Minkey, a super-spy primate, and his partner Mike were the two best spies in the business. For years, they made every mission possible... But when Mike retired to raise his baby girl, ... See full summary »
Teenage wizard Alex casts a spell that accidentally changes history so her parents never fell in love. She and her brothers face a race against time to put things right before they are erased from existence.
Animals are strictly forbidden at Andi and her little brother Bruce's foster home. But for Friday, the adorable dog they secretly care for, they're ready to risk everything. They finally find him an ideal shelter, a huge abandoned hotel that Bruce transforms thanks to his engineering genius. In what has become an incredible paradise for dogs, Friday is soon joined by all kinds of furry friends, so many in fact that their barks alert the neighbors...and the local pound, who can't understand the disappearance of all the stray dogs. Andi and Bruce will have to call on all their friends and all their imagination to stop the hotel's secret from being discovered. Written by
Special effects coordinator Michael Lantieri found the making of the ball-throwing machine particularly challenging due to the many settings that had to be calculated and adjusted, such as the ball's weight, the synchronization between the hand's movement and the moment when the ball is thrown, etc... See more »
The bathroom at the beginning of the movie where Bruce is sealing the rock in the box is the same bathroom used later on in the hotel. The first bathroom was supposed to be at the school. See more »
You know, I think we might be in a little over our heads.
It's four-six; we're out dogged.
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The credits are accompanied by clips and stills of the cast and crew with their pets (mostly dogs, but at least one cat and a snake). See more »
Hotel for Dogs plays it very safe and sticks to a tried-and-true children's movie formula. For a great many viewers the best thing about the film will be the cute and cuddly dogs that perform various tricks their training is easily more impressive than the humdrum story, based on a hopefully more consequential Lois Duncan book. The dialogue lacks flair, the acting is expectedly simple, and the characters provide only modest entertainment in comparison to their canine costars. Adults will probably find it difficult to withstand the sickeningly sweet conclusion or the impossibly artificial mechanics behind the inner workings of the dog hotel, but the target audience is likely to be pleased.
16-year-old Andi (Emma Roberts) and her 11-year-old brother Bruce (Jake Austin) have bounced back and forth between orphanages and foster parents (five in the last three years) without finding comfort or satisfaction. Bernie (Don Cheadle), the kindly social worker who governs their placements tries to reason with the children, who aren't content with their newest family of quiver-inducing wannabe rockstars (Lisa Kudrow and Kevin Dillon) who conduct obnoxious band practice in their apartment nonstop, and compulsively lock up the cupboards and cabinets in their home. The brother and sister team have also been secretly keeping a pet dog, Friday, who uses automated gadgets constructed by the mechanically inclined Bruce to get food and to remain hidden.
Before school starts up, the troublemaking duo (they get money for dog food by pawning fraudulent goods) comes across an abandoned hotel with several canine occupants. Deciding to look after their newfound family of dogs, Andi and Bruce join forces with two employees from the nearby pet store (Johnny Simmons and Kyla Pratt) along with nosey Mark (Troy Gentile), to build an elaborate self-maintained shelter for unwanted, abandoned and stray dogs. Initially it seems they've bitten off more than they can chew, especially when cruel dog pound troops, nagging foster parents and pesky cops begin to take notice of the incredibly large gathering of dogs at the dilapidated old building.
The target audience probably won't be asking the questions that popped into my mind: How can an 11-year-old kid build such intricate mechanical contraptions? Is it really that easy to train dozens of dogs to use said electrical gadgets? Is it simply luck that none of the dogs need medical attention? Is it really okay for children to commit crimes such as breaking and entering, trespassing, and even assault, as long as it's done with the intent of saving stray animals? Clearly this film wasn't designed for me, but the trite dialogue (Kevin Dillon mutters the stale line, "We're in deep doo doo," after falling into an enormous animal waste bin), the predictability of Bernie's role, the sappy ending and the Kill Bill music montage (Tomoyasu Hotei's instantly recognizable "Battle Without Honor or Humanity") are huge distractions especially when one just wants to see some adorable dogs running amok.
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