Lawrence Talbot's childhood ended the night his mother died. His father sent him from the sleepy Victorian hamlet of Blackmoor to an insane asylum, then he goes to America. When his brother's fiancée, Gwen Conliffe, tracks him down to help find her missing love, Talbot returns to his father's estate to learn that his brother's mauled body has been found. Reunited with his estranged father, Lawrence sets out to find his brother's killer... and discovers a horrifying destiny for himself. Someone or something with brute strength and insatiable blood lust has been killing the villagers, and a suspicious Scotland Yard inspector named Aberline comes to investigate. Written by
Was at first slated to hit cinemas in 2007, but difficulties to find a director made this release date impossible. Then a new release date was set for February 2009, then November 2009 and then finally February 2010. See more »
Gwen regrets getting Lawrence involved, saying that if she had never sent him that letter, he would still be in New York. She sent Lawrence a letter when Ben went missing in the theatrical version, but in the extended cut she went to tell him in person instead. Yet the "letter" line is retained in both versions even though it doesn't make sense in the latter. See more »
There are those who doubt the power of Satan. The power of Satan to change men into beasts. But the ancient Pagans did not doubt, nor did the prophets. Did not Daniel warn Nebakanezer? But the proud king did not heed Daniel. And so, as the bible says, he was made as unto a wolf and cast down from man. A beast has come among us! But God will defend his faithful. With his right hand, he will smite the foul demon. I say to you, the enemy's ploy is a devious one, twisting the occursed into beasts ...
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The Universal logo at the start is the one from the 1940s, as a homage to the time when the original Wolfman was made. See more »
A confused and trite waste of time. Is it a Gothic drama? Is it a gore-laden jumper? Is it a comedy? How the heck do great actors end up in garbage like this? A by-the-numbers Hollywood "horror"--as in horrible script, horrible pacing, horrible rip off of the music from Bram Stoker's Dracula. It's like the entire movie is all window dressing with nothing inside. Just because the actors furrow their brows doesn't mean there is any emotional connection between the audience and the characters. Like several IMDb reviewers have written: Stick with American Werewolf in London. Okay, I do admit two things, 1) The movie looks great, and 2) It's now part of my regular rotation of fun stupid movies to put on in the background.
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