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Drive (I) (2011)

 -  Crime | Drama  -  16 September 2011 (USA)
7.8
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Ratings: 7.8/10 from 366,440 users   Metascore: 78/100
Reviews: 1,197 user | 649 critic | 43 from Metacritic.com

A mysterious Hollywood stuntman, mechanic and getaway driver lands himself in trouble when he helps out his neighbor.

Writers:

(screenplay), (book)
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Title: Drive (2011)

Drive (2011) on IMDb 7.8/10

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Nominated for 1 Oscar. Another 72 wins & 115 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Kaden Leos ...
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Doc
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Chauffeur (as Joey Bucaro)
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Tim Trella ...
Hitman #1
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Hitman #2
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Storyline

A mysterious man who has multiple jobs as a garage mechanic, a Hollywood stuntman and a getaway driver seems to be trying to escape his shady past as he falls for his neighbor - whose husband is in prison and who's looking after her child alone. Meanwhile, his garage mechanic boss is trying to set up a race team using gangland money, which implicates our driver as he is to be used as the race team's main driver. Our hero gets more than he bargained for when he meets the man who is married to the woman he loves. Written by shin

Plot Summary | Plot Synopsis

Taglines:

There Are No Clean Getaways See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong brutal bloody violence, language and some nudity. | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

16 September 2011 (USA)  »

Also Known As:

Drive - Gázt!  »

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

$11,340,461 (USA) (16 September 2011)

Gross:

$35,054,909 (USA) (3 February 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Oscar Isaac worked with Nicolas Winding Refn to further develop his character, Standard, as a less archetypal ex-convict. See more »

Goofs

During the initial sequence, Driver is listing to the Clippers game on the radio, but the XM radio is tuned to the 60s on 6 channel, which plays music from the 1960s, not current sports. See more »

Quotes

[first lines]
Driver: [on phone] There's a hundred-thousand streets in this city. You don't need to know the route. You give me a time and a place, I give you a five minute window. Anything happens in that five minutes and I'm yours. No matter what. Anything happens a minute either side of that and you're on your own. Do you understand?
[pause]
Driver: Good. And you won't be able to reach me on this phone again.
See more »

Connections

Referenced in Half in the Bag: Nightcrawler and Birdman (2014) See more »

Soundtracks

Back in Toon
Written by Craig Riley
With permission by S.I. Publishing (Socan)
Courtesy of Sounddogs.com Music Licensing
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Film Noir meets Hammer Hardened Hero Maker meets Gangster Heavy Metal
19 June 2011 | by (California, United States) – See all my reviews

Ryan Gosling brings down the hammer on that line where logic reason and self preservation become secondary to protecting what is important to you. There are a few moments where he doesn't just cross that line but obliterates it completely.

Beautifully crafted pounding action thriller with twisted humor and seriously hard core violence. Compelling tenderness from characters that are unsophisticated in the best sense of the word.

This film will go down as one of the best Action films in decades. Car chases that rival and extend beyond Bullitt and French Connection. Violence that bursts out of the screen like a horror film or a bad dream by David Cronenberg. Passing moments of tenderness that are drawn out until you are slowly pulled into the emotional world of the protagonists.

Something so powerful, especially when it works, is the use of sharp and dramatic Camera Angles in Drive that mirror the emotional moment of the story drawing you into the characters world.

View and angles often extremely low angled and tilted sharply upward, effective at expanding the feeling of voyeurism of being at the dinner table or in the adjacent seat, right in the room with the characters while safely looking up from some shadow or nook or cranny. Very emotionally transcendent cinematography.

Night footage was amazingly successful at capturing the range of light and shadows, on a technical level the audio and video were strong and assured. Not only the first robbery but all the way through the film right up to the final resolution of the plot, the night was a familiar environment for major turns in the story (pun intended).

I will return hopefully soon to expand on this review, but I had to write something tonight because this film is ten times more badass than any Transporter or Fast and Furious fare that is usually sold in their all too obvious packaging.

Drive leaves them all in the Dust.

This filmed was viewed on the Big Screen at the LAFILMFEST screening June 17th 2011


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Recent Posts
the end of the film kashiftauseef-36-639793
Who thinks he lives vs who thinks he drives somewhere to die? appealing_talent
Definitely overrated.... OneInAZillion
awful film ni_white_knight
why do people think the driver was psychotic? jacobthecheeseburger
Opening Scene dmad1000
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