A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
Julian, a drug-smuggler thriving in Bangkok's criminal underworld, sees his life get even more complicated when his mother compels him to find and kill whoever is responsible for his brother's recent death.
Nicolas Winding Refn
Kristin Scott Thomas,
It's 1949 Los Angeles, the city is run by gangsters and a malicious mobster, Mickey Cohen. Determined to end the corruption, John O'Mara assembles a team of cops, ready to take down the ruthless leader and restore peace to the city.
A young man who was sentenced to seven years in prison for robbing a post office ends up spending three decades in solitary confinement. During this time, his own personality is supplanted by his alter-ego, Charles Bronson.
1000 AD, for years, One Eye, a mute warrior of supernatural strength, has been held prisoner by the Norse chieftain Barde. Aided by Are, a boy slave, One Eye slays his captor and together ... See full summary »
Nicolas Winding Refn
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the cofounder who was later squeezed out of the business.
A mysterious man who has multiple jobs as a garage mechanic, a Hollywood stuntman and a getaway driver seems to be trying to escape his shady past as he falls for his neighbor - whose husband is in prison and who's looking after her child alone. Meanwhile, his garage mechanic boss is trying to set up a race team using gangland money, which implicates our driver as he is to be used as the race team's main driver. Our hero gets more than he bargained for when he meets the man who is married to the woman he loves. Written by
Although fake blood was used on the set, most of the gore effects were added in post-production. See more »
In one shot, the tachometer on Driver's steering column reads 0 RPMs as he drives around. This is likely due to the vehicle being towed on a dolly. The tachometer can be seen working in other shots. See more »
There's a hundred-thousand streets in this city. You don't need to know the route. You give me a time and a place, I give you a five minute window. Anything happens in that five minutes and I'm yours. No matter what. Anything happens a minute either side of that and you're on your own. Do you understand?
Good. And you won't be able to reach me on this phone again.
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One reviewer here suggested that instead of seeing Drive you should see what Drive was aspiring to be Layer Cake. Drive is nothing like Layer Cake nor even tries to be. They have nothing in common, and the comment is just absurd. It is a far far better film though. From it's title sequence written in cursive pink (which a ton of idiots just did not get for some reason) to it's retro soundtrack. It is a picture perfect reflection of the films from the late 60's, 70's and 80's. If you have not seen films from this era (i do believe so many reviewers here have not) you will not entirely get this film.
This is a man with no name film. Instead of horses and cowboys we get fast muscle cars and ruthless gangsters. Our hero is a man with no name. He is also a man of very few words that can break out into fits of extreme violence at any moment to protect those he cares about. We get no back story to our hero just like the Eastwood pictures, which makes the film even more effective. He is not your typical Vin Diesel blabbering idiot action hero. He is an old fashioned action hero. Too many here did not understand this, and decided this was bad acting/directing. It is far better to imagine what Gosslings character has done to arrive at this point, than to be shown in some cheesy flash back sequence. Albert Brooks (who is just fantastic as usual), Ron Pearlman, and Bryan Cranston all provide nice contrast to our quiet hero.
Another reviewer here stated there was no explanation for the second car at the pawn shop. Well there was. I will not give it away here, but you will find the answer in the motel sequence. The violence has also been hated on here, but it is just part of the world he lives in. The fact that he can be just as cruel as the gangsters adds to the mystery of his character.
Not one negative review is credible. Unless you were raised on Transformer and Fast and Furious pictures. Then I guess you would need more CG, louder music, and bad duologue so you could understand the film easier. Or maybe you just need more imaginary computerized cars doing spectacular things on screen to hold your attention. The fact is this is a fantastic film, filled with great performances, and some of the best chase sequences since bullet. Be smart see films that matter.
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