A writer/producer is about to make a big career jump and has a lot of activity going on in his life. But, emotionally, he's dead. Through a fantastical event, he meets someone. They fall in... See full summary »
In busy downtown Seoul, a thuggish young man notices a fresh-faced college student who sits on a bench. He stares then sits next to her. She looks at him as if he's vermin, rises and walks ... See full summary »
A writer/producer is about to make a big career jump and has a lot of activity going on in his life. But, emotionally, he's dead. Through a fantastical event, he meets someone. They fall in love. She wants to defy logic and hop on the passing train of time with him. He lets his mind rationalize and hesitates. She is gone and he finds himself in a desperate race to get her back. Will the magic that brought them together be strong enough to reunite them, or is it too long? Written by
Channels arrives with a somber mood, and a cynical attitude, but then does a fantastic job of creating a romantic atmosphere in which we can believe in.
Actor, Nat Christian, gives a powerful, truthful and passionate performance as Black, a man so emotionally not alive, that when he comes home after a very busy day at work (he's a producer on a film shoot), he needs to just sit back and channel surf. His cynicism is delivered straightforward and not for show. He then starts to loosen up when he meets Katherine, played by the adorable Kim Oja. Christian, a masterful actor, doesn't immediately do a complete turnaround, but he does more of a gradual awakening, wonderfully playing these different moods. There is a lot of kissing and romance between Christian and Oja and the two of them burn up the screen (And there is no nudity). I've seen Nat Christian on TV when he started out doing soaps, and he was always engaging to watch.
Kim Oja was a very pleasant surprise as a comedienne. Taylor Negron gives a vulnerable performance. John Kassir is perfect as a cynical talent agent. Ed Asner rules. Joan Van Ark is also great and should be doing more movies.
Christian equals his acting talents as the director of Channels. Storytelling is the operative word. Done with artistry and sureness, he takes us to another place and we are there.
The music by Rossanno Galante was enchanting. The cinematography by Michael Hardwick was alluring as well as the set design. There is a song written by Daryl Orenge and Nat Christian, that is quite catchy.
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