A mysterious client of private eye Don Strachey pays him cash to tail a woman who turns out to be an undercover officer; an older lesbian couple are victims of threats and vandalism; an old... See full summary »
Tim Callahan, aide to New York Senator Lauren Platt, is disappointed that all of the $3 million funding has been pulled from his latest pet project, a safe zone for children and youth. His ... See full summary »
Doctors at a rejuvenation clinic discover a formula that will prevent aging. However, it involves harvesting the blood and body parts of young men, a process that the doctors aren't particularly averse to.
Because of a feature article on him in the Advocate, Albany based Donald Strachey has gained some notoriety as a gay private detective. His latest client, Paul Hale, a scared young man, provides Donald with a $5,000 retainer to find "someone", that person unspecified before Paul is scared off. Soon thereafter, Paul is found dead. The official cause of death is deemed suicide by the coroner's office, but Donald wants to do right by Paul by finding who killed him as the police unofficially believe he was murdered. Another person who believes Paul was murdered is his mother, Phyllis Hale. Donald learns that homophobic Mrs. Hale sent Paul to the Phoenix Foundation, run by Dr. Trevor Cornell and his wife Lynn Cornell and for which Paul was the poster child. The Foundation's raison d'etre is repairative therapy i.e. to help people turn from gay to straight. Donald believes Paul's death has something to do with the Foundation, whether it be a connection to one of the Cornells or one of the ... Written by
The character of Donald Strachey is known for always driving a beat up, old, poorly running circa 1985 Toyota Tercel hatchback. See more »
In the scene where Strachey thinks Kenny is breaking into his office, Strachey is wearing sunglasses. As soon as he busts through the door after Kenny, his glasses are off, and then reappear on his very next shot. See more »
The Second Installment in the Donald Strachey Mystery Series: Even Better than the First!
Richard Stevenson's gay mystery novels based on his creation of Donald Strachey, Private Investigator have found the perfect crew to transform these very interesting and entertaining stories to film. SHOCK TO THE SYSTEM is the second in the series and as adapted for the screen by Ron McGee, directed with panache by Ron Oliver, and starring the very fine actor Chad Allen as the sleuth with couth and style and charisma the results are a polished little gem of a film. But aside from the fact that the film is so well put together, it presents gay people in roles that are so far away from the usual stereotypical types that their sexual proclivity is in many ways simply incidental: you have to look long and hard to find a solid healthy gay relationship as well portrayed as that between Strachey and his life partner Tim (the very fine Sebastian Spence).
The story this time around involves Strachey's being asked to help one Paul Hale (Jared Keeso), the supposed poster boy for the Phoenix Foundation, a 'turn gay people straight' institute run by Dr. Trevor Cornell (Michael Woods) and his wife Lynn (Anne Marie Loder). Paul is soon found dead and the implications are suicide. But Strachey suspects foul play (we later discover Hale was his first love in the Army!) and aided by Hale's mother Phyllis (Morgan Fairchild looking terrific and acting well) who encouraged her son's joining the Phoenix Foundation, he begins his own style of investigation.
Strachey wisely 'becomes a patient' with Dr. Cornell and in group therapy makes discoveries and friends with those who eventually help to solve the case: a strong group of actors including Rikki Gagne, Stephen Huszar, Ryan Kennedy, Jeffrey Bowyer-Chapman, Shawn Roberts, Dany Papineau, and Gerry Morton. The clues are laid out, the deaths follow and the truths finally surface. And all the while Strachey is supported by Tim, by a very fine comic actor Nelson Wong as his 'office manager', and by his 'boss' Detective Bailey (Daryl Shuttleworth).
The dialogue is crisp, relevant, intense when it needs to be and funny when it relaxes, the cinematography takes a beautiful bow to the old Hollywood film noir techniques, and the cast is excellent, filled with not only a lot of eye candy but also with some very well realized characterizations. In the end the film belongs to the very hunky and versatile Chad Allen, only making wait for the next installment in this very successful series! Highly recommended for all audiences. Grady Harp
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