6.7/10
12,396
73 user 85 critic

The Dead Girl (2006)

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2:23 | Trailer

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The clues to a young woman's death come together as the lives of seemingly unrelated people begin to intersect.

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2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Michael Raysses ...
Cop 2
Earl Carroll ...
Dorothy Beatty ...
Eva Loseth ...
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Kate Mulligan ...
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Storyline

In Los Angeles, a story about a dead girl, told in five chapters. A woman, miserable in her circumscribed life caring for her domineering mother, finds a body. Somehow, this discovery allows her to change. At the morgue, the sister of a girl missing for 15 years believes the body is that of her sister; this liberates her. An older woman, married to a man who pays her little attention, finds evidence in a storage unit; how will she handle it? The mother of the dead girl, who left home some years before, visits the last place her daughter lived and makes her own discoveries. Last, we flash back to the victim's final day. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

One life ends. Seven others begin. See more »

Genres:

Crime | Drama | Mystery

Motion Picture Rating (MPAA)

Rated R for language, grisly images and sexuality/nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

26 April 2007 (Hungary)  »

Also Known As:

A Garota Morta  »

Filming Locations:

 »

Box Office

Opening Weekend:

$4,789 (USA) (5 January 2007)

Gross:

$17,311 (USA) (5 January 2007)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(theatrical)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In segment one, "The Stranger", Piper Laurie played the same type of verbally abusive mother that she portrayed in the original "Carrie" 30 years earlier. See more »

Goofs

When Melora meets Rosetta, her face is beaten up. When she takes Rosetta out to eat, her face looks normal. When she drops Rosetta back at the motel, her face is a mess again. See more »

Quotes

Melora: Did she tell you why she ran away?
Rosetta: She probably wasn't happy
Melora: Did she tell you why?
Rosetta: Other than her stepfather sticking his dick in her? I don't think so, she probably thought "hey man fuck it, if I'm going to do it I might as well get paid" and her mother was too much of a dish rag to do anything about it, you know typical the husband or the kids they always trust the husband...
Melora: Did she tell you that?
Rosetta: What?
Melora: That her mother knew and chose him?
Rosetta: She probably likes it right? Probably took some of ...
[...]
See more »

Soundtracks

Albatross
Written by James Grundler
Performed by Golden State
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User Reviews

 
Grim set of narratives will hit the spot if you are in the mood
12 May 2007 | by (SoFla, UsA) – See all my reviews

An atmospheric sextuplet of stories revolving around The Dead Girl makes for an intriguing, if unnecessary diversion from your standard murder mystery. Starting with this basic concept, Karen Moncrieff, the writer and director, will show how those associated with this corpse react around the event. In loosely connected stories, this body becomes either foreground or background material to each scenario's more personal, character-based meditations. What turns out is an interesting and eerie slice of independent ensemble drama, more effective as distinct portions then the muddied whole it will add into.

Those going into the movie expecting a hard fought thriller will definitely be disappointed, but people who enjoy more low key fair might have found their sleeper hit of the moment. The Dead Girl reeks of professionally depressive performances. No more ensemble work then a collection of different short films thrown together, casting here nevertheless will make this feature far more attractive then it could have been. Everyone is at their subtly bleak best, and right from the start with Toni Collette's haunted presence one knows the film will be a showcase of silence and darkness from a worthy cast, perhaps at the expense of things like facts and plot.

Those who will enjoy The Dead Girl most are those who bask in cinematic gray areas. Nothing will attempt to be solved or moralized by detailing the grim reality of this murder. Instead viewers have six dark little tales which are more character study then interlocking mystery. For sheer foreboding ambiance alone, The Dead Girl is worth a watch; film's creepiest fade out in recent memory should distinctly heighten a lasting aftertaste.


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