A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
London based hit men Ray and Ken are told by their boss Harry Waters to lie low in Bruges, Belgium for up to two weeks following their latest hit, which resulted in the death of an innocent bystander. Harry will be in touch with further instructions. While they wait for Harry's call, Ken, following Harry's advice, takes in the sights of the medieval city with great appreciation. But the charms of Bruges are lost on the simpler Ray, who is already despondent over the innocent death, especially as it was his first job. Things change for Ray when he meets Chloe, part of a film crew shooting a movie starring an American dwarf named Jimmy. When Harry's instructions arrive, Ken, for whom the job is directed, isn't sure if he can carry out the new job, especially as he has gained a new appreciation of life from his stay in the fairytale Bruges. While Ken waits for the inevitable arrival into Bruges of an angry Harry, who feels he must clean up matters on his own, Ray is dealing with his own ... Written by
In the original script, Ray and Ken are English, but when Colin Farrell and Brendan Gleeson came on board, the characters were changed to Irish as to suit their natural sensibilities. See more »
When Ray is preparing for his date with Chloe and is checking himself in the mirror, he is trying to decide whether to leave his top button open or button it. He decides to button it, then turns to Ken for approval and the camera cuts to a different angle. You can see in his reflection in the mirror that his top button is open. When he faces the mirror again and the screen cuts back, it is buttoned again. See more »
After I killed them, I dropped the gun in the Thames, washed the residue off me hands in the bathroom of a Burger King, and walked home to await instructions. Shortly thereafter the instructions came through. "Get the fuck out of London, youse dumb fucks. Get to Bruges." I didn't even know where Bruges fucking was.
It's in Belgium.
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Schubert: 24. Der Leiermann [Winterreise, D.911]
Composed by Franz Schubert (uncredited)
Written by Wilhelm Müller (uncredited)
Performed by Andreas Schmidt
Courtesy of Deutsche Grammophon GmbH (Germany)
Under license from the Universal Music Group, Film and Television Licensing Division See more »
Greetings again from the darkness. Award winning playwright Martin McDonagh brings his amazing writing talents to the big screen and scores with his first turn as a feature film director. The city of Bruges (yes, in Belgium) is the perfect setting for the multi-layered story. Its well preserved medieval architecture is like an character unto itself.
Colin Farrell delivers by far his best performance to date. He is funny, dangerous, sexy and emotional throughout. This is exceptional acting from a guy who tends to disappoint. Of course, it helps to have magnificent writing and this one most certainly delivers on that front. The dialogue is quirky and quick ... so tune in early.
Strong work also from Brendon Gleeson, who all will recognize from "Gangs of New York" and the Harry Potter series. He is a tough guy with a streak of humanity. The third piece of the puzzle is Ralph Fiennes as the mastermind bad guy. The supporting work is fine from Jordan Prentice as the dwarf actor (sadly Mr. Prentice is most famous for playing Howard the Duck) and a very cute Clemence Poesy as Farrell's odd love interest.
Very few writers can write dialogue like this and even fewer can juggle as many layers without making a film seem busy, crowded or forced. Hopefully Mr. McDonagh will bring more of his work to the big screen ... he certainly adds a touch of class!
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