The story is about Iris' rise to the apex of a love/power triangle that includes her roguish English lover, McHeath and Art, an earnest young boxer. Within the flawed moral landscape, each character struggles to establish their sovereignty.
The Iwanow Abbey in Moscow is within a stones throw of the Kreml. For many decades the Abbey was used by the KGB as prison. Moscows New Nuns is the story of five remarkable Russian women ... See full summary »
In Los Angeles, a story about a dead girl, told in five chapters. A woman, miserable in her circumscribed life caring for her domineering mother, finds a body. Somehow, this discovery allows her to change. At the morgue, the sister of a girl missing for 15 years believes the body is that of her sister; this liberates her. An older woman, married to a man who pays her little attention, finds evidence in a storage unit; how will she handle it? The mother of the dead girl, who left home some years before, visits the last place her daughter lived and makes her own discoveries. Last, we flash back to the victim's final day. Written by
When Melora meets Rosetta, her face is beaten up. When she takes Rosetta out to eat, her face looks normal. When she drops Rosetta back at the motel, her face is a mess again. See more »
Did she tell you why she ran away?
She probably wasn't happy
Did she tell you why?
Other than her stepfather sticking his dick in her? I don't think so, she probably thought "hey man fuck it, if I'm going to do it I might as well get paid" and her mother was too much of a dish rag to do anything about it, you know typical the husband or the kids they always trust the husband...
Did she tell you that?
That her mother knew and chose him?
She probably likes it right? Probably took some of ...
[...] See more »
Take It As It Comes
Written by Gabriel Alexander Roth, Neal Sugarman
Performed by Charles Bradley
Courtesy of The Orchard See more »
Saw a screening at a film fest in Los Angeles last night and was completely blown away. The quiet intensity of the film draws out the audiences emotions without hitting them over the head with obvious messages. Everything in this film is complex and complicated- even the cooking of a T.V. dinner. The subtle direction and overwhelming combination of acting, cinematography and screenplay lets the film build mystery upon mystery drawing the viewer to its inevitable conclusion. Restating the plot would give too much away, but the lines between life and death and their definitions are definitely called into question in this film. The acting in this film is of the "Oscars all-around" caliber and not one performance is wasted or without passion and skill. Brittany Murphy and Kerry Washington are so incredible you wonder why these women aren't getting more attention. Murphy particularly shines here as a teenage girl trying to control the downward spiral of her life. Marcia Gay Harden is brilliant as usual giving us a multi-layered character that could easily have been overplayed. Mary Beth Hurt offers a stunning and revealing portrait of a deeply conflicted character. Giovanni Ribisi and James Franco give surprising support playing against their normal "type". The cinematography is lushly beautiful, yet also edgy and raw- all a perfect complement to the screenplay. The opening scenes featuring the desert are gripping and breathtaking. They mark a fantastic contrast to the rest of the film. Karen Moncrieff's direction deftly weaves the characters together, revealing small pieces of a mystery bit by bit, never stealing time from the actors and allowing this stellar cast to really shine. If you loved "In The Bedroom" this has a similar pace and feel. This film will knock you sideways while watching it and then will linger with you for days to come.
118 of 140 people found this review helpful.
Was this review helpful to you?