Lawrence Talbot's childhood ended the night his mother died. His father sent him from the sleepy Victorian hamlet of Blackmoor to an insane asylum, then he goes to America. When his brother's fiancée, Gwen Conliffe, tracks him down to help find her missing love, Talbot returns to his father's estate to learn that his brother's mauled body has been found. Reunited with his estranged father, Lawrence sets out to find his brother's killer... and discovers a horrifying destiny for himself. Someone or something with brute strength and insatiable blood lust has been killing the villagers, and a suspicious Scotland Yard inspector named Aberline comes to investigate. Written by
Danny Elfman was the original composer on the film and recorded a complete score inspired by Wojciech Kilar's score for Francis Ford Coppola's Dracula (1992). His score was rejected as it did not fit the new tone of the film after several re-shoots and delays. Paul Haslinger was supposed to replace him, but Universal pulled the plug on that, and decided to re-instate Elfman's gothic score. See more »
When Talbot enters Gwen Conliffe's shop, we see that the door has a flower design inspired by Charles Rennie Mackintosh after 1896. See more »
[Sir John has just saved Lawrence from a mob of angry villagers by warning them that Singh is on top of the mansion with a reloading rifle]
Thank you father.
Sir John Talbot:
You can thank Singh. Whenever he gets back from the village. You're not the only one in this family who can act.
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The planet in the Universal logo glows white. See more »
In contrast to the belief and the whine of many critics, there is an audience out there for dark, gritty and atmospheric werewolf movies such as 'The Wolfman'. I will, however, not go into detail and debunk critic reviews. Instead, I'll try to be brief and express my own feelings towards this film.
This movie is an instant horror classic. It has everything a werewolf fan would want: Gore, blood, atmosphere, great soundtrack, great looking werewolf and good actors. This movie is not like 'The Wolfman' from 1941. Instead, the makers went ALL-IN with this interpretation and really exemplified what's in our deepest fantasies: Intense werewolf-action. This movie doesn't try to be original in any way. What it does, however, is to take a basic story, a basic concept and develop it in an interesting way. This movie doesn't have any werewolves that are cute and look like wolves (See: Twilight). In that way, it manages to break the monotony of modern horror movies (ghost movies or torture movies). This is a RATED R, Universal monster film that should be taken for what it is: A tense adrenaline rush through the werewolf lore with great effects. This, my friends, is a movie FROM HORROR LOVERS to HORROR LOVERS.
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