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The Sin (2004)
"Choo" (original title)

5.6
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Ratings: 5.6/10 from 74 users  
Reviews: 1 user | 2 critic

An estranged son returns to his home in the south of Thailand. There, he stumbles upon a beautiful woman on the beach. He later learns that she is the new wife of his father. Stuck in a ... See full summary »

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Title: The Sin (2004)

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Cast

Credited cast:
Sorapong Chatree ...
Chief Chaung
Thongthong Mokjok
Helen Nima ...
Ream
Nirut Saosudchart ...
Yoha
Watchara Tangkaprasert ...
Cherng (as Andy Tangkaprasert)
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Storyline

An estranged son returns to his home in the south of Thailand. There, he stumbles upon a beautiful woman on the beach. He later learns that she is the new wife of his father. Stuck in a loveless marriage, she bonds with her step-son who finds that he is strangely attracted to this quiet woman. Written by Ploy P.

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Thriller

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Release Date:

10 June 2004 (Thailand)  »

Also Known As:

Strand der Sehnsucht  »

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Quotes

Chief Chaung: The exalted Chief Chaung commands respect and honesty frmo everybody except his wife and son!
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User Reviews

 
Lusciously filmed melodrama
29 September 2006 | by (Australia) – See all my reviews

The 'sin' of the title is adultery: a young (very beautiful!) wife falls in love with a new young (extremely handsome!) man, but to her dismay she realises that the young man is actually her new husband's prodigal son, who is visiting his father for the first time in ten years. The husband/father is a totalitarian figure - the local 'chief' of the small island owning a large fleet of boats - and both the new wife and the son have been damaged by his vicious actions... With this premise, the director Ong-Art Singlumpong goes about creating a lyrical vision of romantic love, using as his main setting a tropical Thai island. The colour scheme is delicious with its deep greens and blues, and there is a high contrast between dark and light that matches the melodramatic nature of the film. The underwater scenes are absolutely exquisite. For the most part, the dialogue is minimal, particularly when the lovers are together, although there are also moments of comic relief from their friends. For me, the best moments are the quiet and telling moments of reverie that emphasise the subjective experiences of the characters - for example, when the wife (Ream) is shown holding a tiny tube of lip-gloss, Singlumpong zooms in and uses slow motion so that you know exactly what (and who) she is thinking of. A lovingly told tale of love.


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