The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
Angel Deverell comes of age in Edwardian Cheshire knowing she will be a great writer. Rising above her class (her widowed mother has a grocery shop), Angel finds a publisher and a wide audience for her frothy romances. With royalties, she buys an estate, then she's smitten by Esme, a rake from local aristocracy and an artist of dark temperament. She hires Esme's sister Nora, who dotes on her, as a personal assistant, and pursues Esme. Angel is grandly self-centered, coloring her world as if it were one of her novels. When the Great War breaks out and reality begins to trump her will, can Angel hold on to her man and her public? Written by
The outdoor scenes were shot in bitterly cold weather. The camera would freeze after two minutes of shooting, and had to be taken inside and warmed up with hot towels before taken outside again. The actors did not mind this as they too could warm up between takes. See more »
An utterly melodramatic present-day "Gone with the wind"
I really love this movie and keep seeing it again and again, as it reminds me very much of (as Ozon intended) the 1930's-40's epic melodramas and the role of Angel Deverell was intended to be like Vivien Leigh in "Gone with the wind". Even before I had read that I thought about this all the time.It's very rare to find nowadays a movie with modern-days technical perfection (brilliant colours and costumes and sound)but a 1940's style. Everything is over the top, unbelievable but for me going to a movie means suspension of disbelief, do we need a film to be like reality? I don't go to cinema to see reality, but to be taken to a different world, one of romance and it hardly gets more romantic than this. Read the interviews at www.francois-ozon.com and you will understand it all a lot better. This movie does not deserve the criticism it gets here as that's comparing apples with oranges. This movie is PERFECT as it is made almost flawlessly and in a (for costume movie lovers) very lavish way, a great joy to watch and listen to, not to mention a very energetic and passionate Romola Garai, who I will love to see also in "Atonement". A nice touch, in line with the 1940's style, is that trips to London, Venice, Greece, Egypt are made the way they did in those days, not on location but a filmed background. Nothing is very realistic in this movie, but it shows what dreams are made of and I thank the director and actors highly for many hours of fantastic entertainment. In it's genre it's just as good as Lord of the Rings, which also did not have to be real to be wonderful, did it?
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