Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
Lawrence Talbot's childhood ended the night his mother died. His father sent him from the sleepy Victorian hamlet of Blackmoor to an insane asylum, then he goes to America. When his brother's fiancée, Gwen Conliffe, tracks him down to help find her missing love, Talbot returns to his father's estate to learn that his brother's mauled body has been found. Reunited with his estranged father, Lawrence sets out to find his brother's killer... and discovers a horrifying destiny for himself. Someone or something with brute strength and insatiable blood lust has been killing the villagers, and a suspicious Scotland Yard inspector named Aberline comes to investigate. Written by
Talbot Manor is really Chatsworth House located in the Peak District of Derbyshire, England (though with some digital embellishments). See more »
In Gwen's antique shop there is what seems to be a small replica of Rodin's "The Thinker". The film takes place during 1891 and Rodin's "The Thinker" was created around 1902. However, it isn't really "The Thinker", as the statue in the film, despite sharing the same position, is dressed and notably less muscular than Rodin's statue. See more »
There are those who doubt the power of Satan. The power of Satan to change men into beasts. But the ancient Pagans did not doubt, nor did the prophets. Did not Daniel warn Nebakanezer? But the proud king did not heed Daniel. And so, as the bible says, he was made as unto a wolf and cast down from man. A beast has come among us! But God will defend his faithful. With his right hand, he will smite the foul demon. I say to you, the enemy's ploy is a devious one, twisting the occursed into beasts ...
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The planet in the Universal logo glows white. See more »
Every once in a while, a movie comes along with what many people would call perfect casting. I remember when Jack Nicholson was first cast as the Joker for Tim Burton's Batman. Nicholson's portrayal was just what was expected from such a great actor in a signature role. But it was NO MORE than we expected from him. In a way, one could say it fell a little flat. Well, I feel that way about The Wolfman. First, Anthony Hopkins, one of the consistently best actors out there, gave the exact performance I would expect from him, commanding respect both as an actor and as the character he played. But it was nothing we haven't seen already. Reminiscent of Meet Joe Black or Fracture or Instinct. I'm also a fan of Benicio Del Toro, but his brooding and emotional performance was exactly what I went to the theater to see. I didn't see anything more. The same could be said for the script, a very straightforward storyline that was a bit predictable and sort of tired. On one hand, I commend the film makers for not overdoing the story with convoluted twists in an effort to be "original." But again, I wasn't surprised by anything in the storyline at all.
I was anxious to see this film, and overall I was very pleased with the cinematography, the performances of the cast and of course the special effects. But I did not leave the theater saying "WOW, that was even better than I expected!" like I had hoped I would.
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