Lawrence Talbot's childhood ended the night his mother died. His father sent him from the sleepy Victorian hamlet of Blackmoor to an insane asylum, then he goes to America. When his brother's fiancée, Gwen Conliffe, tracks him down to help find her missing love, Talbot returns to his father's estate to learn that his brother's mauled body has been found. Reunited with his estranged father, Lawrence sets out to find his brother's killer... and discovers a horrifying destiny for himself. Someone or something with brute strength and insatiable blood lust has been killing the villagers, and a suspicious Scotland Yard inspector named Aberline comes to investigate. Written by
During a 2011 speech at the Savannah Film Festival, Ron Meyer, the President and Chief Operating Officer of Universal Studios, said that The Wolfman was one of the two worst movies that Universal had ever made; the other one he singled out was Babe: Pig in the City (1998). See more »
Sir John describes St. Columbanus as a gypsy from the East, but in fact St. Columbanus was Irish and founded one of the first monasteries in Scotland (on Iona island), one of the most important in Christendom. See more »
It must be a wonderful luxury doing battle with imaginary demons, Mr. Talbot. Mine right now are very real.
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The Universal logo at the start is the one from the 1940s, as a homage to the time when the original Wolfman was made. See more »
Alright. When a pic is called 'The Wolfman', expectations aren't too high to begin with. But at least you expect an otherwordly atmosphere, a few thrilling scenes and, when Del Toro and Hopkins are involved, some decent acting. Nothing of the above was to be found in this faint copy of a copy. The dialogues were poorly written and Hopkins must have thought so as well, because he just rattles his lines as if only screentesting. Del Toro, as much as I adore him in others pics, is extremely miscast in this pic, having the same pained expression on his face in every scene. It's pretty safe to say the make-up artists won't win an Oscar either: Hopkins looks just like the character he played in Legends of the Fall, after the stroke, and Del Toro is wearing a wig which attracted my attention more then anything else. The only credit must be given to Hugo Weaving who, disregarding everything else, tried to make the best of his scenes. The storyline is not only predictable (which is not always a bad thing), its construction is painstakingly artificial which makes the characters look uncomfortable and implausible. As a result I could't care less about what happened to the characters and the scare-effects were lost to me. If anything, I had a few laughs.
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