Critic Reviews



Based on 10 critic reviews provided by Metacritic.com
Heymann's film was originally a six-part series for Israeli TV. The feature he and his crew have made smoothly truncates those three hours into a rich, discretely damning 85-minute portrait of intolerance.
A documentary about transsexuals from the Philippines working as caregivers in Israel sounds highly specialized in its appeal, but Heymann brings to Paper Dolls not only an engaging poignancy and depth but also a powerful universality.
Sad, sweet and oddly inspirational.
New York Post
The presentation is conventional, but the subject matter isn't. Besides, when was the last time you saw anything resembling good news coming out of the Middle East?
There have been a number of worth documentaries about gender-benders who cross every conceivable line, but Tomer Heymann's film about a group of Filipino cross-dressers living in Israel is a drag doc with a difference.
Although the "weird" factor is very much in play here, director Tomer Heymann does a fine job of peeking behind the curtain and discovering real humanity at work. We not only get to know these transsexuals as people, but also their patients.
The New York Times
A modest film, less interested in advocacy or analysis than in sympathy.
The Hollywood Reporter
Although the film occasionally become repetitive, one can't help but be moved by the way in which these two groups of people -- who couldn't be more different in terms of background and orientation -- have found a common emotional ground.
Observing the close relationships they develop with clients, the openly gay Heymann becomes, both hilariously and wistfully, part of a community that possesses in spades what's missing in his own life--the gift of happiness and living well in unfriendly surroundings.
Distilled from a six-episode Israeli TV series, pic mostly fails to transcend its ramshackle structure or penetrate the inner-lives of its subjects.

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