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A mysterious Hollywood stuntman and mechanic moonlights as a getaway driver and finds himself trouble when he helps out his neighbor.


(screenplay), (book)
474 ( 35)
Nominated for 1 Oscar. Another 74 wins & 162 nominations. See more awards »



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Cast overview, first billed only:
Kaden Leos ...
Chauffeur (as Joey Bucaro)
Hitman #1
Hitman #2


A mysterious man who has multiple jobs as a garage mechanic, a Hollywood stuntman and a getaway driver seems to be trying to escape his shady past as he falls for his neighbor - whose husband is in prison and who's looking after her child alone. Meanwhile, his garage mechanic boss is trying to set up a race team using gangland money, which implicates our driver as he is to be used as the race team's main driver. Our hero gets more than he bargained for when he meets the man who is married to the woman he loves. Written by shin

Plot Summary | Plot Synopsis


Some Heroes Are Real See more »


Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong brutal bloody violence, language and some nudity. | See all certifications »

Parents Guide:






Release Date:

16 September 2011 (USA)  »

Also Known As:

Драйв  »

Box Office


$15,000,000 (estimated)

Opening Weekend:

$11,340,461 (USA) (16 September 2011)


$35,054,909 (USA) (3 February 2012)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| |


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


The crew built the driver's apartment building, which included a hallway and elevator that linked his unit to Irene's. Beth Mickle also built a strip club set and Bernie Rose's apartment in an abandoned building. Turning a "run-of-the-mill" Los Angeles auto body shop into a grandiose dealership was one of the most challenging. Painting the walls an electric blue color, she brought in a showroom full of vintage cars. See more »


During the chase scene after the pawn shop heist, Driver maneuvers his Mustang 5.0L backwards down a canyon highway. Although the Ford Mustang only has one reverse gear, the engine sounds played suggest the shifting of gears for a manual transmission. See more »


[first lines]
Driver: [on phone] There's a hundred-thousand streets in this city. You don't need to know the route. You give me a time and a place, I give you a five minute window. Anything happens in that five minutes and I'm yours. No matter what. Anything happens a minute either side of that and you're on your own. Do you understand?
Driver: Good. And you won't be able to reach me on this phone again.
See more »


Referenced in The Tonight Show with Jay Leno: Episode #20.1 (2011) See more »


Tick of the Clock
Written by Johnny Jewel
Performed by Chromatics (as The Chromatics)
Courtesy of Italians Do It Better Records
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Intelligent Adrenaline
16 September 2011 | by (United States) – See all my reviews

After a summer of cheap thrills, Drive delivers thrills on the cheap. With a budget Michael Bay might have allocated for a single effects sequence in Transformers 3, Danish director Nicolas Winding Refn made one of the best movies of the year. Following Bronson and Valhalla Rising, Refn crafts his most polished, commercial work yet, while retaining all the ambiguity and unbridled aggression of his tough-as-nails art house pictures.

Bearing thematic resemblance to Darren Aronofsky's recent output, Drive is like Black Swan in overdrive. The film pins its headlights on the dark implications of unchecked obsession and good intentions gone haywire. That dangerous duality – humanity on the razor's edge of animal brutality – is played to unnerving perfection by Ryan Gosling.

Rightly among the most reliable names on the Hollywood marquee, the star of Drive plays a crucible of a character. A friendly, fatherly figure to his neighbor (Carey Mulligan) and her young son, he's decidedly less so when the two are threatened. A sort of oblique, ultraviolent superhero, the driver leaps to defend the innocent with bloody determination. If the first half of Drive plays as drama, the second is straight up revenge fare.

Playing on the juxtaposition of calm and calamity, Refn keeps us on our toes throughout. Quiet moments stretch into suffocating silence, and the explosive violence that inevitably shatters it practically tears the frame in half. The audio is expertly mixed; you'll want to see Drive loud. From its roaring engines and visceral blows to its curt dialogue, the film is an altar to the power of great sound design.

In truth, Drive isn't pervasively violent, though its most excruciatingly effective moments leave a memory trail like tire streaks on a sunbaked highway. At the heart of the story is a compelling, surprisingly tender romance. Carey Mulligan has proved herself a similarly reliable talent to Gosling, and has worked in recent years with the likes of Michael Mann, Oliver Stone, and Mark Romanek.

Her fragile character's relationship with the driver is subtle and nuanced in a manner atypical of thriller convention. They're not family, they're not even sleeping together. Drive is not a sexy film. Refn fetishizes neither cars nor women; if The Fast and the Furious is the sleek exterior curves of an automobile, Drive is the greasy, undulating pistons. And it's utilitarian at a lean 100 minutes.

The rest of the small cast also impresses. Albert Brooks plays against type as a cutthroat crime lord, and a note-perfect Ron Perlman plays his meathead partner. Bryan Cranston of TV's Breaking Bad has a small role too, as employer and confidant to Gosling's character. Their relationships shuffle as lines are drawn and redrawn, but none of them comes away unscathed by the film's end.

Drive is either the explosive end to a lukewarm summer movie season or an early autumn adrenaline rush. In machismo, it far outpaces its hundred million dollar competition, leaving overwrought tales of lesser heroes like Thor and Green Lantern in the dust. Its troubled characters, and the bonds of desperation that link them, elevate the film above its genre trappings and shield it from disposable entertainment status.

Nicolas Winding Refn's Drive is an anomaly. It's like a 1200 horsepower hybrid. And it's one of the best movies of 2011.

427 of 672 people found this review helpful.  Was this review helpful to you?

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One of the best, if not the best, of 2011 skareviewsdotcom
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