Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit. Based on the British romance novel by Ian McEwan.
Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
The story follows a married couple, apart for a night while the husband takes a business trip with a colleague to whom he's attracted to. While he's resisting temptation, his wife encounters her past love.
After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
When Briony Tallis, 13 years old and an aspiring writer, sees her older sister Cecilia and Robbie Turner at the fountain in front of the family estate she misinterprets what is happening thus setting into motion a series of misunderstandings and a childish pique that will have lasting repercussions for all of them. Robbie is the son of a family servant toward whom the family has always been kind. They paid for his time at Cambridge and now he plans on going to medical school. After the fountain incident, Briony reads a letter intended for Cecilia and concludes that Robbie is a deviant. When her cousin Lola is raped, she tells the police that it was Robbie she saw committing the deed. Written by
Richard Eyre was originally attached to direct the project. However, as time passed he became busy with another film project and stage play. The producers and himself decided that, if they could find a director they all approved of, he would hand the project over. Joe Wright was found. See more »
In the lake scene at the manor house, Cecilia is lying on her back on the springboard with her left leg over her right in the first shot.
When the shot changes to a closer one with her feet towards the camera, she has her right leg over her left. See more »
My brain tends to turn to mush in the presence of greatness. This makes it difficult when I want to write about something that I thought was truly great. It is so much easier to write about something that is rubbish.
Oh, well. Here goes.
I thought that "Atonement" was terrific. It is a really great movie. Obviously it is early days yet, and there are a lot of contenders still to appear, but "Atonement" might just be the winner-in-waiting of the Best Film Oscar in 2008. Put your money on it now.
"Atonement" is pure poetry on film. From the hazy, dreamy, hopeful days of 1935, a destructive act of spite, the horrors of Dunkirk (with one of the most fantastic long takes I have seen in a cinema for a very long), to the aftermath and a devastating "happy" ending, it is a magnificent and moving film, beautifully directed by Joe Wright.
I have never really rated Keira Knightley or understood her popularity. Except for her role in "Pride & Prejudice" (for which she was perfectly cast) I have tended to refer to her as Girl-Who-Would-Be-Winslet, as I thought that she had not played a single role that Kate Winslet could not have done better. Maybe I won't say that anymore. "Atonement" is easily the best thing Keira Knightley has done.
Keira Knightley has had a lot of the press over here, but we should not forget to mention the pitch perfect performances from James McAvoy and Romola Garai. They share as much screen time as La Knightley and are as impressive.
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