he use a psychic to contact Kate, lay to rest unresolved feelings, and live more fully. He tries it, though he doesn't believe in it. Nothing happens, so his sister gives Ashley, the psychic, Kate's diary. Now she's able to convince Henry she's in contact with Kate and start the therapy. Two things happen: they find themselves attracted to each other, and Kate's ghost, who also has some unresolved issues, returns to stop this budding romance. Written by
Original title was "How I Met My New Boyfriend's Dead Fiancee or: Ghost Bitch". See more »
After Ashley gets mustard sauce over her dress, Henry clearly dabs his hot-dog on a spot which does not have any sauce, yet when we see the hot-dog before he takes a bite, there is quite a lot of sauce on it. See more »
I hope you don't mind me asking, but how, um... How did it happen?
She was crushed by an angel and as sad as I am, I do appreciate the irony
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On top of the credits "A film by" is shown, while all involved people are listed. It disappears when the thanks-section starts. See more »
Entertaining. Isn't that what these films are meant to be?
By now, we all know the formula of a romantic comedy. The basic framework revolves around a guy meeting a girl, a love triangle, a little white lie and an event that causes them to split before the soggy finale where they kiss and make up, living happily ever after. If you go into a rom-com expecting much more or something that deviates from that path, you'll probably be disappointed. After bar setting movies like When Harry Met Sally, Sleepless In Seattle and Four Weddings and a Funeral, the constant stream of lazy efforts in recent years can cause one to be seriously jaded by the genre. So it is with this skepticism and desire to switch off my brain, that I pop Over Her Dead Body into my DVD player. It is apparent from a mere glance at the synopsis that this film will not last long in my memory, change my life or be any kind of profound filmic experience for me, but I was entertained. The script was amusing, the delivery from the four leads (Bell, Rudd, Biggs, Longoria) precise and well timed. The premise was an interesting spin on an oft used plot device.
So what's not to like? An entertaining, funny and endearing romantic comedy. At best, a competent entry into the genre, quite a way ahead of most of it's type and at worst, a movie that feels like a sitcom without a laughter track. As someone who likes sitcoms, that isn't a particularly bad thing. In a nutshell, you could do a lot worse.
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