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Drive (I) (2011) 7.9
Ratings:
7.9/10 from 282,131 users
Metascore: 79/100
Reviews: 1,072 user | 608 critic | 40 from Metacritic.com A mysterious Hollywood stuntman, mechanic and getaway driver lands himself in trouble when he helps out his neighbor. Director:Nicolas Winding Refn |
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Cast
| Cast overview, first billed only: | |||
| Ryan Gosling | ... | ||
| Carey Mulligan | ... | ||
| Bryan Cranston | ... | ||
| Albert Brooks | ... | ||
| Oscar Isaac | ... | ||
| Christina Hendricks | ... | ||
| Ron Perlman | ... | ||
 |
Kaden Leos | ... | |
| Jeff Wolfe | ... |
Tan Suit
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| James Biberi | ... |
Cook
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| Russ Tamblyn | ... |
Doc
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| Joe Bucaro III | ... |
Chauffeur
(as Joey Bucaro)
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| Tiara Parker | ... |
Young Woman
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Tim Trella | ... |
Hitman #1
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| Jim Hart | ... |
Hitman #2
(as Jimmy Hart)
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Plot Summary
|
Plot Synopsis
Storyline
A mysterious man who has multiple jobs as a garage mechanic, a Hollywood stuntman and a getaway driver seems to be trying to escape his shady past as he falls for his neighbor - whose husband is in prison and who's looking after her child alone. Meanwhile, his garage mechanic boss is trying to set up a race team using gangland money, which implicates our driver as he is to be used as the race team's main driver. Our hero gets more than he bargained for when he meets the man who is married to the woman he loves. Written by shin
Taglines:
There Are No Clean Getaways See more »Motion Picture Rating (MPAA)
Rated R for strong brutal bloody violence, language and some nudity. | See all certifications »Parents Guide:
View content advisory »
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See more »
See full technical specs »
Details
Country:
USALanguage:
EnglishRelease Date:
16 September 2011 (USA) See more »Also Known As:
Drive - Gázt! See more »Box Office
Budget:
$15,000,000 (estimated)Opening Weekend:
$11,340,461 (USA) (16 September 2011)Gross:
$35,054,909 (USA) (3 February 2012)Company Credits
Show detailed
company contact information
on
IMDbPro »
Technical Specs
Runtime:
Color:
ColorAspect Ratio:
2.35 : 1
Edit
Driver: [on phone] There's a hundred-thousand streets in this city. You don't need to know the route. You give me a time and a place, I give you a five minute window. Anything happens in that five minutes and I'm yours. No matter what. Anything happens a minute either side of that and you're on your own. Do you understand?
[pause]
Driver: Good. And you won't be able to reach me on this phone again.
See more »
Did You Know?
Trivia
Angelo Badalamenti was reported to be composing the score before Cliff Martinez, and is credited in some early versions of the film. Martinez later confirmed the name was used as a placeholder. See more »Goofs
While stealing a Mustang GT, Driver can be seen wearing his driving gloves as he walks up to the car. The gloves are seen in the next shot hanging from the rear pocket of his jeans as he enters the vehicle with bare hands, only to reappear on his hands when he is behind the wheel in the following shot. See more »Quotes
[first lines]Driver: [on phone] There's a hundred-thousand streets in this city. You don't need to know the route. You give me a time and a place, I give you a five minute window. Anything happens in that five minutes and I'm yours. No matter what. Anything happens a minute either side of that and you're on your own. Do you understand?
[pause]
Driver: Good. And you won't be able to reach me on this phone again.
See more »
You might hear one comparing this to a Tarantino film, but leave all worries at the door, this is an absorbing and tremendously unique piece of cinema from Danish director Nicolas Winding Refn. The reason it works so exquisitely well is because the film grabs hold of you and takes you inside this often dark and dream-like LA setting. So, when the end of the film hits, you feel apart of this film, and it's there to stay.
This film also offers a Ryan Gosling like you've never seen him, speaking only when necessary, with tension and fury in his eyes. He's silent, caring, and ridiculously tough. Every line is delivered perfectly and every gesture is natural.
I saw this at the LA Film Festival on a mammoth screen with booming speakers. The music only makes this film more unique. It is catchy and synchronized perfectly with the TRULY beautiful cinematography.
This film is the BEST of its genre. I honestly cannot compare it to any other film, for it is truly that different. "Drive" is already the best of the year, because I'm POSITIVE no other film will haunt and invade me quite like this film has. This is not just a classic for its genre, but a beautiful and bold classic in general.