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|Index||1285 reviews in total|
*** This review may contain spoilers ***
You wouldn't expect 'Drive' to be so subtle, you would expect it to be
a high-octane thriller with a new twist every step of the way. I'm glad
it was not as I had expected, I was pleasantly surprised with this
The acting is good, the down-played dialogue between practically all of the characters works well for the most part. Ryan Gosling is excellent and because this is the first film I have seen him in I would be convinced to watch more of his roles. The main thing that I noticed with the dialogue was even when Gosling and Carey Mulligan's characters were not talking, you couldn't help but smile. It's very difficult to evoke emotion from the audience with hardly any dialogue. At some points it can be slightly frustrating however, there are some points where you desperately want someone to say something!
The car chased and car scenes in general are brilliant. For too long we have seen the CGI routines of the Fast and Furious series on the big screen and we often mistake that for talent. 'Drive' shows us how a car chase should be shot!
The music has a great impact on this film, the 80s style techno music alongside the beautiful camera work in scenes with Gosling and Mulligan convert LA's littered streets and landscape into sheer beauty.
The script is extremely clever, for at least an hour the film is slow moving but good, with the characters all getting along well and slowly we see the protagonist become more and more violent - the violence in this film can be quite shocking and is extremely graphic in some points.
I have never been a tremendous fan of car films but this is an exception. I wouldn't even say it is a car film, it focuses a lot more on human relationships despite most shots being in the interior of a car. I can see why this was one of the films of 2011, it fools you on numerous occasions and leaves you thinking 'wow'. I would strongly recommend this film to anyone, even if you're not a fan of car films, you will still enjoy this film greatly.
People who believe every thing they see on TV will not like this movie,
the trailer makes it look like a stupid fast and furious rip-off, a
type of movie for people that applaud at the end of the movie and laugh
at stupid jokes or dog whistle when an attractive women walks on the
screen BUT THANK THE MOVIE GODS its not. People going to a movie
because there was action in the trailers only to be disappointed by a
movie that was actually really good... does that remind you of
anything? well for me it reminded me of fight club, stupid people
coming back from the cinemas saying the movie was bad because Brad Pitt
wasn't beating on someone for every waking minute of the movie.
So to summaries "Driver" is very good, Ryan Goslings best.. so far, and people who come to you and say "that movie was boring, Ryan Gosling wasn't racing around everywhere having sex with things and shooting people" are idiots.
*** This review may contain spoilers ***
"Drive" is a story about a young man with no name who works as a
stuntman during the day and works as a getaway driver, at times, during
the night. A man with no attachments to his past, he wandered through
his days unnoticed with a determination to stay so. All of this changes
when he meets Irene creating a shift in his priorities leading to
situations and circumstances he would never before involve himself in.
We know nothing about his past and the motives of his present are as
mysterious. The perfect "Anti-Hero", he hits a strange balance of being
a combination of a Western Hero (personified by Gary Cooper, Clint
Eastwood) with a darkness close to that of Henry Fonda's "Frank" in
"Once Upon a Time in the West" and Javier Bardem's Anton Chigurh in "No
Country For Old Men".
Nicholas Winding Refn directs this picture and it really shows how far he has come as a film-maker. His use of colours are brilliant as he shifts through darkness and light with an artistic manipulation that contributed to the great cinematography which was essential to create the varying moods. It was predominantly eerie and helped the transitions smoothly leaving a touch of suspense all the way through it's end. The screenplay, written by Hossein Amini, is sufficient in it's brevity adding to the enigma, which was the Driver, enhancing the mystery to his motives by sufficiently cloaking who he is.
The star of the show, except Refn, was Ryan Gosling who continues to build a reputation as one of the actors to look out for. His evolution, which was slowly in the works, hit a new height with his portrayal as "Driver". To be so convincing with such few words and relying only on expressions and mannerisms to be the basis of a great performance is an art which is almost lost today. He is loving, caring, generous and loyal to only a few people but at the same time he is also ruthless, fearless and unflinching in his determination, which sometimes led to "justified cruelty" on those who stood in his way. He is never over-the-top, however out of hand a situation might get, thus building a character who had enviable serenity in testing situations. Ryan Gosling will in all likelihood not be nominated for an Oscar for his best performance to date for what was undoubtedly one of the best performances of 2011 (personally this was my favourite). This, I fear, would be the first of many crimes the Academy will undoubtedly pull on this film in the year.
Gosling is supported more than capably by a great cast. It includes the rising star Carey Mulligan, the love interest, played her torn character with such simplicity and an under-tone of complexity that bringing out a sense of realism would have been very arduous. But, the talent she has, has helped her to find the balance and give one of the most under-rated performances (along with Gosling's) of the year. There is also the brilliant Bryan Cranston whose evolution is just extraordinary. This character actor tests another variation to provide a great supporting role of a man who with his desperation has lost all his dignity clinging on to the last straw of hope which is Gosling. Cranston played the anti-thesis of Walter White (Breaking Bad), with such guile that you forgot it was Mr. White. For a TV actor that is hard to shake off, ask James Gandolfini. Ron Perlman's screen time was small but his significance to the plot was not and he did justice to the role re-enacting his own persona of the "bad guy" he has done so successfully and predominantly in action films.Then, there is the rejuvenated Albert Brooks who gives the performance of his career (and seems the only likely nominee) as mob boss Bernie Ross, who is more like the anti-hero than we would like to admit. A man who is calculating in his ruthlessness and terribly frightening in it's deliverance is the perfect nemesis to the grey hero. They both fight for what they care about and none of them would hesitate to stand up against anyone who would try to destroy what was most important to them.
"Drive" is a must-see for all who want to something different in a year which has been all about recycling and few rare pieces of originality. If you can stomach the violence and the long periods without dialogue then make sure you watch it, otherwise just stay away, it won't be your cup of tea. Let's hope Nick Refn will be able to keep this form for the future
There are so many illogical things in this movie that very quickly I
just stopped caring about what's happening on the screen. There are big
gaps in plot, and there are totally unrealistic details. And if for the
plot holes you may somehow justify them saying that characters are
stupid or under stress, there is no justification for physically
impossible details: a light mattress is blocking the door, car's
headlights are working after several hard head-on crashes, and so on.
I can hardly imagine an intelligent and thinking person would appreciate this movie. Only if somebody stays in a state of trance mindlessly looking at the pretty pictures and listening to the nice music one can probably enjoy it.
I am very surprised by all the positive reviews. Boring and illogical movie, just awful.
With virtually no plot, interesting characters or intriguing dialogues, all this movie has to offer are a few brutally bloody scenes, but then again, if you're into that, you're still better of watching Kill Bill. Speaking of which, if you thought Kill Bill was an over-rated movie, you obviously still haven't seen Drive. This movie was obviously directed with one purpose and one purpose only - winning the Palme d'Or at Cannes. And, surprisingly, it even failed at that. Could it be that this wannabe-art movie was too fake even for Cannes standards? It's hard to tell. Could it be that the 21st century has already gotten its worst blockbuster? Only time will tell. Even though there are 89 more years to go, I think not a lot of movies will overtake this giant.
I have no idea how this movie has received such glowing reviews. Gosling appears to be heavily sedated throughout the movie, and the virtual lack of dialogue through the majority of the film just adds to the overall boring experience. Overall it's a movie about nothing with no message at all, and it ends by leaving you with no sense of closure or understanding of why you have been subjected to such a depressing experience. If there was any message at all, I would say it was that life sucks and then you die, or crime doesn't pay perhaps, but overall that's a little bit too Disney for my tastes, but perhaps this will appeal to the masses? Do yourself a favour, and spend your time watching something else, or at the very least take some Valium to get yourself in the correct frame of mind for this slow-paced, self-indulgent offering. No Stars.
The guy doesn't even have a name. He doesn't speak too much and when he speaks he doesn't make threats, he makes promises that the bad guys gonna get it! Just like in Dirty Harry... The movie has this 70's feeling but in a way that will make true cinema fans to look back with nostalgia. You almost expect Starsky and Hutch to start chasing the guy. And Ryan Gostling - he got the idea and played it perfectly. Really, the atmosphere is amazing and the soundtrack is adding to the amazingness of this masterpiece. The main theme, "A real hero" from College ft. Electric Youth - awesome piece. I rarely write about movies on IMDb.com, but this one - you should really see it. What are you waiting for? Go get some popcorn...
When I first saw the trailer to Drive, I instantly thought of Korean cinema. Whether it was the hammer carried by Gosling, or something else, i'm not sure. The influence of foreign film is clear in Drive. The story of Drive is a very simple and perhaps overused one. A silent and reserved getaway driver who doesn't normally get involved with people starts to form a relationship with a woman and her kid, causing everything to go downhill from there. Even though this story has been told before, the way it is told in Drive makes it seem fresh. Drive also has a very 80's feeling to it. The soundtrack is not only amazing but filled with 80's influenced music. It works so well with the movie and will stick out even to people who don't pay much attention to soundtracks. I had heard a lot of good things about Drive and in the end, it lived up to it. Also, I would kill for that scorpion jacket.
*** This review may contain spoilers ***
I recently saw Drive for a second time. I had seen it previously
opening day at a local multiplex and loved it. Though, I began to think
to myself "Maybe my hype got the better of me?" I was doubting myself.
Those doubts were cleared up as I watched Drive again. The Driver (Ryan
Gosling) is a cool, silent protagonist. He drives for movies by day and
performs getaways for heists by night. He's the best at what he does.
His skills behind the wheel are unparalleled. The Driver's stoic and
silent exterior may unsettle some viewers, and even get some laughs.
He's a badass driver but an awkward socialite. The contradictions
between Driver's work efficiency and lack of social skills make the
character all the more interesting. Though claims of the character
being empty are entirely unfounded.
When the Driver's neighbor Irene (Carey Mulligan) and her son Benicio come into the Driver's life, we see a side of the Driver that we hadn't seen before. Sure he's still quiet but he smiles, he laughs. He is a human being. These moments of happiness displayed are what distinguishes the Driver from the soulless machine many have characterized him as.
One of my favorite things about the film is some great use of symbolism. Near the beginning of the film, we briefly see the Driver on the set of a film, working. I believe it was Shannon, (Bryan Cranston) the Driver's manager of sorts, who remarks something like "You ARE doubling for the star." The Driver dons a realistic-looking mask of the actor's face, gets in the car, crashes it, and that's a wrap. Later in the film, the Driver is well into the bloodbath. He's taking it to the top of foodchain, Nino (Ron Perlman). Before he goes to kill Nino, he dons the mask of the star once more. On the surface it can be seen as the Driver not wanting to be identified by Nino or his thugs before the kill. I saw it as the Driver becoming the star, the hero, in his own real story. His own real movie. He had transformed from a tough guy to a tough guy with a mission. Another use of symbolism. Throughout the film, the Driver and Benicio have these little staring contests. The Driver always wins, he doesn't blink. At the end of the film, when the camera focuses on the Driver's "corpse" for more than a minute, the Driver blinks. He blinks to show the audience he is alive. Truly alive. He's alive in the sense that he hasn't died from blood-loss, and he's alive in the sense that he is a human being.
Drive also has a stellar cast who all give some of their best performances. Gosling has broken out of his own stereotype. No longer will he be known as "the guy from The Notebook". Though he has had some great films and performances in the past, Drive is his masterpiece. He's Steve McQueen-cool, versatile in his action scenes and genuine in his softer, human scenes. Other standouts are Albert Brooks as a world-weary mobster. Bryan Cranston can do no wrong, and serves as a sort of comic relief. Ron Perlman is also fantastic, though he plays a more typical mobster character than Brooks. Carey Mulligan and Oscar Isaac do well as a couple strained by crime and violence.
Not only well-acted, Drive is a beautiful film to experience for its visuals. The streets and corners of Los Angeles haven't been so interesting since Michael Mann's "Heat". And when accompanied by Cliff Martinez's incredible synthesizer-driven score, the locale becomes downright mesmerizing. Director Nicolas Winding Refn has described his films as a sort of "heightened reality" and I would agree.
While we're talking about Refn, I think it's really interesting that he undertook this project. Based on a novella by James Sallis and adapted by Hossein Amini, the script was fairly standard stuff. The Driver had a lot more dialogue. You could see the studios turning it into more of a blockbuster kind of film. Yet Refn comes in and elevates a standard script to art. Similar to the Japanese director Seijun Suzuki, who adapted countless cookie-cutter yakuza scripts into bizarre visual dreams. Even though this is the first film of his Refn didn't also write, it's clear who's shaped the film we know as Drive. And I couldn't be any happier.
Drive has become a personal favorite of mine. It's sort of a modern "Bullitt", but with more violence, neon visuals, and longer silences; Ryan Gosling this era's King of Cool. Drive is a masterpiece, a meeting of mainstream action and art-house style. It is superb. I can only see this getting better as time passes.
This movie is so bad that I would rather do anything then to have to watch this movie again, yes I would rather die. There is this strange euphoric music playing in the background scene to scene that is just pointless but it's there for God only knows why. All the actors are talking like the have taken very large amounts of sedatives and almost every scenes cuts before the conclusion of each scene happens. As a viewer you can still put the pieces together but it's just retarded. Here's an idea: finish the scene! Oh and have the actors act like they are awake and talk to each other like they are normal people who talk like normal people do, not doped up mental patients. Wow, maybe I should become a director? I sure as he!! could have made something better than this pile of horse 5hit!
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