A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
Prof. Henri Laborit uses the stories of the lives of three people to discuss behaviorist theories of survival, combat, rewards and punishment, and anxiety. René is a technical manager at a ... See full summary »
Exceptional London cop Nicholas Angel is involuntarily transferred to a quaint English village and paired with a witless new partner. While on the beat, Nicholas suspects a sinister conspiracy is afoot with the residents.
After the bankruptcy of their father's stonemasonry firm, brothers Nicola and Andrea emigrate to America to restore their fortunes. After many adventures and near-disasters, they end up in ... See full summary »
Joaquim de Almeida,
A young couple, Renee and Pierre, take one night a room at the Hotel du Nord, in Paris, near the canal Saint-Martin. They want to die together, but after having shooted at Renee, Pierre ... See full summary »
London based hit men Ray and Ken are told by their boss Harry Waters to lie low in Bruges, Belgium for up to two weeks following their latest hit, which resulted in the death of an innocent bystander. Harry will be in touch with further instructions. While they wait for Harry's call, Ken, following Harry's advice, takes in the sights of the medieval city with great appreciation. But the charms of Bruges are lost on the simpler Ray, who is already despondent over the innocent death, especially as it was his first job. Things change for Ray when he meets Chloe, part of a film crew shooting a movie starring an American dwarf named Jimmy. When Harry's instructions arrive, Ken, for whom the job is directed, isn't sure if he can carry out the new job, especially as he has gained a new appreciation of life from his stay in the fairytale Bruges. While Ken waits for the inevitable arrival into Bruges of an angry Harry, who feels he must clean up matters on his own, Ray is dealing with his own ... Written by
In a deleted scene, Ray is discussing his date with Ken, and when Ken finds out that it will take place at a restaurant, he predicts correctly that it will turn out badly. See more »
When Ken is drinking alone in the bar, the bartender serves him a glass of beer that is well below full. The camera angle changes and then changes back again to show Ken is about to drink from a full glass. See more »
After I killed them, I dropped the gun in the Thames, washed the residue off me hands in the bathroom of a Burger King, and walked home to await instructions. Shortly thereafter the instructions came through. "Get the fuck out of London, youse dumb fucks. Get to Bruges." I didn't even know where Bruges fucking was.
It's in Belgium.
See more »
On Raglan Road
Written by Patrick Kavanagh
Arranged & Performed by The Dubliners
The words of 'On Raglan Road' by Patrick Kavanagh are reprinted by kind permission of the Trustees of the Estate of the late Katherine B. Kavanagh,
through the Jonathan Williams Literary Agency See more »
A European film through and through, showing its deep theatrical roots, "In Bruges" works on may levels, and is a fine night at the cinema.
The film follows the denouement of a "job" gone bad for two Irish hit men, who are forced to hole up in Bruges, Belgium, and really can't stand the inactivity. The forced waiting, a symbolic purgatory in both assassins' struggle for absolution, gives Brendan Gleeson and Colin Farrell a chance to act through some marvelous comic dialogue.
The film itself looks like it was filmed in an area of the old city of Bruges that is no more than a 500 square metre radius. It doesn't matter, because the film is a character study more than anything, and like all good theatre, the character interplay allows the audience to forget the confined spaces.
Ralph Fiennes comes into the film late basically stealing Ben Kingsley's character from "Sexy Beast". This has to be an absolutely deliberate choice, so can't really be criticized. The writing is so good that Fiennes can have real fun with it. All the actors do, as a matter of fact.
I have been deeply suspicious of Colin Farrell's ability to read a script in the past. His choices of projects in the past has been spotty. Not this time: his acting ability is brought to the fore by director and screenwriter Martin McDonagh. Farrell gives a very strong performance as a morally challenged hit-man.
Brendan Gleeson has been around forever, and is a renowned character actor. You may remember him from "Braveheart" as Hamish Campbell, Mel Gibson's loyal adjutant. He is able to completely bury himself in this part. Colin Farrell has the capacity to reach these heights as well, and in fact, in this film, shows many of the mannerisms and intensity of Russell Crowe (whom I consider to be the best actor on the planet).
I appreciated the comedy and satire working hand in hand with the moral complexity of the characters' inner struggles. It makes for a very satisfying film, one that is much more than entertainment. When you consider what the budget was in comparison to many Hollywood films, "In Bruges" serves as a reminder that it is the script and the quality of the direction that makes a film. Why Hollywood thinks they can just throw money into a project and expect people to come to the cinema is beyond me.
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