The story of two men on different sides of a prison riot -- the inmate leading the rebellion and the young guard trapped in the revolt, who poses as a prisoner in a desperate attempt to survive the ordeal.
Kowalski works for a car delivery service. He takes delivery of a 1970 Dodge Challenger to take from Colorado to San Francisco, California. Shortly after pickup, he takes a bet to get the ... See full summary »
The youngest son of an alcoholic former boxer returns home, where he's trained by his father for competition in a mixed martial arts tournament - a path that puts the fighter on a collision corner with his older brother.
A mysterious man who has multiple jobs as a garage mechanic, a Hollywood stuntman and a getaway driver seems to be trying to escape his shady past as he falls for his neighbor - whose husband is in prison and who's looking after her child alone. Meanwhile, his garage mechanic boss is trying to set up a race team using gangland money, which implicates our driver as he is to be used as the race team's main driver. Our hero gets more than he bargained for when he meets the man who is married to the woman he loves. Written by
Driver references the fable of The Scorpion and the Frog: the frog agrees to carry the scorpion across the river; the scorpion stings the frog, saying "it's my nature" and both drown. Driver can be seen as The Frog of the story - he drives/carries criminals (scorpions) around in his car, but is inevitably dragged into their destructive world (stung) leading to everybody's downfall. Driver's jacket has a scorpion on the back, just as the frog carried the scorpion on its back. See more »
The camera reflection is seen on a dolly move where the Driver sees Irene with Benicio outside the Grocery Store and gives them a ride home. See more »
There's a hundred-thousand streets in this city. You don't need to know the route. You give me a time and a place, I give you a five minute window. Anything happens in that five minutes and I'm yours. No matter what. Anything happens a minute either side of that and you're on your own. Do you understand?
Good. And you won't be able to reach me on this phone again.
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A haunting movie with a stilted atmosphere reminiscent of Mulholland Drive though in an altogether different genre. The pink credits beginning the movie and the music throughout are pure eighties and set an offbeat tone against the contemporary LA streets and skyline. Great character studies punctuated by violent action scenes keep the audience immersed in this blood bath of a movie. Some powerful performances, stylish direction and intricate plotting complete this strangely understated production. Drive may not deliver box office gold in the short term though will certainly be paying long term dividends as a reference point for future film noir writers, directors and fans.
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