Lawrence Talbot's childhood ended the night his mother died. His father sent him from the sleepy Victorian hamlet of Blackmoor to an insane asylum, then he goes to America. When his brother's fiancée, Gwen Conliffe, tracks him down to help find her missing love, Talbot returns to his father's estate to learn that his brother's mauled body has been found. Reunited with his estranged father, Lawrence sets out to find his brother's killer... and discovers a horrifying destiny for himself. Someone or something with brute strength and insatiable blood lust has been killing the villagers, and a suspicious Scotland Yard inspector named Aberline comes to investigate. Written by
This is Benicio Del Toro's second time playing a "wolfman". His first feature film role was that of a "dog-faced boy" in Pee Wee Herman's Big Top Pee-wee (1988). Both films had music scored by Danny Elfman, and were slammed by critics as weaker imitations of earlier films. See more »
Sir John describes St. Columbanus as a gypsy from the East, but in fact St. Columbanus was Irish and founded one of the first monasteries in Scotland (on Iona island), one of the most important in Christendom. See more »
Sir John Talbot:
It is monstrous, a young boy seeing his mother like that. I would have given my life Lawrence, that you hadn't found us that night. You must believe me when I tell you this Lawrence. You do believe me, don't you? I loved your mother with a passion like the burning of the sun. Her death finished me, I was devastated. But I still prowl the house at night, searching for her. But I'm dead all the same. Look into my eyes Lawrence, you see that I am quite dead.
See more »
The planet in the Universal logo glows white. See more »
Every once in a while, a movie comes along with what many people would
call perfect casting. I remember when Jack Nicholson was first cast as
the Joker for Tim Burton's Batman. Nicholson's portrayal was just what
was expected from such a great actor in a signature role. But it was NO
MORE than we expected from him. In a way, one could say it fell a
little flat. Well, I feel that way about The Wolfman. First, Anthony
Hopkins, one of the consistently best actors out there, gave the exact
performance I would expect from him, commanding respect both as an
actor and as the character he played. But it was nothing we haven't
seen already. Reminiscent of Meet Joe Black or Fracture or Instinct.
I'm also a fan of Benicio Del Toro, but his brooding and emotional
performance was exactly what I went to the theater to see. I didn't see
anything more. The same could be said for the script, a very
straightforward storyline that was a bit predictable and sort of tired.
On one hand, I commend the film makers for not overdoing the story with
convoluted twists in an effort to be "original." But again, I wasn't
surprised by anything in the storyline at all.
I was anxious to see this film, and overall I was very pleased with the
cinematography, the performances of the cast and of course the special
effects. But I did not leave the theater saying "WOW, that was even
better than I expected!" like I had hoped I would.
127 of 192 people found this review helpful.
Was this review helpful to you?