In Majorca, in 1823, a French general, Armand de Montriveau, overhears a cloistered nun singing in a chapel; he insists on speaking to her. She is Antoinette, for five years he has searched...
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Julien lives alone with his cat. He dreams of Marie, and a few minutes later, he sees her on the street and makes a date. He asks her to move in with him, and she does. Her boyfriend is ... See full summary »
Elizabeth sends telegrams to her old boyfriend Ben in NYC and to her younger sister Leo in Rome to join her in Paris, where she is selling her dead father's estate. When Ben and Leo arrive, a mysterious adventure begins.
During the rehearsals for the production of the tragedy Andromaque, the leading actress and her director, a couple behind the scenes, can't find a way to leave their personal problems at ... See full summary »
André S. Labarthe
In occupied France during the WWII, a German officer is murdered. The collaborationist Vichy government decides to pin the murder on six petty criminals. Loyal judges are called in to convict them as quickly as possible.
In Majorca, in 1823, a French general, Armand de Montriveau, overhears a cloistered nun singing in a chapel; he insists on speaking to her. She is Antoinette, for five years he has searched for her. Flash back to their meeting in Paris, he recently returned from Africa, she married and part of the highest society. She flirts with him, and soon he's captivated. His behavior is possessive, insistent. Then, it is her turn to become obsessed. Letters, balls, scandal, a kidnapping, and an ultimatum bring her to the cloister and him to melancholy. Whose steel proved sharper? Is it tragic or grotesque? Written by
Okay, I'll admit it. I've only seen a couple of Jacques Rivette's films apart from this one (Celine & Julie Go Boating & Le Belle Noisettes). I had heard prior to seeing those that Rivette was always one to make it difficult for audiences (timing being one:a standard Rivette film clocks in no less than two and a half hours). 'Ne Touchez Pas La Hache' is a beautifully filmed exercise cinematic narcolepsy. The characters seem to sleepwalk their way throughout this film. A few of the other cinephiles in attendance seemed to get their jollies from this film. To each their own, I say. I guess I should see some more of Rivette's work before I toss in the towel on him (I still prefer Trufaut,or even Goddard,among the French "new wave" directors).
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