Charlotte Bronte's classic novel is filmed yet again. The story of the Yorkshire orphan who becomes a governess to a young French girl and finds love with the brooding lord of the manor is ... See full summary »
Jane Eyre is an orphan cast out as a young girl by her aunt, Mrs. Reed, and sent to be raised in a harsh charity school for girls. There she learns to be come a teacher and eventually seeks... See full summary »
The story of Jane Eyre, the plain quakerish governess is told from her childhood until she arrives at Thornfield Hall to tutor the young Adele. She finds herself intrigued by and attracted ... See full summary »
Royal Navy captain Wentworth was haughtily turned down eight years ago as suitor of pompous baronet Sir Walter Elliot's daughter Anne, despite true love. Now he visits their former seaside ... See full summary »
Emma Woodhouse seems to be perfectly content, a loving father whom she cares for, friends, and a home. But Emma has a terrible habit - matchmaking. She cannot resist finding suitors for her... See full summary »
Jonny Lee Miller
The series tells the story of Amy Dorrit, who spends her days earning money for the family and looking after her proud father, who is a long term inmate of Marshalsea debtors' prison in ... See full summary »
Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »
The T.V. adaptation of Charlotte Bronte's novel Jane Eyre is about a young woman who becomes governess to the ward of Mr. Rochester, a brooding and enigmatic man. She falls in love with him. But what secrets lie in his past and threaten to enter his future? Written by
The lavender dress Jane wears when she prepares for Mary and Diana's return is the same dress Esther Summerson wears in 2005's Bleak House (2005). In "Jane Eyre" it is worn without a lace collar. See more »
The view from Jane's bedroom changes several times. See more »
Edward Fairfax Rochester:
Jane, I want a wife. I want a wife, not a nursemaid to look after me. I want a wife to share my bed every night. All day if we wish. If I can't have that, I'd rather die. We're not the platonic sort, Jane.
[Take his face in her hands as she faces him]
Can you see me?
[Rochester nods yes]
Then hear this Edward. Your life is not yours to give up. It is mine. All mine. And I forbid it.
[Begin kissing, camera pans out, music swells]
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...but now I am truly hooked. As I waited patiently for each hour of more Jane, I grew to admire the way the book was handled. Yes, much of Jane's past is missing, but what is there is captivating. Georgie Henley is scarily mature - more than she has a right to be - and her understanding of young Jane's gravity and passion was wonderfully portrayed.
When Ruth Wilson took the scene, I didn't see at first how she was the unearthly Jane I had read. But it became clearer and clearer, and by far she is the most human and understandable Jane yet. Her face speaks volumes as she says nothing. "That face," comments Toby Stephens' Rochester. It is true. Though we see her silent face many times, we have no problem guessing exactly what she is feeling.
At first, I thought Toby was disappointing. I quite liked the sarcasm of William Hurt in the 1996 version, and Mr. Stephens seemed more brash than sarcastic, more flirting than teasing. But it was the chemistry that quite obviously grew between these two characters that has solidified Toby Stephens as Edward Fairfax Rochester for me. For the first time in a movie version, I realized how much the two had become friends first, and then soul mates.
Two other things were handled extraordinarily. The sex and the scary. From dark corridors and floating candles, burning beds, portraits of mad people and blood dripping, Susanna White got her Gothic right. It is almost a ghost story. This suspense keeps the story from being overly lovey-dovey, and shows a real contrast between the white taffeta-covered aristocracy, and the darkly-clad Jane in Rochester's dim study.
As for the X factor, this is not Jane Austen. Women can have conversations with men alone in rooms. Dark-haired, exotic beauties can seduce with a look, cheat with a smile and sin the world round. All of it is not afraid to show up in this version. Rochester and Jane's connection, displayed quite innocently and platonic in some versions, blazes with passion in this. The flashbacks in the final hour of series are some of the steamiest and most emotionally charged parts of this production.
It's heart-warming, passionate, suspenseful, full of beautiful scenery and costuming; all in all, a whole 4 hours of excellent entertainment. Don't miss out.
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