This tells the story of a strong friendship between a young boy with Morquio's syndrome and an older boy who is always bullied because of his size. Adapted from the novel, Freak the Mighty,... See full summary »
A couple whose son had been diagnosed as intellectually disabled, and was institutionalized, are shocked to discover that the diagnosis was wrong, and that their son is deaf, not intellectually disabled.
A twisted take on 'Little Red Riding Hood' with a teenage juvenile delinquent on the run from a social worker traveling to her grandmother's house and being hounded by a charming, but sadistic, serial killer/pedophile.
Joseph Greco: The scene at 41:55 of the South Florida State Hospital as Chris sees it through a chain link fence is a cameo of sorts - the director is one of the "workers" walking past the building, "not because I wanted to, but because we had no one else and I needed someone in the background, walking, to liven up the shot." See more »
John Marino's seat belt is straight (at around 36 mins) while he is driving Chris home from the Sailorman store, but it is twisted just before and just after. See more »
CANVAS is an autobiographical story by writer/director Joseph Greco and knowing that fact helps to forgive some of the weaknesses of the film. The story - how a family copes with the presence of paranoid schizophrenia and survives - comes from the heart and is as frank a film about the subject of mental illness as any out there. And for all the inherent tendencies to play it as a soap opera, the overriding effect is one of sharing lives challenged by the presence of a crushing disease.
Mary Marino (Marcia Gay Harden) has been afflicted with paranoid schizophrenia for nearly two years and her disease has affected her marriage to her working husband John (Joe Pantoliano in his best role to date) and her eleven year old son Chris (Devon Gearhart): John misses work to care for Mary and still pay for her mounting hospitalization and medical bills and Chris suffers abuse form his mocking school friends, frequently having to explain away his mother's erratic behavior. Mary paints (therapy) the same scene repeatedly, hears voices, and finally refuses to stay on her meds, a fact that results in her long-term hospitalization in a Psychiatric Hospital. John and Chris continue to love Mary despite the radical changes in their lives and each finds a means of coping: John goes on sick leave to build a sailboat for his wife and son in his backyard (he and Mary met and fell in love on a sailboat), and Chris takes up one of Mary's hobbies - sewing patches on shirts - and finds an audience and acceptance and income at his school. How the father and son survive and conquer their challenge presented by the mental illness of Mary serves to provide the ending to this story.
Each of the actors is excellent, especially Pantoliano. Harden is a solid actress but the script fails to capture the essence of her response to her disease. The film feels disjointed and inconsistent and has holes of undeveloped subplots and lines of thought that keep the movie grounded. But knowing that the story is true encourages the viewer to forgive the flaws and appreciate the tough subject matter that should help every viewer to better understand the effect of mental illness on a family. Grady Harp
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