Lawrence Talbot's childhood ended the night his mother died. His father sent him from the sleepy Victorian hamlet of Blackmoor to an insane asylum, then he goes to America. When his brother's fiancée, Gwen Conliffe, tracks him down to help find her missing love, Talbot returns to his father's estate to learn that his brother's mauled body has been found. Reunited with his estranged father, Lawrence sets out to find his brother's killer... and discovers a horrifying destiny for himself. Someone or something with brute strength and insatiable blood lust has been killing the villagers, and a suspicious Scotland Yard inspector named Aberline comes to investigate. Written by
The bear owned by the gypsies is actually recycled animation from The Golden Compass (2007). The Polar Bear was changed into a Grizzly for this film. See more »
In the asylum, Lawrence is dunked in a large ice tank. When he's brought back to the surface, he has two chucks of ice on him that fall off leaving none, but when the scene cuts to him being raised and locked upright, suddenly there's a chunk of ice on his right arm. See more »
What if it wasn't a beast at all, but a cunning murderer? Someone who bore a grudge against one of these men. To misdirect the authorities, he kills the men, and then he tears up the bodies to make it look like a wild beast was responsible?
Ridiculous! Who would go to such lengths?
What about that gypsy dancing bear? It could have done it.
That mangy thing? Kill three men? I doubt it.
I saw the bodies with my own eyes. Unnatural wounds. Most unnatural. Made by a fell creature I'd say.
[...] See more »
The planet in the Universal logo glows white. See more »
Every once in a while, a movie comes along with what many people would call perfect casting. I remember when Jack Nicholson was first cast as the Joker for Tim Burton's Batman. Nicholson's portrayal was just what was expected from such a great actor in a signature role. But it was NO MORE than we expected from him. In a way, one could say it fell a little flat. Well, I feel that way about The Wolfman. First, Anthony Hopkins, one of the consistently best actors out there, gave the exact performance I would expect from him, commanding respect both as an actor and as the character he played. But it was nothing we haven't seen already. Reminiscent of Meet Joe Black or Fracture or Instinct. I'm also a fan of Benicio Del Toro, but his brooding and emotional performance was exactly what I went to the theater to see. I didn't see anything more. The same could be said for the script, a very straightforward storyline that was a bit predictable and sort of tired. On one hand, I commend the film makers for not overdoing the story with convoluted twists in an effort to be "original." But again, I wasn't surprised by anything in the storyline at all.
I was anxious to see this film, and overall I was very pleased with the cinematography, the performances of the cast and of course the special effects. But I did not leave the theater saying "WOW, that was even better than I expected!" like I had hoped I would.
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