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In Bruges (2008)

 -  Comedy | Crime | Drama  -  18 April 2008 (UK)
8.0
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Ratings: 8.0/10 from 252,018 users   Metascore: 67/100
Reviews: 468 user | 289 critic | 34 from Metacritic.com

Guilt-stricken after a job gone wrong, hitman Ray and his partner await orders from their ruthless boss in Bruges, Belgium, the last place in the world Ray wants to be.

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Title: In Bruges (2008)

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Nominated for 1 Oscar. Another 18 wins & 41 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Rudy Blomme ...
...
Film Director
...
Overweight Man
Ann Elsley ...
Overweight Woman #2
...
Ray
Jean-Marc Favorin ...
Policeman (as Jean Mark Favorin)
...
...
Ken
...
...
Canadian Guy
Sachi Kimura ...
Imamoto
...
Denise
Louis Nummy ...
Harry's child #3
...
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Storyline

London based hit men Ray and Ken are told by their boss Harry Waters to lie low in Bruges, Belgium for up to two weeks following their latest hit, which resulted in the death of an innocent bystander. Harry will be in touch with further instructions. While they wait for Harry's call, Ken, following Harry's advice, takes in the sights of the medieval city with great appreciation. But the charms of Bruges are lost on the simpler Ray, who is already despondent over the innocent death, especially as it was his first job. Things change for Ray when he meets Chloe, part of a film crew shooting a movie starring an American dwarf named Jimmy. When Harry's instructions arrive, Ken, for whom the job is directed, isn't sure if he can carry out the new job, especially as he has gained a new appreciation of life from his stay in the fairytale Bruges. While Ken waits for the inevitable arrival into Bruges of an angry Harry, who feels he must clean up matters on his own, Ray is dealing with his own ... Written by Huggo

Plot Summary | Plot Synopsis

Plot Keywords:

canadian | irish | church | drugs | christmas | See more »

Taglines:

Shoot first. Sightsee later.

Genres:

Comedy | Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong bloody violence, pervasive language and some drug use | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

Release Date:

18 April 2008 (UK)  »

Also Known As:

Escondidos en Brujas  »

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

£343,760 (UK) (7 March 2008)

Gross:

$7,757,130 (USA) (13 June 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The word 'fuck' and its derivatives are said 126 times in this 107-minute film, an average of 1.18 'fucks' per minute. See more »

Goofs

When Ray tells Ken that they are in the Basilica of the Holy Blood, named after a phial of Christ's blood brought back from the Crusades, they are not. They are in the Jeruzalemkerk, a private church built in the 15th century as a mausoleum for a wealthy merchant's family. The Basilica is the most visited church in Bruges. See more »

Quotes

[first lines]
Ray: After I killed them, I dropped the gun in the Thames, washed the residue off me hands in the bathroom of a Burger King, and walked home to await instructions. Shortly thereafter the instructions came through. "Get the fuck out of London, youse dumb fucks. Get to Bruges." I didn't even know where Bruges fucking was.
[pause]
Ray: It's in Belgium.
See more »

Crazy Credits

In the on-screen credits, Kathy Heaser is listed twice as Graphic Designer. See more »

Connections

Referenced in Calvary (2014) See more »

Soundtracks

Schubert: 24. Der Leiermann [Winterreise, D.911]
Composed by Franz Schubert (uncredited)
Written by Wilhelm Müller (uncredited)
Performed by Andreas Schmidt
Courtesy of Deutsche Grammophon GmbH (Germany)
Under license from the Universal Music Group, Film and Television Licensing Division
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Atonement and Existentialism In Bruges
10 February 2008 | by (Oshawa, Ontario,Canada) – See all my reviews

A European film through and through, showing its deep theatrical roots, "In Bruges" works on may levels, and is a fine night at the cinema.

The film follows the denouement of a "job" gone bad for two Irish hit men, who are forced to hole up in Bruges, Belgium, and really can't stand the inactivity. The forced waiting, a symbolic purgatory in both assassins' struggle for absolution, gives Brendan Gleeson and Colin Farrell a chance to act through some marvelous comic dialogue.

The film itself looks like it was filmed in an area of the old city of Bruges that is no more than a 500 square metre radius. It doesn't matter, because the film is a character study more than anything, and like all good theatre, the character interplay allows the audience to forget the confined spaces.

Ralph Fiennes comes into the film late basically stealing Ben Kingsley's character from "Sexy Beast". This has to be an absolutely deliberate choice, so can't really be criticized. The writing is so good that Fiennes can have real fun with it. All the actors do, as a matter of fact.

I have been deeply suspicious of Colin Farrell's ability to read a script in the past. His choices of projects in the past has been spotty. Not this time: his acting ability is brought to the fore by director and screenwriter Martin McDonagh. Farrell gives a very strong performance as a morally challenged hit-man.

Brendan Gleeson has been around forever, and is a renowned character actor. You may remember him from "Braveheart" as Hamish Campbell, Mel Gibson's loyal adjutant. He is able to completely bury himself in this part. Colin Farrell has the capacity to reach these heights as well, and in fact, in this film, shows many of the mannerisms and intensity of Russell Crowe (whom I consider to be the best actor on the planet).

I appreciated the comedy and satire working hand in hand with the moral complexity of the characters' inner struggles. It makes for a very satisfying film, one that is much more than entertainment. When you consider what the budget was in comparison to many Hollywood films, "In Bruges" serves as a reminder that it is the script and the quality of the direction that makes a film. Why Hollywood thinks they can just throw money into a project and expect people to come to the cinema is beyond me.


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