| Photos (See all 24 | slideshow) | Videos (see all 6) |
| Demi Moore | ... | Laura | |
| Michael Caine | ... | Hobbs | |
| Lambert Wilson | ... | Finch | |
| Nathaniel Parker | ... | Ollie | |
| Shaughan Seymour | ... | Eaton | |
| Nicholas Jones | ... | Jameson | |
| David Barrass | ... | Fenton | |
| Joss Ackland | ... | MKA | |
| Silas Carson | ... | Reece | |
| Derren Nesbitt | ... | Sinclair | |
| Rosalind March | ... | Penelope | |
| Kevan Willis | ... | Lewis | |
| Stanley Townsend | ... | Henry | |
| Jonathan Aris | ... | Boyle | |
| Ben Righton | ... | Bryan | |
| Constantine Gregory | ... | Dmitriev | |
| Simon Paisley Day | ... | Boland | |
| David Henry | ... | Gottfried | |
| Yemi Ajibade | ... | Guinean Negotiatior (as Yemi Goodman Ajibade) | |
| William Scott-Masson | ... | Harold | |
| Natalie Dormer | ... | Cassie | |
| Kate Maravan | ... | Trudy | |
| Steve Preston | ... | Investigator | |
| Claire Thill | ... | Secretary | |
| Julian Nest | ... | Harold's Friend | |
| Roya Zargar | ... | Trudy's Friend (as Roia Zargar) | |
| Violaine Miller | ... | Ballroom Quartet | |
| Carole Bruere | ... | Ballroom Quartet | |
| Philippe Bruere | ... | Ballroom Quartet | |
| Jean Adolphe | ... | Ballroom Quartet | |
| rest of cast listed alphabetically: | |||
| Tom Clear | ... | Protester (uncredited) | |
| Josef d'Bache-Kane | ... | Street Bystander (uncredited) | |
| Dean Gregory | ... | Guard (uncredited) | |
| Kim Hermans | ... | Spectator at dograce (uncredited) | |
| Serge Mauro | ... | Extra (uncredited) | |
| Peter Rnic | ... | Honest Alfred - The Bookie (uncredited) | |
Directed by | |||
| Michael Radford | |||
Writing credits(in alphabetical order) | ||
| Edward Anderson | written by | |
Produced by | |||
| Carola Ash | .... | associate producer | |
| Jimmy de Brabant | .... | co-producer | |
| Natalia Malkin | .... | executive producer | |
| Vitaly Malkin | .... | executive producer | |
| Stephen Margolis | .... | executive producer | |
| Albert Martinez Martin | .... | co-producer (as Albert Martín Martínez) | |
| Michael A. Pierce | .... | producer (as Michael Pierce) | |
| Richard Pierce | .... | co-producer | |
| Charles Salmon | .... | line producer | |
| Mark Williams | .... | producer | |
| Lisa Wilson | .... | executive producer | |
Original Music by | |||
| Stephen Warbeck | |||
Cinematography by | |||
| Richard Greatrex | |||
Film Editing by | |||
| Peter Boyle | |||
Casting by | |||
| John Hubbard | |||
Production Design by | |||
| Sophie Becher | |||
Art Direction by | |||
| Chris Lowe | (senior art director) | ||
Set Decoration by | |||
| Christina Schaffer | |||
Costume Design by | |||
| Dinah Collin | |||
Makeup Department | |||
| Fabienne Adam | .... | assistant makeup artist | |
| Christine Allsopp | .... | additional makeup artist: London | |
| Kay Bilk | .... | additional makeup artist: London | |
| Mahesh Burman | .... | assistant makeup artist | |
| Neill Gorton | .... | makeup prosthetics | |
| Mariël Hoevenaars | .... | hair stylist | |
| Mariël Hoevenaars | .... | makeup artist | |
| Ashley Johnson | .... | hair stylist | |
| Ashley Johnson | .... | makeup artist | |
| Suresh Kumar Mohanty | .... | assistant makeup artist | |
| Sharon Perks | .... | additional makeup artist: London | |
| Roseann Samuel | .... | hair designer | |
| Roseann Samuel | .... | makeup designer | |
| Volkmar Schamoni | .... | additional hair stylist | |
| Volkmar Schamoni | .... | additional makeup artist | |
| Christine Walmesley-Cotham | .... | additional makeup artist: London (as Christine Walmsley-Cotham) | |
| Katja Weyand | .... | additional hair stylist | |
| Katja Weyand | .... | additional makeup artist | |
| Claire Whiteley | .... | additional makeup artist: London | |
Production Management | |||
| Ragna Arny Larusdottir | .... | production manager | |
| Bobby Prince | .... | unit manager | |
| John Watson | .... | production supervisor | |
| Emma Zee | .... | post-production supervisor | |
Art Department | |||
| Boris Bartholomäus | .... | construction manager | |
| Benoît Bechet | .... | draftsman | |
| Alexandre Brown | .... | art department coordinator | |
| Mario Capezzali | .... | carpenter | |
| Tony Chance | .... | storyboard artist | |
| François Dickes | .... | prop buyer | |
| Thomas Ferrandis | .... | carpenter | |
| Annett 'Gogo' Golinski | .... | draper | |
| Frinn Lorenz | .... | props | |
| Frinn Lorenz | .... | stand-by carpenter | |
| Edouard Pallardy | .... | head painter | |
| Sandra Phillips | .... | stand-by art director: UK | |
| Manu Poupard | .... | chargehand stand-by props | |
| Barbara Prati | .... | set dresser | |
| Stephanie Rass | .... | model maker | |
| Jill Robertson | .... | assistant props buyer | |
| Jan Rott | .... | property master | |
| Olivier Wojcik | .... | scenic painter | |
| Philip Clark | .... | picture researcher (uncredited) | |
Sound Department | |||
| Philip Alton | .... | dialogue editor | |
| Alex Ashcroft | .... | sound assistant | |
| Jeremy Balko | .... | adr mixer | |
| Bryan Bowen | .... | supervising sound editor | |
| Alastair Bradley | .... | studio assistant: sound | |
| Naomi Dandridge | .... | studio assistant | |
| Nick Foley | .... | adr recordist | |
| Frederic Gibert | .... | sound facility coordinator | |
| Frederic Gibert | .... | sound post-production | |
| Philippe Kohn | .... | boom operator | |
| Richard Lewis | .... | sound re-recording mixer | |
| Steven Parker | .... | sound re-recording mixer | |
| Blair Slater | .... | foley supervising editor | |
| Ted Swanscott | .... | adr mixer | |
| Marc Thill | .... | cable person | |
| Carlo Thoss | .... | production sound mixer | |
Special Effects by | |||
| Jody Braibant | .... | special effects assistant | |
| Paul Dunn | .... | special effects | |
Visual Effects by | |||
| Kris Anderson | .... | digital compositor | |
| Paul Beard | .... | visual effects line producer | |
| Robin Beard | .... | digital effects artist | |
| Simon Carr | .... | visual effects supervisor | |
| Adam Christopher | .... | digital colourist | |
| Graham Day | .... | prep artist: Men From Mars | |
| Simon Frame | .... | visual effects supervisor | |
| Richard Graham | .... | visual effects coordinator | |
| Lionel Heath | .... | compositor: Men from Mars | |
| Tom Hocking | .... | lead compositor | |
| Matthew Jacques | .... | digital artist | |
| Rick Leach | .... | digital compositor | |
| Sherin Mahboob | .... | junior digital artist | |
| Tom Pegg | .... | digital effects artist | |
Stunts | |||
| Del Baker | .... | stunt coordinator | |
| Gerry Crampton | .... | stunt coordinator | |
| Steve Emerson | .... | stunt double | |
| Aurore Vallee | .... | stunt double | |
| Bill Weston | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jim Alloway | .... | camera operator: "b" camera | |
| Jim Alloway | .... | director of photography: second unit | |
| Paddy Blake | .... | focus puller: "b" camera | |
| Etienne Braun | .... | still photographer | |
| Gilbert Degrand | .... | best boy | |
| Kevin Dresse | .... | electrician | |
| John Evans | .... | second assistant camera | |
| John Gamble | .... | first assistant camera: "a" camera | |
| Peter Hodgson | .... | video assist: UK crew | |
| Valentina Iorio | .... | grip | |
| Oliver Krupke | .... | electrician | |
| Erwin Lanzensberger | .... | steadicam operator | |
| Vince Madden | .... | best boy electric | |
| Nathan Mann | .... | focus puller: "a" camera | |
| Luke Myslowski | .... | grip | |
| Peter Myslowski | .... | key grip | |
| Rupert Power | .... | Steadicam operator | |
| Mike Rees | .... | clapper loader: "b" camera, UK | |
| David Morais Rocas | .... | central loader | |
| Claus Scheipers | .... | lighting technician (as Claus Vieruss) | |
| Jessica Theis | .... | still photographer | |
| Théodore Theodorides | .... | second assistant camera: second unit | |
Casting Department | |||
| Tom Swayne | .... | casting assistant | |
| Katja Wolf | .... | casting: small parts and extras | |
Costume and Wardrobe Department | |||
| Lee Croucher | .... | stand-by costumer: UK | |
| Magdalena Marczynska | .... | costume assistant: Michael Caine | |
| Richard Sale | .... | assistant costume designer | |
| Uli Simon | .... | costume supervisor | |
| Lara Walker | .... | costume assistant: Ms. Moore | |
| Peggy Wurth | .... | wardrobe | |
Editorial Department | |||
| Alex Anstey | .... | assistant editor | |
| Stephen Boucher | .... | associate editor | |
| Alexandra Montgomery | .... | post-production coordinator | |
| Alex Panton | .... | digital intermediate producer (uncredited) | |
Music Department | |||
| Iain Ballamy | .... | musician: saxophone (as Iain Bellamy) | |
| Becky Bentham | .... | music supervisor | |
| Paul Englishby | .... | conductor | |
| Martin France | .... | musician: drums | |
| Tim Harries | .... | musician: bass guitar | |
| Robert Houston | .... | score pro tools recordist | |
| Allan Jenkins | .... | music editor | |
| Skaila Kanga | .... | musician: harp | |
| Steve Lodder | .... | musician: piano | |
| Henry Lowther | .... | musician: trumpet | |
| John Parricelli | .... | musician: guitar | |
| Richard Pierce | .... | music consultant | |
| Nyree Pinder | .... | music supervisor | |
| Gwylim Simcock | .... | musician: piano | |
| Helen Tunstall | .... | musician: harp | |
| Stephen Warbeck | .... | musician: piano | |
| Steve Watts | .... | musician: bass guitar | |
Transportation Department | |||
| Simon Jones | .... | driver: director | |
| Gaby Meyers | .... | driver | |
| Gary Sharp | .... | driver: cast | |
| Dave Williams | .... | facilities department | |
| Kevan Willis | .... | transportation coordinator | |
Thanks | |||
| Paul Helminger | .... | thanks (as Monsieur le Bourgmestre Paul Helminger) | |
| Hans D. Krieger | .... | special thanks | |
| Joe Madden | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
Everything works in this movie : The direction, the acting, the shooting, the story and the script - one commentators claimed that it was limited and one dimensional but it is quite on the contrary : the script was written very elegantly with quite a lot of subtelties and these would probably be missed by those who are used the usual wham bahm great Hollywood films.
The only (small) flaw in the film was its so called "feministic" flavour, it was completely unnecessary - any, if all, "politically correct messages", would have been understood from the story itself - there was no need to shove it in the audience face.
All in all this movie is intelligent, interesting and exciting. I highly recommend it.