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When Brevin's car is broken into the passenger window is smashed but in wide shots the window is intact. See more »
Roscoe Lee Browne:
Shall we say a few words about Brevin Ericson? Shall we say a few words about love? For Brevin Ericson is completely, 100%, head-over-heels, in love. Perhaps it's difficult for you to comprehend how anybody could be so passionately-inclined toward someone like this. But do not judge her too harshly. After all, how was she to know they were pot cupcakes. And ask yourselves: who amongst you might not have done the same? Who are we to judge what beats in a young man's heart?
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The film's title does not actually appear in the main credits sequence and is represented by a 'smiley face' graphic instead. See more »
Good Clean Fun
Written by David Woodward, Sam Hewitt, Tobias May and Jason Pegg
Performed by Clearlake
Published by Chrysalis Music (ASCAP)
Courtesy of Domino Recording Co.
By Arrangement with Bank Robber Music See more »
An air of innovation verses your typical run-of-the-mill stoner movie.
I've read a lot of angry comments about this movie, claiming it's "bashing" on "stoners" and anti-pot propaganda. This is not the case. If you're familiar with Araki's directing and themes in creating movies, it would be easy to recognize this as a satire. Obviously things of this extreme nature don't happen to people who smoke pot, but I like my comedies to have an entertaining plot. This movie would be horrible if all the protagonist did was lay around high in her home.
Unlike most "stoner movies," this one stands out as being one of the most original ones I can recall. There are elements of great artistic direction--which is often neglected in many pot related movies, and their are numerous political metaphors. I mean seriously, how often is "Marxism" and the Communist Manifesto brought into comedies?
Many people will say this is "stupid," which seems like an oxymoron regarding a movie about weed. Indeed, there's incredible silliness and ridiculous over-the-top decisions, but that's the point of this movie(and not to mention Farris' character to begin with). Araki introduces subtle, witty imagery while simultaneously producing an enjoyable slapstick comedy.
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